Behind the Arras


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The Masks of Hamlet


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Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.




Medieval and Renaissance Drama in England


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Contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama. This work addressed topics ranging from local drama in the Shrewsbury borough records to the Cornish Mermaid in the Ordinalia.




Arras Hanging


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Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.







Hamlet


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1588


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Seinfeld


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Since coming to an end at the pinnacle of its popularity, Seinfeld’s story continues. The show’s enduring appeal has helped earn its creators billions of dollars and counting. Many of the most popular and acclaimed comedy series of the twenty-first century are direct descendants of Seinfeld’s style, and the show’s ideas are now woven into the ways people think and behave. The greatest sitcom of the final years of the broadcast era, Seinfeld broke the rules, changed both television and America forever, and remains a living part of American culture. Seinfeld: A Cultural History explores the show’s history with an engaging look at the show’s legendary co-creators, its supporters (and skeptics) at NBC, and its award-winning cast. By all the traditional rules of television, Seinfeld never should have made it to the air. Paul Arras pays close attention to the writers and writing of the show, offering a fresh look at the episodes themselves and assessing its broader cultural impact. Throughout he also dissects the show’s main quartet and the other memorable characters that foursome interacted with over the show’s eight seasons. With deep perception and good humor, this book considers what the adventures of Jerry, George, Kramer, and Elaine reveal about the nineties and what messages they pass along to twenty-first century viewers. Seinfeld: A Cultural History will lead any fan of the show back to the series to re-watch old episodes with new insights and observations. Readable and illuminating, the book’s well-researched discussion of the show’s background and legacy is an essential guide for Seinfeld viewers and scholars alike. Most of all, Seinfeld: A Cultural History is an enjoyable way to engage, or reengage, with one of the funniest shows of all time!




The Arras Witch Treatises


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English translations of two major treatises, Tinctor's Invectives and the anonymous Recollectio, that arose from the famous Arras witch hunts and trial in the mid-fifteenth century in France.