Gilbert the Outlaw


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Dreamthorp


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Welcome to Dreamthorp A sleepy little Pennsylvania resort town where city folks can get away from it all… A town where a woman who saw her best friend mutilated by a crazed sex killer can hide – and forget… …until haunted relics of another age awaken an ancient evil and unleash a human horror that has no place outside of Hell…




Gilbert, Or, Then and Now


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Bodies: The Uncut Edition


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Here it is: the long-awaited author's cut of the cult-classic Bodies, the book once described as "the greatest fantasy novel ever named after a Sex Pistols song." Venture forth with Gilbert, the disgraced knight, and his ally-of-convenience, Shango the orc, as they drag their zombified cadavers across the Kingdom of Marchand in search of a cure... served with a heaping side dish of vengeance! They must endure each other, assorted misadventures, and their own stink before they can track down the Arch-Mage Fliss Raffington and put a stop to his diabolical machinations. It's the classic tale of Bodies that you've (probably) come to know and love! Once you pick up Bodies, you won't dare put it down; it's like a cocaine-fueled car chase through the crowded streets of downtown Kick Ass City!




Gilbert and Sullivan


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'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.




The Outlaw


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Heir of Locksley


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Robin of Locksley is a rebel, more comfortable roaming Sherwood Forest with his longbow and courting the village girls than learning how to run a manor. An innocent flirtation with a peasant girl soon lands Robin in trouble, and worse, he finds himself inexplicably attracted to Will Scathelock, his best friend since childhood. Robin must decide whether to follow the rules of society or his own conscience. Meanwhile, his neighbour, Guy of Gisborne, is anxious to get his hands on the Locksley estate and he will do anything to make it happen—even murder.







Outlaw Bikers as Organized Crime


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The title of this volume Outlaw Bikers as Organized Crime reluctantly combines two highly contested concepts into a statement that is perhaps disputed even more. Who and what do we refer to when we talk about ‘outlaw bikers’ and ‘outlaw biker clubs’? What is meant by ‘organized crime’? And, how – if at all – are these two concepts related? All the chapters in this volume deal with these questions some way or the other, either explicitly or implicitly, each providing its own answers based on the data and methods at hand. This volume presents cutting-edge research on outlaw bikers and outlaw biker clubs from countries all over the globe and reflects the different ways that academic researchers have approached the outlaw biker phenomenon from the theoretical and methodological vantage point of organized crime research.




Old Misery


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