Galeria Gabriela Mistral 2009


Book Description

A brief review of the exhibitions held at the nonprofit art gallery that has become a pioneering landmark of public art space in Santiago. This single volume encompass all the exhibitions held in 2009 in the gallery. Each show, from assembly through exhibition was documented through photographs and audiovisual tools, as well as interviews and inauguration conference of each artist.




Galería Gabriela Mistral 2010


Book Description

A brief review of the exhibitions held at the non-profit art gallery that has become a pioneering landmark of public art space in Santiago. This single volume encompass all the exhibitions held in 2010.




Encounters in Video Art in Latin America


Book Description

With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.




Juan Luis Martínez’s Philosophical Poetics


Book Description

Juan Luis Martínez’s Philosophical Poetics is the first English-language monograph on this Chilean visual artist and poet (1942–1993). It has two principal aims: first, to introduce Martínez’s poetry and radical aesthetics to English-speaking audiences, and second, to carefully analyze key aspects of his literary production. The readings undertaken in this book explore Martínez’s intricate textual formalisms, the self-effacement that characterizes his poetry, and the tension between his local (Latin American, Chilean) aspect and the cosmopolitanism or transnationalism that insists on the global relevance of his work. Through his artistic engagement with a number of esoteric concepts—for example, his recuperation of pataphysical “logic” and Oulipian combinatorics, mathematical reasoning, Eastern thought, and the historical avant-gardes—Martínez creates a rigorous quasi-system of citation and erasure that is a philosophical poetics as well as a poetic philosophy. Juan Luis Martínez’s Philosophical Poetics thus addresses all major publications by this groundbreaking Chilean artist and poet in order to read his difficult, experimental texts by focusing on the tension he creates between philosophical, political, literary, and scientific discourses.




City/Art


Book Description

In City/Art, anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and more—combines with nationalist rhetoric and historical discourse to define Latin American cities. Taken together, the essays model different ways of approaching Latin America’s urban centers not only as places that inspire and house creative practices but also as ongoing collective creative endeavors themselves. The essays range from an examination of how differences of scale and point of view affect people’s experience of everyday life in Mexico City to a reflection on the transformation of a prison into a shopping mall in Uruguay, and from an analysis of Buenos Aires’s preoccupation with its own status and cultural identity to a consideration of what Miami means to Cubans in the United States. Contributors delve into the aspirations embodied in the modernist urbanism of Brasília and the work of Lotty Rosenfeld, a Santiago performance artist who addresses the intersections of art, urban landscapes, and daily life. One author assesses the political possibilities of public art through an analysis of subway-station mosaics and Julio Cortázar’s short story “Graffiti,” while others look at the representation of Buenos Aires as a “Jewish elsewhere” in twentieth-century fiction and at two different responses to urban crisis in Rio de Janeiro. The collection closes with an essay by a member of the São Paulo urban intervention group Arte/Cidade, which invades office buildings, de-industrialized sites, and other vacant areas to install collectively produced works of art. Like that group, City/Art provides original, alternative perspectives on specific urban sites so that they can be seen anew. Contributors. Hugo Achugar, Rebecca E. Biron, Nelson Brissac Peixoto, Néstor García Canclini, Adrián Gorelik, James Holston, Amy Kaminsky, Samuel Neal Lockhart, José Quiroga, Nelly Richard, Marcy Schwartz, George Yúdice




Ivan Navarro. The threshold. Catalogo della mostra (Venezia, 7 giugno-22 novembre 2009). Ediz. multilingue


Book Description

"Ivan Navarro (Santiago, Chile, 1972) belongs to a generation of artists raised under the Pinochet dictatorship, an experience that shaped their artistic vision and gave rise to a new cultural expression." "His work springs from a singular investigation of the potentials of energy: by elaborating luminous constructions, and employing the principles of energy conversion, Navarro creates functional sculptures and objects of great visual impact and structural complexity." "Among his best known works are the Electric Chairs made of fluorescent tubes, generating objects of impressive design whose fragility and high voltage undermine the seductive qualities of ergonomic perfection." "Navarro's art reflects on Minimalism and transcends its pure formalism by addressing social and political issues, with an underlying critique of power and authority." --Book Jacket.




The Discourse of History


Book Description

Taking a Systemic Functional Linguistic perspective, this book explores how language builds our knowledge about the past and gives value to historical events, thereby shaping contemporary culture. It brings together cutting-edge research from an international team of scholars to provide a detailed study of texts from three different world languages (English, Spanish, and Mandarin Chinese) – revealing how the discourse of history is constructed in these languages. Each chapter provides examples and step-by-step analyses of how knowledge and value are constructed in history texts, drawing on Systemic Functional Linguistics to develop theory and description in relation to text analysis. It also makes connections with disciplinary literacy and history education, showing how linguistic findings can benefit the teaching and learning of historical literacy. Providing theoretical and analytical foundations for studies of the discourse of history, it is essential reading for anyone interested in literacy, discourse analysis, and language description.




Post-Global Aesthetics


Book Description

Phenomena such as the Covid-19 pandemic, climate change, or the surge of political populism show that the current phase of accelerated globalization is over. New concepts are needed in order to respond to this exhaustion of the global project: the volume scrutinizes these responses in the aesthetic realm and under a "post-global" banner, while incorporating alternative, non-Western epistemologies and literatures of the post-colonial Global South.




Prospect.1 New Orleans


Book Description

As the accompanying publication to the largest exhibition of contemporary art ever assembled in the U.S., the Prospect.1 New Orleans catalogue is one of the most sought-after art books of 2008-09. Featuring new illustrated essays on New Orleans and its place in twenty-first century America by Prospect.1 organizer Dan Cameron, art historian Barbara Bloemink, journalist Lolis Eric Elie and curator Claire Tancons, the book also includes a fully illustrated section on each of the 81 participating artists, who include William Kentridge, Trenton Doyle Hancock, Fred Tomaselli, Cai Guo Qiang, Sanford Biggers, Tony Fitzpatrick, Amy Sillman, Malick Sidibe, Clare E. Rojas and Monica Bonvicini, among many others. Locating contemporary art in the cauldron that is New Orleans adds a new dimension to the book and its visuals: It's an incisive statement on art making and humanity today. Dan Cameron, the Director and Curator of Prospect.1 New Orleans, is an international New York-based curator who was inspired to organize an exhibition in New Orleans shortly after Hurricane Katrina in 2005. Cameron has been a frequent visitor to New Orleans since the late 1980s, and he organized the 1995 New Orleans Triennial for the New Orleans Museum of Art. In May 2007 Cameron took on the position of Visual Arts Director at the New Orleans Contemporary Arts Center (CAC), one of the leading venues for new art in the South, and a principal venue for Prospect.1 New Orleans.




Art Nexus


Book Description