Gringo Rebel


Book Description

Gringo Rebel, first published in 1960, is the account of Swedish-born adventurer Ivor Thord-Gray of his time in 1913-1914 in revolutionary Mexico. Thord-Gray first served as an artillery officer in Francisco 'Pancho' Villa’s forces, and later served as a cavalry officer in Carranza’s army under Obregón. He formed close bonds with his Yaqui and Tarahumara scouts, and later prepared a Tarahumara-English Dictionary, and other books about Mexican archaeology. Gringo Rebel offers a first-hand look at the poorly understood conflict in Mexico between the wealthy ruling class and the large majority of land-less peasants living in slave-like conditions, as well as insights into rebel leaders such as Pancho Villa and Emiliano Zapata (leader of the 'Zapatistas'). Seventeen pages of illustrations are included in this new edition.




The Mexican Revolution: Counter-revolution and reconstruction


Book Description

Volume 2 of The Mexican Revolution begins with the army counter-revolution of 1913, which ended Francisco Madero's liberal experiment and installed Victoriano Huerta's military rule. After the overthrow of the brutal Huerta, Venustiano Carranza came to the forefront, but his provisional government was opposed by Pancho Villa and Emiliano Zapata, who come powefully to life in Alan Knight's book. Knight offers a fresh interpretation of the great schism of 1914-15, which divided the revolution in its moment of victory, and which led to the final bout of civil war between the forces of Villa and Carranza. By the end of this brilliant study of a popular uprising that deteriorated into political self-seeking and vengeance, nearly all the leading players have been assassinated. In the closing pages, Alan Knight ponders the essential question: what had the revolution changed? His two-volume history, at once dramatic and scrupulously documented, goes against the grain of traditional assessments of the "last great revolution."




Villa


Book Description

Analyzes the raucous career of one of the Mexican Revolution's central figures




Equestrian Rebels


Book Description

Mariano Azuela (Mexico, 1873–1952) was a medical doctor by profession, recipient of Mexico’s Premio Nacional de Literatura (1949), a distinguished member of El Colegio Nacional and, by mid-century, one of Mexico’s leading novelists and literary critics. The author of novels, novellas, plays, biographies, and literary criticism, Azuela served as field doctor under Francisco Villa during the Mexican Revolution and, after Villa’s military defeats in 1915, published Los de abajo (The Underdogs, 1915) while in exile in El Paso, Texas. This book of essays commemorates the first centenary of Los de abajo, and traces its impact on twentieth-century autobiographies, memoirs and, more specifically, on the Novel of the Mexican Revolution. Equestrian Rebels: Critical Perspectives on Mariano Azuela and the Novel of the Mexican Revolution includes a full-length introduction and nineteen essays by leading international scholars who study Azuela and other novelists of the Mexican Revolution – such as Martín Luis Guzmán, Nellie Campobello and, among others, José Rubén Romero – from current, yet contrasting and innovative theoretical perspectives. Especially written for this volume, these critical essays are grouped into five sections that separately probe and analyze Azuela’s realism and contemporary affinities with photography; Azuela’s literary criticism; centennial studies on Los de abajo; critical approaches to other novels by Azuela; three independent analyses of Nellie Campobello’s Cartucho (1931); and a concluding section on literary representations of Mexican colonialism and revolution in the narratives of Juan Rulfo (El llano en llamas), Carlos Fuentes (Gringo viejo), and David Toscana (El último lector). This book will be of importance to scholars, teachers, students, and the general reader interested in topics related to the literary, cultural, and political forces and conflicts that led to the transformation of Mexico into a modern nation.




The Mexican Revolution


Book Description

This comprehensive two-volume history of the Mexican Revolution presents a new interpretation of one of the world's most important revolutions. While it reflects the many facets of this complex and far-reaching historical subject it emphasises its fundamentally local, popular and agrarian character and locates it within a more general comparative context.-- Publisher.




The Aftermath of the Mexican Revolution


Book Description

Examines the causes, events, and consequences of the Mexican Revolution of 1910-1917.




Constructing the Image of the Mexican Revolution


Book Description

With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.




Zapata and the Mexican Revolution


Book Description

This essential volume recalls the activities of Emiliano Zapata (1879-1919), a leading figure in the Mexican Revolution; he formed and commanded an important revolutionary force during this conflict. Womack focuses attention on Zapata's activities and his home state of Morelos during the Revolution. Zapata quickly rose from his position as a peasant leader in a village seeking agrarian reform. Zapata's dedication to the cause of land rights made him a hero to the people. Womack describes the contributing factors and conditions preceding the Mexican Revolution, creating a narrative that examines political and agrarian transformations on local and national levels.




Emiliano Zapata!


Book Description

The life of Mexican Revolutionary Emiliano Zapata was the stuff that legends are made of. Born and raised in a tiny village in the small south-central state of Morelos, he led an uprising in 1911--one strand of the larger Mexican Revolution--against the regime of long-time president Porfirio Díaz. He fought not to fulfill personal ambitions, but for the campesinos of Morelos, whose rights were being systematically ignored in Don Porfirio's courts. Expanding haciendas had been appropriating land and water for centuries in the state, but as the twentieth century began things were becoming desperate. It was not long before Díaz fell. But Zapata then discovered that other national leaders--Francisco Madero, Victoriano Huerta, and Venustiano Carranza--would not put things right, and so he fought them too. He fought for nearly a decade until, in 1919, he was gunned down in an ambush at the hacienda Chinameca. In this new political biography of Zapata, Brunk, noted journalist and scholar, shows us Zapata the leader as opposed to Zapata the archetypal peasant revolutionary. In previous writings on Zapata, the movement is covered and Zapata the man gets lost in the shuffle. Brunk clearly demonstrates that Zapata's choices and actions did indeed have an historical impact.




History and Modern Media


Book Description

In History and Modern Media, John Mraz largely focuses on Mexican photography and his innovative methodology that examines historical photographs by employing the concepts of genre and function. He developed this method in extensive work on photojournalism; it is tested here through examining two genres: Indianist imagery as an expression of imperial, neo-colonizing, and decolonizing photography, and progressive photography as embodied in worker and laborist imagery, as well as feminist and decolonizing visuality. The book interweaves an autobiographical narrative with concrete research. Mraz describes the resistance he encountered in US academia to this new way of showing and describing the past in films and photographs, as well as some illuminating experiences as a visiting professor at several US universities. More importantly, he reflects on what it has meant to move to Mexico and become a Mexican. Mexico is home to a thriving school of photohistorians perhaps unequaled in the world. Some were trained in art history, and a few continue to pursue that discipline. However, the great majority work from the discipline known as "photohistory" which focuses on vernacular photographs made outside of artistic intentions. A central premise of the book is that knowing the cultures of the past and of the other is crucial in societies dominated by short-term and parochial thinking, and that today's hyper-audiovisuality requires historians to use modern media to offer their knowledge as alternatives to the "perpetual present" in which we live.