Author : Richard Brilliant
Publisher : New Haven : Connecticut Academy of Arts & Sciences
Page : 250 pages
File Size : 12,45 MB
Release : 1963
Category : Antiques & Collectibles
ISBN :
Author : Richard Brilliant
Publisher :
Page : 432 pages
File Size : 37,89 MB
Release : 1963
Category : Gesture in art
ISBN :
Author : Richard Brilliant
Publisher : Reaktion Books
Page : 196 pages
File Size : 34,7 MB
Release : 1991
Category : Art
ISBN : 9780948462191
"General and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs ... Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society ... Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholders's response--the response he or she makes to the image itself and to the person it represents ... the power of this imaginative transaction between the subject, the artist and the beholder ... With 85 illustrations, 10 in full colour"--Back cover.
Author : Charles Reginald Dodwell
Publisher : Cambridge University Press
Page : 256 pages
File Size : 11,91 MB
Release : 2000
Category : Art
ISBN : 9780521661881
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.
Author : Glenys Davies
Publisher :
Page : 371 pages
File Size : 30,99 MB
Release : 2018-05-31
Category : Art
ISBN : 0521842735
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
Author : Gregory S. Aldrete
Publisher : Johns Hopkins University Press
Page : 0 pages
File Size : 26,85 MB
Release : 2003-11-05
Category : History
ISBN : 9780801877315
Life in Rome was relentlessly public, and oratory was at its heart. Orations were dramatic spectacles in which the speaker deployed an arsenal of rhetorical tricks and strategies aimed at arousing the emotions of the audience, and spectators responded vigorously and vocally with massed chants of praise or condemnation. Unfortunately, many aspects of these performances have been lost. In the first in-depth study of oratorical gestures and crowd acclamations as methods of communication at public spectacles, Gregory Aldrete sets out to recreate these vital missing components and to recapture the original context of ancient spectacles as interactive, dramatic, and contentious public performances. At the most basic level, this work is a study of communication—how Roman speakers communicated with their audiences, and how audiences in turn were able to reply and convey their reactions to the speakers. Aldrete begins by investigating how orators employed an extraordinarily sophisticated system of hand and body gestures in order to enhance the persuasive power of their speeches. He then turns to the target of these orations—the audience—and examines how they responded through the mechanism of acclamations, that is, rhythmically shouted comments. Aldrete finds much in these ancient spectacles that is relevant to modern questions of political propaganda, manipulation of public image, crowd behavior, and speechmaking. Readers with an interest in rhetoric, urban culture, or communications in any period will find the book informative, as will those working in art history, archaeology, history, and philology.
Author : George Alexander Kennedy
Publisher : Wipf and Stock Publishers
Page : 679 pages
File Size : 11,78 MB
Release : 2008-05-01
Category : Religion
ISBN : 1556359799
Recipient of the Charles J. Goodwin Award of Merit from the American Philological Association in 1975. The Goodwin Award is the only honor for scholarly achievement given by the Association. It is presented at the Annual Meeting for an outstanding contribution to classical scholarship published by a member of the association within a period of three years before the ending of the preceding calendar year. ""A remarkable and valuable achievement, balanced in judgment and attractively presented."" Journal of Roman Studies, ""This book is a reissue of the important 1972 work on the development of Greek and Latin oratory and rhetorical theory... Many students of the classics, and people interested in later European literatures as well, will find themselves turning to it again and again."" The Times Literary Supplement George A. Kennedy is Paddison Professor of Classics, Emeritus, at the University of North Carolina at Chapel Hill, a Fellow of the American Academy of Arts and Sciences, an elected Member of the American Philosophical Society, and Fellow of the Rhetoric Society of America. Under Presidents Carter and Reagan Dr. Kennedy served as member of the National Humanities Council. He was earlier President of the American Philological Association and of the International Society for the History of Rhetoric. He is author of 15 books, including Classical Rhetoric and its Christian and Secular Tradition from Ancient to Modern Times, New Testament Interpretation through Rhetorical Criticism, Comparative Rhetoric: An Historical and Cross-Cultural Introduction, Aristotle On Rhetoric: A Theory of Civic Discourse, and Progymnasmata: Greek Textbooks of Prose Composition, as well as numerous articles and translations into English from Greek, Latin, and French.
Author : Nathan Rosenstein
Publisher : John Wiley & Sons
Page : 769 pages
File Size : 12,94 MB
Release : 2011-09-07
Category : History
ISBN : 1444357204
This Companion provides an authoritative and up-to-date overview of Roman Republican history as it is currently practiced. Highlights recent developments, including archaeological discoveries, fresh approaches to textual sources, and the opening up of new areas of historical study Retains the drama of the Republic’s rise and fall Emphasizes not just the evidence of texts and physical remains, but also the models and assumptions that scholars bring to these artefacts Looks at the role played by the physical geography and environment of Italy Offers a compact but detailed narrative of military and political developments from the birth of the Roman Republic through to the death of Julius Caesar Discusses current controversies in the field
Author : Jane Masséglia
Publisher :
Page : 387 pages
File Size : 10,2 MB
Release : 2015
Category : Art
ISBN : 0198723598
Why are so many Hellenistic kings shown with one arm in the air? Could posture distinguish the slave from the citizen? Was there a Hellenistic etiquette of sitting down? How did Hellenistic Greeks feel about the bodies of the disabled and the elderly? And what did it mean to Tuck-for-Luck? This richly-illustrated book brings together a wide range of Hellenistic art objects, and reveals how ancient social attitudes were encoded in the body language of their subjects. Incorporating approaches from anthropology and archaeology, it considers a wide range of social groups, from the elite to slaves, and examines the postures, gestures, and body actions which were considered appropriate to each. By examining Hellenistic kings, queens, public intellectuals, citizen men and women, Africans, servants, paidagogoi, fishermen, peasants, old women, dwarfs, and the disabled, this study provides important new insights into what is 'Hellenistic' about Hellenistic Art, and into the anxieties of Hellenistic society. In doing so, it not only reconsiders familiar concepts such as the 'individuality' of the civic elite and the apparent passivity of women, but also reveals Hellenistic attitudes towards issues such as old age, race, and child abuse, and explores power, prejudice, and the role of art in both reflecting and enforcing social stereotypes.
Author : Michael Philip Penn
Publisher : University of Pennsylvania Press
Page : 196 pages
File Size : 24,10 MB
Release : 2013-10-09
Category : Family & Relationships
ISBN : 0812203321
In the first five centuries of the common era, the kiss was a distinctive and near-ubiquitous marker of Christianity. Although Christians did not invent the kiss—Jewish and pagan literature is filled with references to kisses between lovers, family members, and individuals in relationships of power and subordination—Christians kissed one another in highly specific settings and in ways that set them off from the non-Christian population. Christians kissed each other during prayer, Eucharist, baptism, and ordination and in connection with greeting, funerals, monastic vows, and martyrdom. As Michael Philip Penn shows in Kissing Christians, this ritual kiss played a key role in defining group membership and strengthening the social bond between the communal body and its individual members. Kissing Christians presents the first comprehensive study of the ritual kiss and how controversies surrounding it became part of larger debates regarding the internal structure of Christian communities and their relations with outsiders. Penn traces how Christian writers exalted those who kissed only fellow Christians, proclaimed that Jews did not have a kiss, prohibited exchanging the kiss with potential heretics, privileged the confessor's kiss, prohibited Christian men and women from kissing each other, and forbade laity from kissing clergy. Kissing Christians also investigates connections between kissing and group cohesion, kissing practices and purity concerns, and how Christian leaders used the motif of the kiss of Judas to examine theological notions of loyalty, unity, forgiveness, hierarchy, and subversion. Exploring connections between bodies, power, and performance, Kissing Christians bridges the gap between cultural and liturgical approaches to antiquity. It breaks significant new ground in its application of literary and sociological theory to liturgical history and will have a profound impact on these fields.
