Georgic Rest and Pastoral Labor


Book Description

"Although John Clare, a Romantic era poet, has been lauded as one of the earliest environmental poets, few scholars have identified the specifics of his environmental argument. Clare's position seems obscure not only because his position shifts but also because he draws heavily on pastoral and georgic literature to craft his environmental claims. Clare's complex transformations of georgic and pastoral themes reveal his desire to form what I call a mingled community, one that strives to include humans and non-human nature. Much Clare criticism has examined the same poems, particularly his political poem, "The Mores." My work analyzes this poem but, to create a larger poetic context, I will also examine "Proposals for Building a Cottage" and "The Cottager." The former text evokes georgic poetry, but resembles a pastoral; in contrast, "The Cottager" clearly adheres to georgic poetry, while still utilizing various pastoral elements. The complex relationship these poems have with classical poetry help illuminate "The Mores." Although this poem seems less related to typical pastoral and georgic tropes, its subtle connections embody Clare's environmental argument. After examining "The Mores," which depicts wild nature alongside a human community, I will explore Clare's badger poems. These poems illustrate the mingled community that Clare wishes to build between the natural environment and humans, and establishes his status as an environmental poet. AND In 1903, Mary Wilkins Freeman published a volume of short stories. The stories in Six Trees (1903) revolve around a transformative experience. Freeman inflects all the stories with a strong environmental argument informed by gender that makes her much more of an environmental writer than most scholars have acknowledged. The author argues in each story that people need a connection to nature, whether that is a great pine in the middle of the wilderness or an ornamental poplar in the front yard. Without this connection, people lose track of what is important and begin to overemphasize humanity, forgetting not only that nature has a place in the world but also that nature can promote spiritual enlightenment. Freeman asks her readers to replace outdated and anthropocentric religious models with a more inclusive spiritualty that incorporates nature and emphasizes relationships between humanity and the nonhuman world. I will examine how each story contributes to Freeman's ecofeminist argument. Throughout the collection, the illustrations form a meta-text, one that complicates the main text. By examining the interaction between the text and the illustrations, Freeman's ecofeminism emerges. Ultimately, my analysis of Six Trees will demonstrate Freeman's importance to the environmental canon and early ecofeminism."--Abstract from author supplied metadata.




The Georgic Revolution


Book Description

Low discusses the courtly or aristocratic ideal as the great enemy of the georgic spirit, and shows that georgic powerfully invaded English poetry in the years from 1590 to 1700. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




William Wordsworth in Context


Book Description

This book provides the essential contexts for an understanding of all aspects of the major English Romantic poet, William Wordsworth.




Australian Pastoral


Book Description

Australian Pastoral is a radical history of the pastoral landscape in Australian painting. As a primary means through which white settlement was described and legitimised, the pastoral was transcendent in European Australian art from the late eighteenth to the middle of the twentieth century. This book shows how pastoralism displaced all in its path, and how the pastoral landscape became a special art form in Australia and the primary means through which 'whiteness' and the taming of Australia was celebrated in painting. The book traces the history of pastoral painting through to the emergence in recent times of a black 'pastoral' landscape painting.




Augustan Subjects


Book Description

The fifteen essays in this volume, written by friends, colleagues, and former students, attempt both to acknowledge and to honor Martin C. Battestin's many contributions to our understanding of the literature and art of the so-called Augustan period.




Georgic Literature and the Environment


Book Description

This expansive edited collection explores in depth the georgic genre and its connections to the natural world. Together, its chapters demonstrate that georgic—a genre based primarily on two classical poems about farming, Virgil’s Georgics and Hesiod’s Works and Days—has been reworked by writers throughout modern and early modern English-language literary history as a way of thinking about humans’ relationships with the environment. The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of ‘nature writing’ that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis. This is a much-needed volume for literary critics, academics and students engaged in ecocritical studies, environmental humanities and literature, addressing a significantly overlooked environmental literary genre.




The Georgic


Book Description




Thomas Hardy's Pastoral


Book Description

This book reads Hardy's poetry of the rural as deeply rooted in the historical tradition of the pastoral mode even as it complicates and extends it. It shows that in addition to reinstating the original tensions of classical pastoral, Hardy dramatizes a heightened awareness of complex communities and the relations of class, labour, and gender.




The Georgic Mode in Twentieth-Century American Literature


Book Description

The Georgic Mode in Twentieth-Century American Literature: The Satisfactions of Soil and Sweat explores environmental writing that foregrounds labor. Ethan Mannon argues that Virgil’s Georgics, as well as the georgic mode in general, exerted considerable influence upon some of America’s best-known writers—including Robert Frost, Willa Cather, and Wendell Berry—and that these and others worked to revise the mode to better fit their own contexts. This book also outlines the contemporary value of the georgic literary tradition—two thousand years of writing that begins with the premise that humans must use the world in order to survive and search for a balance between human needs and nature’s productive capacity. In the georgic mode, authors found an adaptable discourse that enabled them to advocate for the protection and responsible use of productive lands, present rural places and people in all of their complexity, explore human relationships with laboring animals, and advertise the sensory pleasures of rooted work.




American Georgics


Book Description

In classical terms the georgic celebrates the working landscape, cultivated to become fruitful and prosperous, in contrast to the idealized or fanciful landscapes of the pastoral. Arguing that economic considerations must become central to any understanding of the human community's engagement with the natural environment, Timothy Sweet identifies a distinct literary mode he calls the American georgic. Offering a fresh approach to ecocritical and environmentally-oriented literary studies, Sweet traces the history of the American georgic from its origins in late sixteenth-century English literature promoting the colonization of the Americas through the mid-nineteenth century, ending with George Perkins Marsh's Man and Nature (1864), the foundational text in the conservationist movement.