Under the Radar


Book Description

It is rare for a complete biography of an Australian scientist, particularly of an Australian woman scientist, to be published. It is rarer for such a book to be co-authored by an American. Although scientists have written discourses on the history of their discipline, it is most unusual for a scientist to write a full length biography of a colleague in his ?eld. It is also uncommon for a man to write about an Australian woman scientist; most of the work on Australian women scientists has been done by other women. However, these authors, both distinguished researchers in the ?eld of radio astr- omy, became so interested in the history of their discipline and in the career of the pioneer radio astronomer Ruby Payne-Scott that they spent some years bringing this book to fruition. Until relatively recently, Ruby Payne-Scott had been the only woman scientist mentioned brie?y in histories of Australian science or of Australian radio astronomy. This book will be an invaluable resource for anyone interested in these disciplines. Being scientists themselves, the authors explain Payne-Scott’s scienti?c work in detail; therefore, the value and importance of her contributions can, for the ?rst time, be recognised, not only by historians but also by scientists.




Heart-life in Song


Book Description




Women in Turmoil


Book Description

Rediscovered plays voice same-sex desires and struggles for acceptance.




Staging Desire


Book Description

Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time




Physical Dramaturgy


Book Description

What is physical dramaturgy? While the traditional dramaturg shares research intellectually, the physical dramaturg does so viscerally and somatically. By combining elements of text, history, dramatic structure, and the author’s intent with movement analysis and physical theatre pedagogies, the physical dramaturg gives actors the opportunity to manifest their work in a connected and intuitive manner and creates a field that is as varied and rich as the theatre itself. Physical Dramaturgy: Perspectives from the Field explores the ways in which this unique role can benefit the production team during the design and rehearsal phases of both traditional and devised productions. Individual chapters look at new ways of approaching a wealth of physical worlds, from the works of Shakespeare and other period playwrights to the processes of Jerzy Grotowski, Lloyd Williamson, Richard Schechner, and Michael Chekhov, and devising original works in a variety of contexts from Pig Iron, Dell’Arte International, Bill Bowers and mime, Tectonic Theater Project, and Liz Lerman’s Dance Exchange. This anthology gives dramaturgs, actors, and directors new ways of looking at existing methods and provides examples of how to translate, combine, and adapt them into new explorations for training, rehearsal, or research.




Why We Have a Body


Book Description




Passing Performances


Book Description

Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.




I Have a Dog


Book Description

I have a dog. An inconvenient dog. When I wake up, my dog is inconvenient. When I'm getting dressed, my dog is inconvenient. And when I'm making tunnels, my dog is SUPER inconvenient. But sometimes, an inconvenient dog can be big and warm and cuddly. Sometimes, an inconvenient dog can be the most comforting friend in the whole wide world.




The Gay & Lesbian Theatrical Legacy


Book Description

Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time