Greek and Roman Sculpture in America


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A Handbook of Greek and Roman Sculpture, to Accompany a Collection of Reproductions of Greek and Roman Sculpture (The University Prints)


Book Description

This handbook is a richly illustrated guide to the world of Greek and Roman sculpture. It provides detailed descriptions and analyses of individual works, along with historical and artistic context. This is an essential guide for art historians, students of ancient history, and anyone interested in classical art and sculpture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Stone Sculptures


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A Handbook of Greek and Roman Sculpture


Book Description

Excerpt from A Handbook of Greek and Roman Sculpture This collection offers, on five hundred plates and forty-five text illustrations, the most important remains of Greek and Roman sculpture. Supplementary collections may be issued in the future as they become necessary and are asked for by those who use this series. The plates have been made from original photographs especially imported by the Bureau of University Travel. In a few cases, where original photographs were inaccessible or where better results could be obtained from large plates or photographs in the possession of Harvard University, this has been done, and thanks are due to the proper authorities for the permission to use them. A small number of plates are copied from books. The plates are not "retouched." Where the backgrounds seem to have been painted black this is the defect of the original photograph. In the classification the editor has aimed at clearness, believing to serve the student best by enabling him to find instantly the desired pictures. He has, therefore, often deviated from the general rule of giving in the several groups, first the statues of men, then those of women, and finally the reliefs and other temple sculptures. In the fifth-century group, for instance, the individual artists have been treated separately. In the sub-divisions, whenever possible, the alphabetical order has been followed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Gender, Identity and the Body in Greek and Roman Sculpture


Book Description

Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.