Ghosts, Lies, and Videotape


Book Description

It’s time for another Ravenmist Whodunit! A tiny Midwestern town with charming covered bridges, quirky residents, delightful antique shops, and more than their share of haunted activity. When Tedi and her mother – plus a few friendly ghosts - attend the annual Ravenmist film festival, all they want to do is see a movie and rub elbows with a few stars. They get more than they bargained for, however, when the handsome lead stumbles down the theater aisle with a gunshot wound to the chest. When one of the actresses becomes a suspect, Tedi doesn’t hesitate to start digging into the victim’s personal life to help clear her friend’s name. And then there’s the whole paranormal energy issue that she and her best friend Missy have been investigating. It turns out that Ravenmist could have a big problem with no solution in sight. Evil has come to their little town and everyone could be in peril – human and spirit alike. Murder might be the least of their problems. Don’t miss spooktime in Ravenmist as Tedi talks to a medium, has a girls’ and ghouls’ night out, and attends the nuptials of a ghost couple. It’s a hauntingly good time and you’re invited to the wedding too. A spirited evening is a sure thing.




The Science of Ghosts


Book Description

Are ghosts real? Are there truly haunted places, only haunted people, or both? And how can we know? Taking neither a credulous nor a dismissive approach, this first-of-its-kind book solves those perplexing mysteries and more--even answering the question of why we care so very much. Putting aside purely romantic tales, this book examines the actual evidence for ghosts--from eyewitness accounts to mediumistic productions (such as diaphanous forms materializing in dim light), spirit photographs, ghost-detection phenomena, and even CSI-type trace evidence. Offering numerous exciting case studies, this book engages in serious investigation rather than breathless mystifying. Pseudoscience, folk legends, and outright hoaxes are challenged and exposed, while the historical, cultural, and scientific aspects of ghost experiences and haunting reports are carefully explored. The author--the world's only professional paranormal investigator--brings his skills as a stage magician, private detective, folklorist, and forensic science writer to bear on a topic that demands serious study.




Ghoul You Be My Valentine?


Book Description

It’s time for another Ravenmist Whodunnit! A tiny Midwestern town with charming covered bridges, quirky residents, delightful antique shops, and more than their share of haunted activity. Tedi has another packed inn of people for the Ravenmist Valentine’s Day Ball. The evening was a complete success until she and Jack find a dead body on the back patio with a Cupid’s arrow through his heart. There’s no shortage of suspects for his murder either. Jack will have his hands full paring down the list. And Tedi? She’s staying out of this. No way is she going to be pulled into it. Not after last time. She has her own investigation. She and her friend Missy are trying to find why the town has suddenly been infused with paranormal energy. Ghosts are literally getting up and dancing around. It’s all going well too. That is until the investigation starts to hit just a little bit too close to home. Hop into your ghostmobile and take a ride with Tedi as she meets a spirit who doesn’t think he’s dead, two ghosts in love, and a hard partying specter who just might have witnessed the murder. It’s a hauntingly good time in the little town of Ravenmist and you’re invited to the party.




Ghost-haunted land


Book Description

Since the signing of the Good Friday Agreement in 1998 — the formal end-point of the thirty-year modern ‘Troubles’ — contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land — the first book-length examination of post-Troubles contemporary art — Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath. This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond — including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. ‘Post-Troubles’ contemporary art is discussed in the context of both local transformations and global operations — and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today’s world.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




Jim Jarmusch


Book Description

Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film— music, words and noise—propel this book’s fascinating journey through his work. Exploring the director’s extensive back catalogue, including Stranger Than Paradise, Down By Law, Dead Man, and Only Lovers Left Alive, Sara Piazza’s unique reading reveals how Jarmusch created a form of “sound democracy” in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop, can coexist easily side-by-side. Developing the innovative idea of a “silent-sound film,” Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch’s work. Highlighting the importance of Jarmusch’s treatment of sound, Piazza investigates how the director’s distinctive reputation consolidated itself over the course of a thirty-year career. Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature, and visual art, and features interviews with many prominent figures, including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself. An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director but all those interested in the connections between sound and film. Visit the author's page for this book: http://jimjarmusch-musicwordsandnoise.com




The Legacy of Sandor Ferenczi


Book Description

Winner of the 2016 Gradiva Award for Edited Book The Legacy of Sándor Ferenczi, first published in 1993 & edited by Lewis Aron & Adrienne Harris, was one of the first books to examine Ferenczi’s invaluable contributions to psychoanalysis and his continuing influence on contemporary clinicians and scholars. Building on that pioneering work, The Legacy of Sándor Ferenczi: From Ghost to Ancestor brings together leading international Ferenczi scholars to report on previously unavailable data about Ferenczi and his professional descendants. Many—including Sigmund Freud himself—considered Sándor Ferenczi to be Freud’s most gifted patient and protégé. For a large part of his career, Ferenczi was almost as well known, influential, and sought after as a psychoanalyst, teacher and lecturer as Freud himself. Later, irreconcilable differences between Freud, his followers and Ferenzi meant that many of his writings were withheld from translation or otherwise stifled, and he was accused of being mentally ill and shunned. In this book, Harris and Kuchuck explore how newly discovered historical and theoretical material has returned Ferenczi to a place of theoretical legitimacy and prominence. His work continues to influence both psychoanalytic theory and practice, and covers many major contemporary psychoanalytic topics such as process, metapsychology, character structure, trauma, sexuality, and social and progressive aspects of psychoanalytic work. Among other historical and scholarly contributions, this book demonstrates the direct link between Ferenczi’s pioneering work and subsequent psychoanalytic innovations. With rich clinical vignettes, newly unearthed historical data, and contemporary theoretical explorations, it will be of great interest and use to clinicians of all theoretical stripes, as well as scholars and historians.




The Philosophy of Steven Soderbergh


Book Description

At the age of twenty-six, Steven Soderbergh launched his career in the film industry with astonishing success. His film sex, lies, and videotape (1989), which he wrote in only eight days, won the prestigious Palm d'Or at the Cannes Film Festival, a bittersweet blessing that shaped high expectations for the young director. The film, also nominated for an Academy Award, is regarded by most film experts as a turning point in the history of American independent cinema. The Philosophy of Steven Soderbogh examines Soderbergh's full body of work, from films that brought him commercial success such as Erin Brockovich (2000), to more controversial films such as The Limey (1999), which put his name among the ranks of such celebrated filmmakers as the Coen brothers, David Lynch, and Orson Welles. Editors R. Barton Palmer and Steven M. Sanders introduce readers to the imaginative storylines, philosophically salient themes, and inventive approaches to filmmaking that distinguish Soderbergh's work. Expert scholars analyze Soderbergh's films individually, exploring topics such as the nature of reality in Solaris (2002); the heritage of Enlightenment thought in Schizopolis (1996); guilt, punishment, and redemption in The Limey (1999); altruism in Erin Brockovich (2000); truth, knowledge, and ethics in sex, lies, and videotape (1989); politics as reality and fiction in K Street (2004); and Kantian ethics, performance, and agency in Traffic (2000) and the Ocean's trilogy (2001-2007). Like the Coens and David Lynch, Soderbergh places emphasis on character over narrative, self-conscious stylistic display and visual exuberance, and a deep, often disturbing engagement with the problematic aspects of the human condition. His films take on a variety of cinematic forms, often by joining the traditions of film noir and crime cinema with European styles and themes. By consistently challenging the viewer to question the foundations of knowledge, understanding, and reality, Soderbergh's films have played a significant role in the advancement of American art cinema. R. Barton Palmer Is Calhoun Lemon Professor of Literature at Clemson University and the author or editor of many books. Steven M. Sanders, professor emeritus of philosophy at Bridgewater State University




Cinematic Ghosts


Book Description

"A collection of essays that explores the various roles ghosts have played in motion pictures, spanning a range of time periods, genres and nations"--




American Film and Society since 1945


Book Description

From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957).