The Literary Culture of Plague in Early Modern England


Book Description

This book is about the literary culture that emerged during and in the aftermath of the Great Plague of London (1665). Textual transmission impacted upon and simultaneously was impacted by the events of the plague. This book examines the role of print and manuscript cultures on representations of the disease through micro-histories and case studies of writing from that time, interpreting the place of these media and the construction of authorship during the outbreak. The macabre history of plague in early modern England largely ended with the Great Plague of London, and the miscellany of plague writings that responded to the epidemic forms the subject of this book.




Spirituality in Adversity


Book Description

The unique feature of this scholarly and very readable work is that it examines the way those persecuted responded to hardship: their faith, their worship, their perseverance. With marvellous warmth Raymond Brown shows us the spirituality of these men and women- spirituality centred on Jesus Christ and the Father's love, even in such times. 'Brown dives into the writings of those persecuted and demonstrates the rich theology that could only be written with such depth by those who lived in suffering and found God faithful and satisfying. I highly recommend this book to scholars as well as common sufferers looking for solace in God.' Larry Siekawitch, pastor and author of Balancing Head and Heart in Seventeenth Century Puritanism (Paternoster, 2012) 'At a time when Evangelicals interested in the study of spirituality often overlook the immense resources of their own antecedents, I hope that this book will help to redress the balance.' Timothy Grass, church historian, author and associate editor for the Ecclesiastical History Society










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The Great Fire of London


Book Description

Acclaim for The Great Fire of London "Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill." —Times Literary Supplement "The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson’s prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research." —The Daily Telegraph (London) "He writes with knowledge and verve. As if making a television documentary on a natural disaster, he includes a gripping technical chapter on the mechanism and chemistry of combustion. This works brilliantly. . . . The book gains immeasurably from the author's eye for detail and from his understanding of the beliefs and prejudices of the day. . . . Informative and lively account." —The Sunday Times (London) "The best depiction of the Great Fire seen to date. . . . He manages to describe not only the atmosphere of the event itself, but also the experience of living in seventeenth-century Britain." —Soho Independent "A riveting book for those who like their history with a bit of mystery." —The Brisbane News "A rollicking good yarn." —The Age (Melbourne) "Blends high-class original research with a narrative style that mimics fiction. . . . Horrific subjects have served this man well and he has a knack for plugging into the dark themes that run like molten rivers beneath our social veneer." —New Zealand Herald "Neil Hanson’s descriptions of the inferno are like CNN reports from Kosovo." —Camden New Journal "It's not the technical data which makes the book so riveting though. It's the flair with which Hanson invests his account with qualities usually reserved for novels–narrative drive, persuasive character sketches, vivid scene stealing." —Sunday Star Times (New Zealand)




Bibliography and the Book Trades


Book Description

Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of the Bay Psalm Book to recover its actual history? Was Michael Wigglesworth's Day of Doom really a bestseller? And why did an Indian gravesite contain a scrap of Psalm 98 in a medicine bundle buried with a young Pequot girl? In answering these and other questions, Amory writes broadly about the social and economic history of printing, bookselling and book ownership. At the heart of his work is a determination to connect the materialities of printed books with the workings of the book trades and, in turn, with how printed books were put to use. This is a collection of great methodological importance for anyone interested in literature and history who wants to make those same connections.




A History of the Book in America, 5-volume Omnibus E-book


Book Description

The five volumes in A History of the Book in America offer a sweeping chronicle of our country's print production and culture from colonial times to the end of the twentieth century. This interdisciplinary, collaborative work of scholarship examines the book trades as they have developed and spread throughout the United States; provides a history of U.S. literary cultures; investigates the practice of reading and, more broadly, the uses of literacy; and links literary culture with larger themes in American history. Now available for the first time, this complete Omnibus ebook contains all 5 volumes of this landmark work. Volume 1 The Colonial Book in the Atlantic World Edited by Hugh Amory and David D. Hall 664 pp., 51 illus. Volume 2 An Extensive Republic: Print, Culture, and Society in the New Nation, 1790-1840 Edited by Robert A. Gross and Mary Kelley 712 pp., 66 illus. Volume 3 The Industrial Book, 1840-1880 Edited by Scott E. Casper, Jeffrey D. Groves, Stephen W. Nissenbaum, and Michael Winship 560 pp., 43 illus. Volume 4 Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940 Edited by Carl F. Kaestle and Janice A. Radway 688 pp., 74 illus. Volume 5 The Enduring Book: Print Culture in Postwar America Edited by David Paul Nord, Joan Shelley Rubin, and Michael Schudson 632 pp., 95 illus.




A History of the Book in America


Book Description

The Colonial Book in the Atlantic World carries the interrelated stories of publishing, writing, and reading from the beginning of the colonial period in America up to 1790. Three major themes run through the volume: the persisting connections between the book trade in the Old World and the New, evidenced in modes of intellectual and cultural exchange and the dominance of imported, chiefly English books; the gradual emergence of a competitive book trade in which newspapers were the largest form of production; and the institution of a "culture of the Word," organized around an essentially theological understanding of print, authorship, and reading, complemented by other frameworks of meaning that included the culture of republicanism. The Colonial Book in the Atlantic World also traces the histories of literary and learned culture, censorship and "freedom of the press," and literacy and orality. Contributors: Hugh Amory Ross W. Beales, The College of the Holy Cross John Bidwell, Princeton University Library Richard D. Brown, University of Connecticut Charles E. Clark, University of New Hampshire James N. Green, Library Company of Philadelphia David D. Hall, Harvard Divinity School Russell L. Martin, Southern Methodist University E. Jennifer Monaghan, Brooklyn College of The City University of New York James Raven, University of Essex Elizabeth Carroll Reilly, Hardwick, Massachusetts A. Gregg Roeber, Pennsylvania State University David S. Shields, University of South Carolina Calhoun Winton, University of Maryland