The Trial / Der Proceß


Book Description

This edition contains the English translation and the original text in German. "The Trial" (original German title: "Der Process", later "Der Prozess", "Der Proceß" and "Der Prozeß") is a novel written by Franz Kafka in 1914 and 1915 but not published until 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor the reader. Like Kafka's other novels, "The Trial" was never completed, although it does include a chapter which brings the story to an end. Because of this, there are some inconsistencies and discontinuities in narration within the novel, such as disparities in timing. After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. In 1999, the book was listed in "Le Monde"'s 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century. "Der Process" (auch "Der Prozeß" oder "Der Proceß", Titel der Erstausgabe: "Der Prozess") ist neben "Der Verschollene" (auch unter dem Titel "Amerika" bekannt) und "Das Schloss" einer von drei unvollendeten und postum erschienenen Romanen von Franz Kafka.




Kafka's the Trial


Book Description

Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity (whether about himself, or the anonymous system he is facing), only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique.




Kafka's Last Trial


Book Description

When Franz Kafka died in 1924, his loyal friend and champion Max Brod could not bring himself to fulfil Kafka's last instruction: to burn his remaining manuscripts. Instead, Brod devoted the rest of his life to canonizing Kafka as the most prescient chronicler of the twentieth century. By betraying Kafka's last wish, Brod twice rescued his legacy - first from physical destruction, and then from obscurity. But that betrayal also led to an international legal battle over which country could lay claim to Kafka's legacy: Germany, where Kafka's own sister perished in the Holocaust and where he would have suffered a similar fate had he remained, or Israel? At once a brilliant biographical portrait of Kafka and Brod and the influential group of writers and intellectuals known as the Prague Circle, Kafka's Last Trial offers a gripping account of the controversial trial in Israeli courts - brimming with dilemmas legal, ethical, and political - that determined the fate of the manuscripts Brod had rescued when he fled with Kafka's papers at the last possible moment from Prague to Palestine in 1939. It describes a wrenching escape from Nazi invaders as the gates of Europe closed; of a love affair between exiles stranded in Tel Aviv; and two countries whose national obsessions with overcoming the traumas of the past came to a head in a fascinating and hotly contested trial. Ultimately, Benjamin Balint invites us to question: who owns a literary legacy - the country of one's language and birth or of one's cultural and religious affinities - and what nation can claim a right to it.




Metamorphosis and The Trial (Collins Classics)


Book Description

HarperCollins is proud to present its incredible range of best-loved, essential classics.




The Lost Writings


Book Description

A windfall for every reader: a trove of marvelous impossible-to-find Kafka stories in a masterful new translation by Michael Hofmann Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages). “Franz Kafka is the master of the literary fragment,” as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings.” In fact, as Hofmann recently added: “‘Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa’s sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There’s perhaps some distinction to be made between ‘finished' and ‘ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were ‘completed.' Some pieces break off, or are concluded, or stop—it doesn’t matter!—after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing.”




The Trial ; America ; The Castle ; Metamorphosis ; In the Penal Settlement ; The Great Wall of China ; Investigations of a Dog ; Letter to His Father ; The Diaries, 1910-23


Book Description

This volume contains the great works of fiction as well as the complete diaries and thus gives the reader considrable insight into the mind of this strange and powerful man.




The Metamorphosis + In the Penal Colony (2 contemporary translations by Ian Johnston)


Book Description

This carefully crafted ebook: "The Metamorphosis + In the Penal Colony (2 contemporary translations by Ian Johnston)" contains 2 books in one volume and is formatted for your eReader with a functional and detailed table of contents. The Metamorphosis is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repulsed by the horrible, verminous creature Gregor has become. "In the Penal Colony" is a short story by Franz Kafka written in German in October 1914, and first published in October 1919. The story is set in an unnamed penal colony. Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence. As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror.




The Trial


Book Description

Josef K., thirty, lives in a large town in an unspecified country when he is summoned to answer a charge and appear in the courtroom for his trial. Franz Kafka evokes all the realities of trial without any of the specifics in a society that seems to have degraded into chaos: a squalid environment, rats, and yellow liquid shooting out of a hole in the wall.




Margery Kempe


Book Description

Lust, religious zeal, and heartache come together in this provocative novel about two infatuations, one between a man and his young lover in the late 20th century and another between a 15th-century woman and Jesus Christ. First published in 1994, Robert Glück’s Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century. The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel. Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."




Franz Kafka


Book Description

In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects.