German and European Poetics After the Holocaust


Book Description

New essays on poetical and theoretical responses to the Holocaust's rupture of German and European civilization. Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film Shoah. Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway.




Traumatic Verses


Book Description

"Traumatic Verses provides psychoanalytically informed close readings of a range of poems and discusses their significance for aesthetic theory and for research on the camps. It also tells the stories behind the composition and preservation of these poems and the history of their publication since 1945. Most of the poems appear here for the first time in English translation along with the original texts.This book fills a gap left by literary historians, who have mostly ignored writings from the camps and avoided careful scrutiny of literature produced under the Nazi regime. Studies of trauma have concentrated on post-traumatic experiences; discussions of aesthetics after the Holocaust have neglected the issue of the artistic impulse in the camps. On both counts this book constitutes a unique contribution to scholarship, showing that, when read attentively, the poems written in the camps are invaluable sites for confronting the Nazi past." --book jacket.




Late Europeans and Melancholy Fiction at the Turn of the Millennium


Book Description

This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.




Collected Prose


Book Description

"Paul Celan (1920-1970) stands as one of the greatest post-war European poets, a writer whose painful struggle with the possibilities and limitations of German, his native language, has helped to define the response of poetry in the aftermath of the Holocaust." "The writings and aphorisms on poetry and art illuminate the sources of his language: he explores the condition of being a stranger in the world, the necessity - and limitation - of discourse, enlarging our understanding of the poet and his vocation. A spare and reluctant prose writer, Celan speaks with a quiet authority that insists on the centrality of poetry in the modern world."--BOOK JACKET.




Selected Poems and Prose of Paul Celan


Book Description

A bilingual collection of poetry by the German poet considered by many the major European poet since 1945 features a selection of lyrics, previously unpublished poems, and essays and speeches dealing with his Jewish heritage, alienation from society, and the nature of writing. Reprint.




The Terror of Our Days


Book Description

For these poets, who must accommodate what they cannot ignore or deny, writing becomes a moral obligation as commemoration, catharsis, atonement, history, insistence on human sensitivities, resistance to brutalization, indifference, and flight from consequences."--BOOK JACKET.




Poems Born in Bergen-Belsen


Book Description

A volume of poetry in which the author confronts God, the perpetrators of the Holocaust, and the bystanders to the genocide in which six million Jews were murdered. Menachem Rosensaft also reflects on other genocides, physical separation during the COVID-19 pandemic, and why Black lives matter, among other themes that inspire the reader to make the ghosts of the past an integral part of their present and future. About the AuthorMenachem Z. Rosensaft is the associate executive vice president and general counsel of the World Jewish Congress and teaches about the law of genocide at Columbia Law School and Cornell Law School. In addition to a law degree from Columbia Law School and a master's degree in modern European history from Columbia University, he received a master's degree in creative writing from Johns Hopkins University. He is the editor of God, Faith & Identity from the Ashes: Reflections of Children and Grandchildren of Holocaust Survivors (Jewish Lights Publishing, 2015). ***Through his haunting poems, my friend Menachem Rosensaft transports us into the forbidding universe of the Holocaust. Without pathos and eschewing the maudlin clichés that have become far too commonplace, he conveys with simultaneous sensitivity and bluntness the absolute sense of loss, deep-rooted anger directed at God and at humankind, and often cynical realism. His penetrating words are rooted in the knowledge that much of the world has failed to internalize the lessons of the most far-reaching genocide in history. The son of two survivors of Auschwitz and Bergen-Belsen, Menachem, brings us face to face with his five-and-a-half-year-old brother as he is separated from their mother and murdered in a Birkenau gas chamber. He then allows us to identify with the ghosts of other children who met the same tragic fate. Poems Born in Bergen-Belsen deserves a prominent place in Holocaust literature and belongs in the library of everyone who seeks to connect with what Elie Wiesel called the "kingdom of night." Ronald S. Lauder, President, World Jewish Congress. Ever since he was a college student and in the many decades since Menachem Rosensaft has been raising difficult questions. He has rarely if ever, turned away from a fight when truth and justice were at stake. That same honesty, conviction, and forthrightness are evident in these compelling poems. His passion about the horrors of genocide, prejudice, and hatred leaves the reader unsettled. And that is how it should be. Deborah Lipstadt, Ph.D., Professor of Modern Jewish History and Holocaust Studies, Emory University. Menachem Rosensaft's luminous poetry confirms that he is not only one of the most fearless chroniclers of our factual, hard history, but also a treasured narrator of our emotional inheritance. Each of his poems is a jewel of economy, memory, and pathos, and each is a crystallized snapshot of the strained times we are living in, as well as the past moments we wish we could unlive. Share this collection with the people you care about. Abigail Pogrebin, author of My Jewish Year 18 Holidays, One Wondering Jew




Poetry After Auschwitz


Book Description

The author reads through the poetry inspired by the Holocaust and concludes that many post-war poets have written about the events without ever witnessing them. (Literature)




Poesis in Extremis


Book Description

How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there? Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czeslaw Milosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of “poesis in extremis” when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation.




Tales from a Child of the Enemy


Book Description

A German woman recalls her childhood in the rubble of Hitler's Germany--and the shattering revelation, years later, of the Holocaust in this haunting sequence of prose poems. Interwoven with these are the wrenching stories of the Holocaust survivors and their children who were her neighbors in an Eastern neighborhood in Brooklyn in the mid-sixties. Duba's confrontation with his heritage is unflinching and the stories hard to forget.