Dawnland Voices


Book Description

Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.




Children of the Dawnland


Book Description

Set 13,000 years ago in what is now the northeastern United States and Ontario, Canada, "Children of the Dawnland" is an unforgettable adventure about a visionary girl by internationally two bestselling authors and archaeologists.




American Regional Folklore


Book Description

An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.




Dawn Land


Book Description

About ten thousand years ago in the northeast, the Abenaki&– People of the Dawn Land &– created a thriving community in social and ecological balance with nature and with each other. One of the finest sons of the People is Young Hunter, who dedicates himself to becoming a pure hunter. But a shadow is crossing over this place, threatening his beloved homeland, and Young Hunter is called to its defense. The deep-seeing one of his village, Bear Talker, tells him that the change will be brought by beings of great power, with cold hearts and a terrible hunger, and Young Hunter has been chosen to fight them. "This young one will do things for the people," Bear Talker thought. "If he survives..if he survives."Not knowing what the threat is, Young Hunter embarks, with his faithful dogs, on a journey that will take him to new lands and test his resolve in unforeseen ways. Given a special weapon called the Long Thrower, he must learn the secret of its power by studying with the deep seer Medicine Plant. A woman apart, she is a fine example of the importance of women in Native society.




Giants of the Dawnland


Book Description

Native people arrived in Maine at the end of the last Ice Age, around 13,000 years ago. They came in small family groups and survived unimaginably cold winters and animals such as the giant beaver and cave bear. Fortunately, they had their great god, Gluskape, who slowly melted the ice and rid the woods of terrifying serpents. But he was also a liar and a big tease! It was a time when people, animals, and stones were equal; when Gluskape could be as large as a mountain or as small as a mouse, when the Star People traveled to the treetops. Slowly, things started to change. The tribes squabbled and Gluskape hated jealousy. It was m'teouin that people and animals needed-inner strength. The stories instruct people in the ways of hunting, the lore of plants, and the skills they needed every day. There is still much for us to learn about Maine as the next great climate change approaches. Will we hurt the land with our jealousy and greed? Or will we learn to be alone and appreciate the magic of every stone? The Native storytellers who still remembered these tales 12 centuries later included Tomah Joseph, Marie Saksis, Louis Mitchell, and Noel Neptune. By then, few Wabanakis remained and efforts began to preserve the language and write down fragments, mostly from the Fundy area in Nova Scotia.




Snowshoe Country


Book Description

An environmental and cultural history of winter in the colonial Northeast, examining indigenous and settler knowledge of life in the cold.




The Rights of Indigenous Peoples in Marine Areas


Book Description

The question of what rights might be afforded to Indigenous peoples has preoccupied the municipal legal systems of settler states since the earliest colonial encounters. As a result of sustained institutional initiatives, many national legal regimes and the international legal order accept that Indigenous peoples possess an extensive array of legal rights. However, despite this development, claims advanced by Indigenous peoples relating to rights to marine spaces have been largely opposed. This book offers the first sustained study of these rights and their reception within modern legal systems. Taking a three-part approach, it looks firstly at the international aspects of Indigenous entitlements in marine spaces. It then goes on to explore specific country examples, before looking at some interdisciplinary themes of crucial importance to the question of the recognition of the rights of Indigenous peoples in marine settings. Drawing on the expertise of leading scholars, this is a rigorous and long-overdue exploration of a significant gap in the literature.




Dawn Land


Book Description

About ten thousand years ago in the northeast, the Abenaki&– People of the Dawn Land &– created a thriving community in social and ecological balance with nature and with each other. One of the finest sons of the People is Young Hunter, who dedicates himself to becoming a pure hunter. But a shadow is crossing over this place, threatening his beloved homeland, and Young Hunter is called to its defense. The deep-seeing one of his village, Bear Talker, tells him that the change will be brought by beings of great power, with cold hearts and a terrible hunger, and Young Hunter has been chosen to fight them. "This young one will do things for the people," Bear Talker thought. "If he survives..if he survives."Not knowing what the threat is, Young Hunter embarks, with his faithful dogs, on a journey that will take him to new lands and test his resolve in unforeseen ways. Given a special weapon called the Long Thrower, he must learn the secret of its power by studying with the deep seer Medicine Plant. A woman apart, she is a fine example of the importance of women in Native society.




Storm of the Sea


Book Description

Wabanaki communities across northeastern North America had been looking to the sea for generations before strangers from the east began arriving there in the sixteenth century. Storm of the Sea narrates how by the Atlantic's Age of Sail, the People of the Dawn were mobilizing the ocean to achieve a dominion governed by its sovereign masters and enriched by its profitable and compliant tributaries.




The Visual Language of Wabanaki Art


Book Description

For centuries, the people of the Wabanaki Nations of the northeastern United States and eastern Canada used signs, symbols and designs to communicate with one another. As Native Peoples became victims of European expansion, the Wabanaki were separated by war, the search for work and intermarriage, as well as by hiding their identities to avoid persecution. In this diaspora, their visual language helped them keep their teachings and culture alive. Their designs have evolved over time and taken on different meanings, and they are now used on objects that are considered art. While their beauty is undeniable, these pieces cannot be fully appreciated without understanding their context. Tribal member Jeanne Morningstar Kent sheds light on this language, from the work of ancient Wabanaki to today's artists--like David Moses Bridges, Donna Sanipass and Jennifer Neptune--once again using their medium to connect with their fellow Wabanaki.