Furetiere's Roman Bourgeois and the Problem of Exchange: Titular Economies


Book Description

"'If Furetiere (1619-1688) hadn't been friends with Racine and Boileau, if he hadn't been famous for his Dictionary and for his battle with the Academie Francaise, it is unlikely that we would still be speaking of the Roman bourgeois (1666). Its qualities are decidedly few. One cannot even say in its favour that it bears witness to a period and a moment in our literary history.' So writes Antoine Adam in his magisterial history of 17th-century French literature. But whatever one might feel about the aesthetic value of the Roman bourgeois - and following Adam it is usually classified as a precocious though failed example of narrative realism, sadly out of step with the classicism of its time - can we really say that it bears no witness to its period? Craig Moyes shows on the contrary how, within the disarticulated narrative of the Roman bourgeois, Furetiere - the titular abbot, the sitting academician, the secret lexicographer, the experimental novelist - was uniquely placed to explore a changing literary economy marked most spectacularly by the trial of Nicolas Fouquet (1661-1664), the decline of aristocratic largesse, and the subsequent centralization of artistic patronage around the personal reign of Louis XIV and the new administration of Colbert."




Distinction


Book Description

Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.




Curiosities of Literature


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Paratexts


Book Description

Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.




The Bourgeois Virtues


Book Description

For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s The Bourgeois Virtues, a magnum opus that offers a radical view: capitalism is good for us. McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations. High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.




The Public Mirror


Book Description

Though much beloved and widely produced, Molière's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Molière's theater, as many have done, Larry F. Norman takes seriously Molière's claim that his satires are first and foremost effective theater. Pairing close readings of Molière's comedies with insightful accounts of French social history and aesthetics, Norman shows how Molière conceived of satire as a "public mirror" provoking dynamic exchange and conflict with audience members obsessed with their own images. Drawing on these tensions, Molière portrays characters satirizing one another on stage, with their reactions providing dramatic conflict and propelling comic dialogue. By laying bare his society's system of imagining itself, Molière's satires both enthralled and enraged his original audience and provide us with a crucial key to the classical culture of representation.




The Cambridge History of French Literature


Book Description

The most comprehensive history of literature written in French ever produced in English.




Libertine Enlightenment


Book Description

Sex in the Eighteenth-century was not simply a pleasure; it had profound philosophical and political implications. This book explores those implications, and in particular the links between sexual freedom and liberty in a variety of European and British contexts. Discussing prostitutes and politicians, philosophers and charlatans, confidence tricksters and novelists, Libertine Enlightenment presents a fascinating overview of the sexual dimension of enlightened modernity.




From the Royal to the Republican Body


Book Description

In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.