George Stubbs: 50 Chapters of an Imagined Biography


Book Description

This biography of George Stubbs, leading eighteenth century English animal painter, is "imagined", because virtually nothing is known of his character or private life. Historian Merritt Abrash has combined his knowledge of eighteenth century Great Britain with the facts of Stubbs' artistic career and the evidence of his paintings, in order to create stories providing insights into the kind of man the artist might have been. The fifty stories consist of episodes, imaginary but not impossible, which present Stubbs at different moments of life, from the confidence, strivings and adventures of youth to the doubts, fears and deeper understandings of old age. His interactions with fellow artists--Gainsborough, Reynolds, Turner, Blake and others less famous--are often contentious, and encounters with prominent contemporaries such as Dr. Johnson, Gibbon, Wesley and Smith take surprising turns. Stories dealing with his independent-minded common-law wife, their son and personal friends reveal Stubbs experiencing both joy and grief.' His character emerges as centered on the conviction that truth is to be found in the rationally observed factuality of life, yet occurrences in some episodes prove to be beyond factual explanation, leading him instead to unexpected spiritual insights.




Fourteen Fraught Fables and One Debatable Day


Book Description

As suggested by the title Fourteen Fraught Fables and One Debatable Day, this book is composed of two independent parts. The fourteen fables are brief subjective tales, some which might be called surreal, others simply fantastic, but all of them bizarre products of a rare imagination. They take place in a world which seems at first very like our own, but which by the end of each has altered into something disconcertingly unexpected. A characteristic example: through sheer will power, the narrator rides his exercise bicycle off its stand and into realms he had never dreamt of. The longer work, One Debatable Day, tells of the humorously narrated quest by Valentinevery much of an Everyman in his virtues and shortcomingsto find out what the particular day of the story should be about. This proves more difficult than he (or the reader) might have thought, since Valentines commitment to simple honesty and his respect for sincerity in relationships are shared by few of the wide range of people he encounters. Not until he has shaken himself free from exaggerated aestheticism, political hypocrisy and self-serving religious formulations does he finally gain insight into what the day should be about, aided by a presumed guardian angel and a movie-buff cavalry horse. His search is fulfilled in extended episodes of original humor, both high and low, playing out against the background of the desire of every human being to understand how each of ones days ought to be lived.




Beasts of Burden


Book Description

In Beasts of Burden, Ron Broglio examines how lives—human and animal—were counted in rural England and Scotland during the Romantic period. During this time, Britain experienced unprecedented data collection from censuses, ordinance surveys, and measurements of resources, all used to quantify the life and productivity of the nation. It was the dawn of biopolitics—the age in which biological life and its abilities became regulated by the state. Borne primarily by workers and livestock, nowhere was this regulation felt more powerfully than in the fields, commons, and enclosures. Using literature, art, and cultural texts of the period, Broglio explores the apparatus of biopolitics during the age of Adam Smith and Thomas Malthus. He looks at how data collection turned everyday life into citizenship and nationalism and how labor class poets and artists recorded and resisted the burden of this new biopolitical life. The author reveals how the frictions of material life work over and against designs by the state to form a unified biopolitical Britain. At its most radical, this book changes what constitutes the central concerns of the Romantic period and which texts are valuable for understanding the formation of a nation, its agriculture, and its rural landscapes.




Liberating Medicine, 1720–1835


Book Description

During the 18th century medicine became an autonomous discipline and practice. Surgeons justified themselves as skilled practitioners and set themselves apart from the unspecialized, hack barber-surgeons of early modernity. This title presents 17 essays on the relationship between medicine and literature during the Enlightenment.




Picturing Animals in Britain, 1750-1850


Book Description

From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.




Ways of Seeing


Book Description

Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.




Indian Angles


Book Description

A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.




The Athenaeum


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Athenaeum


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The Athenaeum


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