French Post-modern Masculinities


Book Description

As traditional notions of masculinity have been put into question, there have been representational reactions to and articulations of changing masculinities in post-modern culture. Certain contemporary French cultural productions are illustrative of these changing masculinities and this book offers the first comprehensive examination of these manifestations. Acclaimed critic Lawrence Schehr uses analysis of AIDS narratives, mainstream films, popular novels, more mainstream novels, a graphic novel, and rightist polemics to explore the changing meaning of masculinity in French society. French Postmodern Masculinities will appeal to a broad range of researchers and postgraduate students working in French cultural studies, cinema, and twentieth- and twenty-first-century French literature.




Masculinity and Male Codes of Honor in Modern France


Book Description

In this study of upper-class masculinity from the end of the ancien régime in 1789 to the end of World War I, Robert Nye argues that manhood, masculinity, and male sexuality is, like femininity, a cultural construct, comprising a strict set of heroic ideals and codes of honor which few men have been able to realize in practice. In doing so, Nye destabilizes and historicizes the male body, and incorporates gender into the brand of cultural history inaugurated by Norbert Elias in the 1930s.




Border Masculinities


Book Description




The Making and Mirroring of Masculine Subjectivities


Book Description

This book shows how diverse, critical modern world narratives in prose fiction and film emphasize masculine subjectivities through affects and ethics. Highlighting diverse affects and mental states in subjective voices and modes, modern narratives reveal men as feeling, intersubjective beings, and not as detached masters of master narratives. Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. We gain a nuanced picture of diverse postpaternal postgentlemen emerging out of older character structures of the knight and gentleman.




French Cycling


Book Description

French Cycling: a Social and Cultural History aims to provide a balanced and detailed analytical survey of the complex leisure activity, sport, and industry that is cycling in France. Identifying key events, practices, stakeholders and institutions in the history of French cycling, the volumepresents an interdisciplinary analysis of how cycling has been significant in French society and culture since the late Nineteenth century. Cycling as Leisure is considered through reference to the adoption of the bicycle as an instrument of tourism and emancipation by women in the 1880s, forexample, or by study of the development in the 1990s of long-distance tourist cycle routes. Cycling as Sport and its attendant dimensions of amateurism/professionalism, national identity, the body and doping, and other issues is investigated through study of the history of the Tour de France, the track-racing organised at the Velodrome d'hiver in Paris in the 1920s and 1930s and otheremblematic events. Cycling as Industry and economic activity is considered through an assessment of how cycling firms have contributed to technological innovation at various junctures in France's economic development. Cycling and the Media is investigated through analysis of how cyclesport hascontributed to developments in the French press (in early decades) but also to new trends in television and radio coverage of sports events. Based on a very wide range of primary and secondary sources, the volume aims to present in clear language an explanation of the varied significance of cyclingin France over the last hundred years.




Roland Barthes at the Collège de France


Book Description

Roland Barthes at the Collège de France studies the four lecture courses given by Roland Barthes in Paris between 1977 and 1980, placing Barthes's teaching within institutional, intellectual, and personal contexts. Theoretically wide-ranging, Lucy O'Meara's account focuses on Barthes's pedagogical style and the insights they provide into his written works, including his focus on essayism and fragmentation and the negotiation between singularity and universality. Linking Barthes's strategies to broad intellectual influences, from Kant and Adorno to Zen and Taoist philosophies, O'Meara reassesses Barthes's critical and ethical priorities in the decade before his death, highlighting the vitality of his late thought.




Queer Maghrebi French


Book Description

"The New North-African Trend, Coming Out áa l'Orientale"--Cover.




Thresholds of Meaning


Book Description

Thresholds of Meaning examines contemporary French narrative and explores two related issues: the centrality within recent French fiction and autofiction of the themes of passage, ritual and liminality; and the thematic continuity which links this work with its literary ancestors of the 1960s and 1970s. Through the close analysis of novels and récits by Pierre Bergounioux, François Bon, Marie Darrieussecq, Hélène Lenoir, Laurent Mauvignier and Jean Rouaud, Duffy demonstrates the ways in which contemporary narrative, while capitalising on the formal lessons of the nouveau roman and drawing upon a shared repertoire of motifs and themes, engages with the complex processes by which meaning is produced in the referential world and, in particular, with the rituals and codes that social man brings into play in order to negotiate the various stages of the human life-cycle. By the application of concepts and models derived from ritual theory and from visual analysis, Thresholds of Meaning situates itself at the intersection of the developing field of literature and anthropology studies and research into word and image.




Spatial Ecologies


Book Description

Spatial Ecologies asks why French cultural and critical theory since 1968 has turned from investigating questions of time to examining space. Verena Conley ranges over the work of Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Auge, Paul Virilio, Bruno Latour, and Etienne Balibar to analyze how they reconsidered the experience of space in the midst of political and economic turmoil and to find out what writing about space can tell us about life in late capitalism. Conley links this question to Heidegger's concept of habitality and shows how this concept of space informs much of French theory.




The Noir Atlantic


Book Description

The Noir Atlantic follows the influence of African American author Chester Himes on Francophone African crime fiction. In 1953, Himes emigrated to Paris; he struggled there, just as he had in the United States. In 1957, his luck changed: the famous French Série noire brought out the first installment of his "Harlem crime series, La reine des pommes. Suddenly, he was a household name in France. Later, he would also have a significant influence on Francophone African writers; for them, Himes's blend of absurdist humor and violence offered an alternative to a high literary paradigm implanted during the colonial era. Likewise, his heterogeneous identity as American, black, and a writer of "French" bestsellers modeled an escape from the centripetal pull of the Métropole. Starting with Abasse Ndione's depictions of Senegal's marijuana-smoking subculture in La Vie en spirale (1982) and ending with Mongo Beti's 2001 Branle-bas en noir et blanc, set in Yaoundé, Cameroon, Francophone African crime fiction rejected French criteria of literary success; it embraced a new postcolonial aesthetic that emphasized entertaining the reader while making a living. The Noir Atlantic demonstrates why turning to what this study calls a "frivolous literary" mode represented a profound shift in perspective that anticipated more recent developments such as littérature monde.