Gardens of the Renaissance


Book Description

Whether part of a grand villa or an extension of a common kitchen, gardens in the Renaissance were planted and treasured in all reaches of society. Illuminated manuscripts of the period offer a glimpse into how people at the time pictured, used, and enjoyed these idyllic green spaces. This illustrated volume explores gardens on many levels, from the literary Garden of Love and the biblical Garden of Eden to courtly gardens of the nobility, and reports on the many activities that took place there.







Villas and Gardens of the Renaissance


Book Description

A stunning collection of photographs celebrating the excellence of the Italian Renaissance period through palaces and gardens built between the fifteenth and sixteenth centuries. The book illustrates nine locations of extraordinary artistic and architectural interest, conceived by prominent Italian families and dynasties as urban villas or country houses centered around the pursuit of entertainment and leisure. These lavishly decorated and frescoed palaces are adorned with handcrafted furniture and works of art and surrounded by gardens that retain their original layout to this day--a very rare feature. An historical text introduces each property, giving an overview of its origins. The villas have been specially photographed for this book by Dario Fusaro, with views of both the palace interiors and their grounds, as well as the gardens, glimpses of the halls, details of the furnishings, and a focus on the frescoes, where still preserved. Explanatory text offers insights on the most interesting frescoes, such as those of Veronese at Villa Barbaro. For the first time, Fusaro also employs a drone with the purpose of capturing the architectural structure and elements of each Italian Renaissance garden, from above and as a whole. This all-access volume is essential for fans and readers interested in Italian art, for those who love to travel through Italy in search of places of artistic interest, and for those seeking out green tourist destinations.







Gardens of Renaissance Europe and the Islamic Empires


Book Description

The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.




The Renaissance Garden in England


Book Description

Revealing the glories of the English formal gardens of the Tudors and Stuarts, which ranked among the masterpieces of Renaissance Europe.




The Monster in the Garden


Book Description

In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.




Literature and the Renaissance Garden from Elizabeth I to Charles II


Book Description

Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.




The Garden of Love in Tuscan Art of the Early Renaissance


Book Description

"The Garden of Love is an important subject in secular art of the fifteenth century, both in Italy and in northern Europe. The chief Italian examples were all painted in Tuscany in the late fourteenth and early fifteenth centuries. They depict a landscape consisting of a flowery meadow, a grove, and a great marble fountain, where lovers gather to sing, dance, and make love. Allied to the Garden of Love are variations on a horticultural theme--gardens for lovers celebrated in history, fountains of love, hunts set in a forest that conclude alongside a fountain. Sometimes, too, the Garden of Love becomes the setting for narratives and romances. In all these instances the Garden is more than a pleasing tapestry like backdrop: it serves as a visible symbol of the nature of love itself. This book illustrated with 97 excellent photographs, attempts to do two things ; to chart the history of the Garden of Love, and explain the significance it once had." -- Book jacket.