From Journey's End to The Dam Busters


Book Description

Kingston playwright R.C. Sherriff came to fame with his First World War drama Journeys End, which was based on his own experiences as a young officer on the Western Front. Its success made him a household name and opened the door to a highly lucrative career as a novelist, playwright and screenwriter in Hollywood and in Britain. Many of his movies The Invisible Man, Goodbye Mr Chips, The Four Feathers Odd Man Out, Quartet, and, of course, The Dam Busters are still well known, but the man behind them much less so. This book rediscovers Sherriff using his own words his letters, diaries, published and unpublished manuscripts to shed light on a man who ironically gained his greatest success from the trench warfare he found so difficult to bear.




Journey's End


Book Description

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.




Bomber Boys on Screen


Book Description

Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.




Chastise


Book Description

THE SUNDAY TIMES BESTSELLER A masterly history of the Dambusters raid from bestselling and critically acclaimed Max Hastings. Operation Chastise, the overnight destruction of the Möhne and Eder dams in north-west Germany by the RAF's 617 Squadron, was an epic that has passed into Britain's national legend. Max Hastings grew up embracing the story, the classic 1955 movie and the memory of Guy Gibson, the 24-year-old wing-commander who won the VC leading the raid. In the 21st Century, however, Hastings urges that we should review the Dambusters in much more complex shades. The aircrew's heroism was wholly authentic, as was the brilliance of Barnes Wallis, who invented the 'bouncing bombs'. But commanders who promised their young fliers that success could shorten the war fantasised wildly. What Germans call the Möhnekatastrophe imposed on the Nazi war machine temporary disruption, rather than a crippling blow. Hastings vividly describes the evolution of Wallis' bomb, and of the squadron which broke the dams at the cost of devastating losses. But he also portrays in harrowing detail those swept away by the torrents. Some 1,400 civilians perished in the biblical floods that swept through the Möhne valley, more than half of them Russian and Polish women, slave labourers under Hitler. Ironically, Air Marshal Sir Arthur 'Bomber' Harris gained much of the credit, though he opposed Chastise as a distraction from his city-burning blitz. He also made what the author describes as the operation's biggest mistake - the failure to launch a conventional attack on the Nazis' huge post-raid repair operation, which could have transformed the impact of the dam breaches upon Ruhr industry. Chastise offers a fascinating retake on legend by a master of the art. Hastings sets the dams raid in the big picture of the bomber offensive and of the Second World War, with moving portraits of the young airmen, so many of whom died; of Barnes Wallis; the monstrous Harris; the tragic Guy Gibson, together with superb narrative of the action of one of the most extraordinary episodes in British history.




Handbook of British Literature and Culture of the First World War


Book Description

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.




Public Schools and the Second World War


Book Description

A historical analysis of the contribution of Great Britain’s public schools to the conduct of World War II. Following their ground-breaking book on Public Schools and the Great War, David Walsh and Anthony Seldon now examine how those same schools fared in the Second World War. They use eye-witness testimony to recount stories of resilience and improvisation in 1940 as the likelihood of invasion and the terrors of the Blitz threatened the very survival of public schools. They also assess the giant impact that public school alumni contributed to every aspect of the war effort. The authors examine how the “People’s War” brought social cohesion, with the opportunity to end public school exclusiveness to the fore, encouraged by Winston Churchill among others. That opportunity was ironically squandered by the otherwise radical Clement Attlee’s post-war Labour government, prolonging the “public school problem” right through to the present day. The public schools shaped twentieth century history profoundly, never more so than in the conduct of both its world wars. The impact of the schools on both wars was very different, as were the legacies. Drawing widely on primary source material and personal accounts of inspiring courage and endurance, this book is full of profound historical reflection and is essential reading for all who want to understand the history of modern Britain.




Fighting Proud


Book Description

In this astonishing new history of wartime Britain, historian Stephen Bourne unearths the fascinating stories of the gay men who served in the armed forces and at home, and brings to light the great unheralded contribution they made to the war effort. Fighting Proud weaves together the remarkable lives of these men, from RAF hero Ian Gleed - a Flying Ace twice honoured for bravery by King George VI - to the infantry officers serving in the trenches on the Western Front in WWI - many of whom led the charges into machine-gun fire only to find themselves court-martialled after the war for indecent behaviour. Behind the lines, Alan Turing's work on breaking the 'enigma machine' and subsequent persecution contrasts with the many stories of love and courage in Blitzed-out London, with new wartime diaries and letters unearthed for the first time. Bourne tells the bitterly sad story of Ivor Novello, who wrote the WWI anthem 'Keep the Home Fires Burning', and the crucial work of Noel Coward - who was hated by Hitler for his work entertaining the troops. Fighting Proud also includes a wealth of long-suppressed wartime photography subsequently ignored by mainstream historians. This book is a monument to the bravery, sacrifice and honour shown by a persecuted minority, who contributed during Britain's hour of need.




War, Espionage, and Masculinity in British Fiction


Book Description

'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century. Studies of Rudyard Kipling’s 'The Light That Failed' (1891) and Erskine Childer’s 'The Riddle of the Sands' (1903) investigate masculinities from before World War I, at the height of the British Empire. A discussion of R.C. Sherriff’s play 'Journey’s End' takes readers to the battlefields of World War I, where duty and the harsh realities of modern warfare require men to perform, perhaps to die, perhaps to be unmanned by shellshock. From there we see how Dorothy Sayers developed the character of Peter Wimsey as a model of masculinity, both strong and successful despite his own shellshock in the years between the world wars. Graham Greene’s The Heart of the Matter (1948) and The Quiet American (1955) show masculinities shaken and questioning their roles and their country’s after neither world war ended all wars and the Empire rapidly lost ground. Two chapters on 'The Innocent' (1990), Ian McEwan’s fictional account of a real collaboration between Great Britain and the United States to build a tunnel that would allow them to spy on the Soviet Union, dig deeply into the 1950’s Cold War to examine the fictional masculinity of the British protagonist and the real world and fictional masculinities projected by the countries involved. Explorations of Ian Fleming’s 'Casino Royale' (1953) and 'The Living Daylights' (1962) continue the Cold War theme. Discussion of the latter film shows a confident, infallible masculinity, optimistic at the prospect of glasnost and the potential end of Cold War hostilities. John le Carré’s 'The Night Manager' (1993) and its television adaptation take espionage past the Cold War. The final chapter on Ian McEwan’s 'Saturday' (2005) shows one man’s reaction to 9/11.




Journey's End


Book Description

R C Sherriff’s Journey’s End is a syllabus text and the most famous play about World War One. First staged in 1928, this book tells the story of what went into the making of this extraordinary and powerful trench drama. It outlines Sherriff’s career from humble insurance clerk to infantry officer and his unforgettable 10 months on the western front before he was invalided home, lucky to be alive. Sherriff poured into his first professional play his personal experience of living in a front-line dug-out. Using his diary and letters home, the book charts his emotional life under fire and relates it directly to the play, its events and its characters. It also tells the story of Journey’s End’s incredible box office success across the world, a triumph which made its shy young author famous overnight. Taking in the history of the show right up to the most recent productions, Journey’s End: The Classic War Play Explored is a meditation on Journey’s End’s achievement as a war document, its fascination for audiences when it was first staged and its continuing grip on theatregoers and students today.




Directory of World Cinema: Britain 2


Book Description

The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present. In this, the second volume, the contributors focus on specific periods and trace the evolutions of individual genres and directors. A complementary edition rather than an update of its predecessor, the book offers essays on war and family films, as well as on LGBT cinema and representations of disability in British films. Contributors consider established British directors such as Ken Loach and Danny Boyle as well as newcomer Ben Wheatley, who directed the fabulously strange A Field in England. This volume also shines the spotlight on the British Film Institute and its role in funding, preservation, and education in relation to British cinema. A must read for any fan of film, the history of the United Kingdom, or international artistic traditions, Directory of World Cinema: Britain 2 will find an appreciative audience both within and outside academia.