French & Continental Furniture, Decorations & Clocks
Author : Sotheby's (Firm)
Publisher :
Page : 684 pages
File Size : 25,22 MB
Release : 1987
Category : Clocks and watches
ISBN :
Author : Sotheby's (Firm)
Publisher :
Page : 684 pages
File Size : 25,22 MB
Release : 1987
Category : Clocks and watches
ISBN :
Author : Sotheby Parke Bernet Inc
Publisher :
Page : 100 pages
File Size : 24,54 MB
Release : 1975
Category : Art auctions
ISBN :
Author : Jeffrey Munger
Publisher : Metropolitan Museum of Art
Page : 315 pages
File Size : 35,85 MB
Release : 2018-05-09
Category : Antiques & Collectibles
ISBN : 1588396436
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author : Sotheby's (Firm)
Publisher :
Page : 762 pages
File Size : 26,83 MB
Release : 1986
Category : Furniture
ISBN :
Author :
Publisher :
Page : 104 pages
File Size : 48,93 MB
Release : 1982-06-28
Category :
ISBN :
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author :
Publisher :
Page : 144 pages
File Size : 16,68 MB
Release : 1986-10-06
Category :
ISBN :
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author : Sotheby Parke Bernet & Co
Publisher :
Page : 164 pages
File Size : 22,46 MB
Release : 1983
Category : Art
ISBN :
Author : Gillian Wilson
Publisher : J. Paul Getty Museum
Page : 0 pages
File Size : 38,88 MB
Release : 2021-03-30
Category : Design
ISBN : 9781606066300
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author :
Publisher :
Page : 460 pages
File Size : 25,74 MB
Release : 1986
Category : Antiques
ISBN :
Author : Daniëlle O. Kisluk-Grosheide,
Publisher : Metropolitan Museum of Art
Page : 300 pages
File Size : 15,61 MB
Release : 2006-05-30
Category : Design
ISBN : 0300104847
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.