Fornaldarsagaerne


Book Description




The Art of the Mountain Banjo


Book Description

A complete survey of traditional banjo styles complete with tunings, playing tips, and the author's deft drawings. Progresses from easy tunes for the beginner to more difficult pieces. The styles include up-picking or Pete Seeger's basic strum; two-finger picking; three-finger picking; and what had variously been called frailing, clawhammer, knocking, rapping, overhand, fram-style, flayin' hand, andother Appalachian names, here called down-picking. Audio download available online







Instrument and Purpose


Book Description




Himalayan Gazetteer


Book Description

The Himalayas have captivated the imagination and interest of humankind for centuries. The more we explore, the more we learn. India's rich history, society, and culture, are deeply influenced by the world's tallest mountain range. After all, before modern travel, the Himalayas were the most important gateway to India, for people, goods and ideas. This rare and invaluable record of the youngest mountain range in the world is back in print after a century. The extensively detailed information on every district, food habits, customs, influences, as well as the people and their vocations will provide a new perspective to a whole new generation of young readers. The aim of this publication is to make Atkinson's rich data accessible once again to researchers so that we can continue to refer to this rich source of information in our continued work to conserve the rich natural resources and ecological heritage of the Himalayas which stand frighteningly threatened by fast paced and largely unplanned development.




Lilavai


Book Description

"The Prakrit romance Låilåavaåi, an early ninth-century poem attributed to Kouhala and set in modern-day coastal Andhra Pradesh, is the most celebrated work in the genre. Complexly narrated in the alternating voices of its heroines and heroes and featuring a cast of semi-divine and magical beings, it centers on three young women: Låilåavaåi, princess of Sinhala (today's Sri Lanka); her cousin Mahanumai, princess of the mythical city Alaka; and Kuvalaavali, Mahanumai's adopted sister. Following a prophecy that Låilåavaåi's husband will rule the earth, the princess happens upon a portrait of King Hala of Pratishthana and immediately falls in love. While journeying to meet him, she hears her cousins' tales of their lost loves, and then vows not to marry until they are reunited. To win Låilåavaåi's hand, King Hala journeys to the underworld, faces monsters, and overcomes armies. Låilåavaåi explores themes of karma and female desire, notably privileging women as storytellers. A new edition of the Prakrit text, presented in the Devanagari script, accompanies a new English prose translation"--




John Dies at the End


Book Description

John Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town--and the world--from a host of supernatural and paranormal invasions. Now a Major Motion Picture. "[Pargin] is like a mash-up of Douglas Adams and Stephen King... 'page-turner' is an understatement." —Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me. The important thing is this: The sauce is a drug, and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.




Media and the Cold War in the 1980s


Book Description

The Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people—and for government leaders, a struggle to undermine their enemies’ ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan’s “Star Wars” program and Mikhail Gorbachev’s policy of glasnost captured the world’s attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic “Tank Man” image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War.