The Dog Book


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The Dog Fancier


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The American Book of the Dog - The Origin, Development, Special Characteristics, Utility, Breeding, Training, Points of Judging, Diseases, and Kennel Management of all Breeds of Dogs


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First published in 1891. A fascinating collection of essays on the breeding, characteristics and training of each of the major breeds of dogs in the United States. Including essays on the English and Irish Setter, the Pointer, Greyhound, Deerhound, Foxhound, Basset Hound, Dachshund, Bloodhound, Russian Wolfhound, Beagle Hound, Water Spaniel, Sussex Spaniel, Field Spaniel, the Chesapeake Bay Dog, the Bedlington, Irish, Bull, White English, Yorkshire , Airedale, Scottish, Skye and Maltese Terriers, Collie, Old English Sheep Dog, Great Dane, Newfoundland, Mastiff, Bulldog, Dalmatian, Pug, Mexican Hairless Dog and Toy Spaniels. This text has been republished here for its historical and cultural significance. Including a new introduction on dog breeding.




Animals as Disguised Symbols in Renaissance Art


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The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2




Strange Dogs


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A novella set in the hard-scrabble world of James S. A. Corey's NYT-bestselling Expanse series, Strange Dogs follows a family of colonists on Laconia where a new generation of humanity struggles with the profound changes that come with making a home on an alien world. Now a Prime Original series. This story will be available in the complete Expanse story collection, Memory’s Legion. HUGO AWARD WINNER FOR BEST SERIES Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach. But soon the soldiers followed and under this new order Cara makes a discovery that will change everything. The Expanse Leviathan Wakes Caliban's War Abaddon's Gate Cibola Burn Nemesis Games Babylon's Ashes Persepolis Rising Tiamat's Wrath ​Leviathan Falls Memory's Legion The Expanse Short Fiction Drive The Butcher of Anderson Station Gods of Risk The Churn The Vital Abyss Strange Dogs Auberon The Sins of Our Fathers




Animal Encounters in Valerius Flaccus’ Argonautica


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This first in-depth study of Valerius Flaccus’ animals reveals their role in his poetic programme and the manifold ways in which he establishes their subjectivity. In one encounter, a trapped bird becomes a tragic victim, while the trapper is dehumanized. Elsewhere there are touching portrayals of animal/human camaraderie and friendship. Furthermore, Valerius’ provocative consideration of the ‘monstrous’ challenges simplistic definitions of any being’s nature, or the nature of relationships across species. His challenge entails profound ethical implications for his Roman readership, which resonate with us as we assess our own relationship to animals and the natural world today.




Michelangelo in Print


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In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.




Francesco Bartolozzi, R.A.


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Otto.