Greek Vases at Yale


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How to Read Greek Vases


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This handsomely illustrated volume is aimed at giving a broad audience deeper insight into the extensive collection of the Metropolitan Museum of Art. The museum is famed for its Greek vases, of which 35 notable examples are detailed in this book. They reveal the variety and vitality of the refined forms and masterfully rendered scenes that characterize these works. And they demonstrate the interrelation of function, shape, technique, and subject matter that is key to understanding the rich language of Greek vases. The introduction provides valuable background information, and the entries delve into the features of each vase, incorporating brilliant color illustrations and many arresting details. Greek vases served specific utilitarian functions, and they also afforded outstanding artists, some of whom signed their work, a medium for depicting both the details of daily existence and aspects of their gods, goddesses, and heroes. We see the garments, implements, athletic competitions, and marriages and funerary rituals of Greeks who lived from the seventh through the fourth century B.C.. We also see their mythological figures and stories. The exceptional group of works assembled in this volume conveys the extent to which the culture of ancient Greece is still apparent today. This book is sure to inspire closer scrutiny of these remarkable works of art, which have survived for over two millennia to offer viewers an enlightening look into the ancient heritage of the Western world. -- from inside Front Cover.




The Art of Libation in Classical Athens


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This handsome volume presents an innovative look at the imagery of libations, the most commonly depicted ritual in ancient Greece, and how it engaged viewers in religious performance. In a libation, liquid--water, wine, milk, oil, or honey--was poured from a vessel such as a jug or a bowl onto the ground, an altar, or another surface. Libations were made on occasions like banquets, sacrifices, oath-taking, departures to war, and visitations to tombs, and their iconography provides essential insight into religious and social life in 5th-century BC Athens. Scenes depicting the ritual often involved beholders directly--a statue's gaze might establish the onlooker as a fellow participant, or painted vases could draw parallels between human practices and acts of gods or heroes. Beautifully illustrated with a broad range of examples, including the Caryatids at the Acropolis, the Parthenon Frieze, Attic red-figure pottery, and funerary sculpture, this important book demonstrates the power of Greek art to transcend the boundaries between visual representation and everyday experience.




The Codrus Painter


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The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou’s iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.




Greek Vases


Book Description

This handy reference spans the varieties of vase painting from the Greek Bronze Age or Mycenaean period to the 4th century BC., and discusses style, technique, and function.




A Catalogue of Greek Vases in the Collection of the University of Melbourne at the Ian Potter Museum of Art


Book Description

The catalogue of the University of Melbourne's superb collection of Greek vases is now published as a sumptuous, fully colour-illustrated, cloth-covered volume which will suit the needs of students, researchers and interested readers. This richly illustrated book is a collectors' item, designed and produced to library specifications. It offers the complete scholarly apparatus for study of the vase collection, one of the finest in the country and comparable with others around the world. It will prove valuable as a reference text wherever classics, archaeology or art are studied. The book is a product of one of the most outstanding Classical Studies departments in Australia and is destined for libraries throughout the world. It is the first volume in a series planned to feature various aspects of the University's wider collection. Each vase, fully described and documented, appears in rich colour and detail. Styles and periods are introduced by contextualising photographs presented as dramatic double-page spreads. No effort has been spared to publish this collection as beautifully as these unique artifacts deserve.




Greek Vases


Book Description

The eloquent beauty of the vases produced in the workshops of the ancient Greeks is represented by a selection of pieces from the superb private collection of Molly and Walter Bareiss that spans more than a thousand years of the craft. From a delightful miniature stirrup vase dating ca. 1300 B.C. to prime examples of the molded vases from Augustan Rome, the Bareiss collection includes a splendid representative collection, guided by a sure instinct for the unique beauty of design and drawing. Assembled in this brief catalogue are illustrated discussions of forty-seven of the masterpieces from the 258 vases currently on loan to the Getty Museum. Dietrich von Bothmer, Chairman of Greek and Roman Art at the Metropolitan Museum of Art, introduces this most important collection, one with which he has been intimately involved since its conception, advising, studying, interpreting, and even piecing together shattered vases. Following the individual catalogue entries is a full checklist of an additional 205 vases that are on loan to the Getty Museum.




Greek Vases at Yale


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The Horse in Ancient Greek Art


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Horses were revered in ancient Greece as symbols of wealth, power, and status. On stunning black- and red-figure vases, in sculpture, and in other media, Greek artists depicted the daily care of horses, chariot and horseback races, scenes of combat, and mythological horse-hybrids such as satyrs and the winged Pegasus. This richly illustrated and handsomely designed volume includes over 80 objects showing scenes of ancient equestrian life. Essays by notable scholars of ancient Greek art and archaeology explore the indelible presence and significance horses occupied in numerous facets of ancient Greek culture, including myth, war, sport, and competition, shedding new light on horsemanship from the 8th through the 4th century BCE.




The Craft of Athenian Pottery


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"The Craft of Athenian Pottery" by Gisela M. A. Richter. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.