Greuze and the Painting of Sentiment


Book Description

This reassessment of the work of Jean-Baptiste Greuze, the eighteenth-century painter, reconstructs the broader movement in French painting of which he was the leading figure. Drawing on a wide range of contemporary sources, it notes the extraordinary popularity that Greuze enjoyed in his lifetime. The volume reveals that the family life scenes he produced in the 1760s promoted an enlightened social vision and argues that the painting of sentiment was subsequently appropriated to serve a more conservative agenda.




French Genre Painting in the Eighteenth Century


Book Description

"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture




Pictures and Tears


Book Description

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.




Introduction ;The Old Regime of Teeth ;The Smile of Sensibility ;Cometh the Dentist ;The Making of a Revolution ;The Transient Smile Revolution ;Beyond the Smile Revolution ;Postscript: Towards the Twentieth-Century Smile Revolution ;Notes ;Index


Book Description

You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of conduct dating back to Antiquity disapproved of the opening of the mouth to express feelings in most social situations. Open and unrestrained smiling was associated with the impolite lower orders. In late eighteenth-century Paris, however, these age-old conventions changed, reflecting broader transformations in the way people expressed their feelings. This allowed the emergence of the modern smile par excellence: the open-mouthed smile which, while highlighting physical beauty and expressing individual identity, revealed white teeth. It was a transformation linked to changing patterns of politeness, new ideals of sensibility, shifts in styles of self-presentation - and, not least, the emergence of scientific dentistry. These changes seemed to usher in a revolution, a revolution in smiling. Yet if the French revolutionaries initially went about their business with a smile on their faces, the Reign of Terror soon wiped it off. Only in the twentieth century would the white-tooth smile re-emerge as an accepted model of self-presentation. In this entertaining, absorbing, and highly original work of cultural history, Colin Jones ranges from the history of art, literature, and culture to the history of science, medicine, and dentistry, to tell a unique and untold story about a facial expression at the heart of western civilization.




The Age of Watteau, Chardin, and Fragonard


Book Description

Leading scholars shed light on the development of genre painting in this heavily illustrated volume.




A Guide to Eighteenth-Century Art


Book Description

A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. Covers both artistic developments and critical approaches to the period by leading contemporary scholars Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period Reveals the practical issues connected with the production, sale, public and private display of art of the period Assesses eighteenth-century art’s contribution to what we now refer to as ‘modernity’ Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources




Sentimental Opera


Book Description

Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.




The Soldier's Reward


Book Description

A sweeping history of intimacy and family life in France during the age of revolution The French Revolution and Napoleonic Wars devastated Europe for nearly a quarter of a century. The Soldier’s Reward recovers the stories of soldiers and their relationships to family and domestic life during this period, revealing how prolonged warfare transformed family and gender dynamics and gave rise to new kinds of citizenship. In this groundbreaking work combining social, cultural, gender, and military history, Jennifer Ngaire Heuer vividly describes how men fought for years with only fleeting moments of peace. Combatants were promised promotion, financial gain, and patriotic glory. They were also rewarded for their service by being allowed to return home to waiting families and love interests, and with marriages that were arranged and financially supported by the state. Heuer explores competing ideas of masculinity in France, as well as the experiences of the men and women who participated in such marriages. She argues that we cannot fully understand the changing nature of war and peace in this period without considering the important roles played by family, gender, and romantic entanglements. Casting new light on a turbulent era of mass mobilization and seemingly endless conflict, The Soldier’s Reward shows how, from the Revolution through the Restoration, war, intimacy, and citizenship intersected in France in new and unexpected ways.




An American Voltaire


Book Description

This collection of essays was assembled to honor the memory of the late, eminent Voltaire scholar J. Patrick Lee. It includes seventeen essays by prominent scholars from the United States, Canada, the United Kingdom, and France on a variety of topics in French eighteenth-century studies. Essay titles include: “A New Genre: l’Opéra moral / Moral Opera in Eighteenth-Century France,” “Voltaire and the Uses of Censorship: The Example of the Lettres Philosophiques,” “Enlightenment Intertextuality: The Case of Heraldry in the Encyclopédie méthodique,” “Sex as Satire in Voltaire's Fiction,” “Violence, Levity, and the Dictionary in Old Regime France: Chaudon’s Dictionnaire anti-philosophique,” “L’abbé, l’amazone, le bon roi et les frelons,” “Greuze’s Self-Portraits: Figures of Artistic Identity,” “From Forest to Field: Sylvan Elegists of Eighteenth-Century France,” “The Falsification of Voltaire's Letters and the Public Persona of the Author: From the Lettres secrettes (1765) to the Commentaire historique (1776),” “The Baron de Saint-Castin, Bricaire de la Dixmerie, and Azakia (1765),” “John Law and the Rhetoric of Calculation,” “‘Le Roi des Bulgares’: Was Voltaire's Satire on Frederick the Great just too Opaque?” “Voltaire and the Voyage to Rome,” “Textual liaisons: Voltaire, Paméla and Don Quixote,” “Les petits livres du grand homme: polémique et combat philosophique chez Voltaire,” “Sentimental Horror: Enlightenment Tragedy and the Rise of the Genre Terrible,” “Voltaire and the Comic Genre: Polemics and Rhetoric.”




Sympathetic Sentiments


Book Description

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Sympathetic Sentiments develops an innovative interdisciplinary framework to explore the implications of living in a culture of feeling that seems ill at ease with itself, one in which sentiments are frequently denounced for being sentimental and self-indulgent. These tensions are traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy', in which sympathy entails public forms of expression whereby being on show is both a condition of the authenticity of such affects and of their capacity to be masked and simulated. This, John Jervis suggests, is at the root of a range of controversies central to modern life, art and culture, including contemporary debates around trauma and compassion fatigue. Connected to these debates is the issue of modern sensationalism, discussed here and elaborated in a companion volume: Sensational Subjects: The Dramatization of Experience in the Modern World, which is published simultaneously by Bloomsbury.