Book Description
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
Author : David Eden
Publisher : Cambridge University Press
Page : 289 pages
File Size : 42,52 MB
Release : 2009-08-06
Category : Biography & Autobiography
ISBN : 0521888492
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
Author : Gayden Wren
Publisher :
Page : 416 pages
File Size : 42,33 MB
Release : 2006
Category : Music
ISBN : 9780195301724
Most books written on Gilbert and Sullivan have focused on the authors rather than on their work. Examining all 14 operas in detail, this book offers a fresh look at the works themselves.
Author : Christopher Hibbert
Publisher : HMH
Page : 337 pages
File Size : 47,85 MB
Release : 2009-09-16
Category : Biography & Autobiography
ISBN : 0547350619
This colorful history of a powerful family brings the world they lived in—the glittering Rome of the Italian Renaissance—to life. The name Borgia is synonymous with the corruption, nepotism, and greed that were rife in Renaissance Italy. The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame—Lucrezia Borgia, his daughter, whose husband was famously murdered by her brother, and that brother, Cesare, who inspired Niccolò Machiavelli’s The Prince. Notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder, the dynasty’s dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale. From the author of The Rise and Fall of the House of Medici and other acclaimed works, The Borgias and Their Enemies is “a fascinating read” (Library Journal).
Author : William Schwenck Gilbert
Publisher : Franklin Classics
Page : 40 pages
File Size : 44,67 MB
Release : 2018-10-11
Category :
ISBN : 9780342477395
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Arthur Sullivan
Publisher :
Page : 96 pages
File Size : 38,84 MB
Release : 1911
Category : First loves
ISBN :
Author : Regina B. Oost
Publisher : Routledge
Page : 167 pages
File Size : 11,96 MB
Release : 2016-12-05
Category : Literary Criticism
ISBN : 1351933701
Making use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
Author : Arthur Sullivan
Publisher : Legare Street Press
Page : 196 pages
File Size : 41,37 MB
Release : 2021-09-09
Category :
ISBN : 9781014291448
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Carolyn Williams
Publisher : Columbia University Press
Page : 498 pages
File Size : 42,84 MB
Release : 2012
Category : Literary Criticism
ISBN : 0231148054
An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.
Author : Michael Ainger
Publisher : Oxford University Press
Page : 529 pages
File Size : 34,93 MB
Release : 2002-11-21
Category : Biography & Autobiography
ISBN : 0195349008
'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.
Author : Andrew Crowther
Publisher : The History Press
Page : 404 pages
File Size : 34,84 MB
Release : 2011-04-11
Category : Biography & Autobiography
ISBN : 0752463853
The author of The Pirates of Penzance, The Mikado, H.M.S. Pinafore and the other great Savoy libretti, W.S. Gilbert was witty, caustic and disrespectful, one of the celebrities of the late Victorian era. He wrote the most brilliantly inventive plays of his time, and with Arthur Sullivan he wrote comic operas that defined the age. He became richer and more famous than he could have imagined, but at the price of his artistic freedom. In his time Gilbert had been many things: journalist, theatre critic, cartoonist, comic poet, stage director, writer of short stories, dramatist. Andrew Crowther examines W.S. Gilbert from all these angles, using a wealth of sources to tell the story of an angry and quarrelsome man, discontented with himself and the age he lived in, raging at life's absurdities and laughing at them. In this book Gilbert's glorious, contradictory character is explored and brought vividly to life.