Plays by David Garrick and George Colman the Elder


Book Description

As playwrights David Garrick and George Colman the Elder showed themselves to be practical men of the theatre, providing excellent acting parts and well-constructed scenes capable of provoking laughter in any age. At one time they were rival managers of the two main London theatres, Drury Lane and Covent Garden, but their friendship was greater than their rivalry and survived until Garrick's death. This volume includes five plays: three short farces by Garrick, a full-length play by Colman and the famous collaborative work The Clandestine Marriage. The playwrights' abilities complemented each other and their eventual parting illustrates the divergence of comic styles that were popular at the time - the satirical and the sentimental. In his introduction Mr Wood describes the composition and expectations of the contemporary London audiences and the theatrical careers of the two playwright-managers.




Plays by George Colman the Younger and Thomas Morton


Book Description

This volume contains edited texts of five plays by two late eighteenth-century dramatists. The plays have been chosen to represent the range of the two playwrights and the variety of dramatic material on offer during the period. The full-length plays and afterpieces by George Colman the Younger and Thomas Morton were as popular as Sheridan's works in their time, but today are seldom performed or read. This discrepancy lies at the heart of Barry Sutcliffe's extensive introduction, which explores the critical and social background to the dramatic activity of the period and relates the dramas to the shifting demands of the theatre audiences for whom these plays were written.




The Plays of George Colman the Younger


Book Description

Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.



















Belgravia


Book Description