Ghostly Parallels


Book Description

America's most eminent man of letters in his later years, and certainly one of the greatest Southern writers, Robert Penn Warren has increasingly come to be known for his poetry. Ghostly Parallels is a close examination of the heart of his poetic corpus-the eight collections published between 1935 and 1976: Thirty-Six Poems; Eleven Poems on the Same Theme; Promises; You, Emperors, and Others; Tale of Time; Incarnations; Or Else; and Can I See Arcturus from Where I Stand? Ghostly Parallels shows how Warren constructed collections of poems based on common subjects and contexts and also contends that, while the poems are distinctive, taken together they reveal intricate patterns of theme, imagery, and diction within explicit sequences. Runyon demonstrates that Warren's collections are integrated, well-crafted wholes, and each poem references its predecessor-sometimes in intriguingly self-referential ways. Runyon shows that despite the many changes in diction, tone, and subject that Warren underwent in his long career, his concern for writing his poems in such a way that they could reach out beyond themselves to other poems remained remarkably constant. In the arrangement Warren gave them, his poems form “ghostly parallels”-an expression that appears in “The Return: An Elegy,” where they refer to the railroad tracks that bring the poet home to his dying mother. This return to the mother is a persistent leitmotif in the poems and forms the other major theme of this study: Warren's personal poetic myth, in which such images as golden light and mirror images are signs of the mother's presence as both Danae, mother of Perseus, and Medusa, whom Perseus confronted. Through pursuing sequential patterns as well as echoes and myth, GhostlyParallels brings a wealth of insights to the work of this prolific novelist, critic, and essayist. An important guide for undergraduate and graduate students alike, Ghostly Parallels will also appeal to anyone with an interest in Robert Penn Warren and southern literature.




Tiny Beautiful Things


Book Description

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.




Ghostly Demarcations


Book Description

With the publication of Specters of Marx in 1993, Jacques Derrida redeemed a longstanding pledge to confront Marx's texts directly and in detail. His characteristically bravura presentation provided a provocative re-reading of the classics in the Western tradition and posed a series of challenges to Marxism. In a timely intervention in one of today's most vital theoretical debates, the contributors to Ghostly Demarcations respond to the distinctive program projected by Specters of Marx. The volume features sympathetic meditations on the relationship between Marxism and deconstruction by Fredric Jameson, Werner Hamacher, Antonio Negri, Warren Montag, and Rastko Mcnik, brief polemical reviews by Terry Eagleton and Pierre Macherey, and sustained political critiques by Tom Lewis and Aijaz Ahmad. The volume concludes with Derrida's reply to his critics in which he sharpens his views about the vexed relationship between Marxism and deconstruction.




Joyce's Ghosts


Book Description

For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.




Imagining Our Americas


Book Description

DIVChallenges the disciplinary boundaries and the assumptions underlying the fields of Latin American Studies and American/U.S. Studies, demonstrating that the "Americas" is a concept that transcends geographical place./div




Ghosts, Metaphor, and History in Toni Morrison's Beloved and Gabriel GarcIa MArquez's One Hundred Years of Solitude


Book Description

This study examines the complex relations between the figure of the ghost, the textual figure of metaphor and history, in Toni Morrison's Beloved and Gabriel García Márquez's One Hundred Years of Solitude.




Two Hundred Years of Pushkin


Book Description

Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Mérimée and Henry James and, on a more personal level, through his descendants in England. Pushkin's Legacy offers a variety of approaches to Pushkin and his oeuvre and to the nature of his complex impact on Russian and European culture. Pushkin's Legacy is the third volume devoted to Pushkin to be published in the SSLP series, under the general title Two Hundred Years of Pushkin. It follows volume I, Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin, and volume II, Alexander Pushkin: Myth and Monument.




Literary Ghosts from the Victorians to Modernism


Book Description

This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write 'life itself.' Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of 'life itself, ' an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the 'hospitable' space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.




God, Ghosts & Christians


Book Description

When people talk about or experience paranormal activity, ghosts are often a component--and enough of a component to be worth investigating and discussing. the popular theory about ghosts is that they are spirits of humans who have died, but this isn't consistent with teachings from the Bible. So, as Christians, we ask "Who and what are they?" to answer this, God, Ghosts & Christians looks briefly at various current theories, followed by an extensive look at ghosts from a Christian point of view, supported by biblical passages and personal experiences of the author and others. the author, an ordained minister, will take you through all aspects of the existence of ghosts in our world--from the ones that are demons to those that are well meaning and kind. Don't be fooled by media and nonbelievers--there is a quiet, but serious, war going on between Christians and ghosts. This book will affirm your beliefs, show you how to protect yourself and those you love and encourage you to help quiet the "whispers," and win the war.




Ghosts and Skeletons


Book Description

The author examines Ian Rankin's use of the gothic convention of the ghost in Black and Blue, Dead Souls, Set in Darkness, and "The Very Last Drop." In these works, ghosts and skeletons are used as metaphors for Detective Inspector John Rebus's guilt over past mistakes and for the dark past of his home city, Edinburgh. This article originally appeared in Clues: A Journal of Detection, Volume 30, Issue 2.