LEV


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Warm Worlds and Otherwise


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Reliquary


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"The Chicago Tribune" calls "this follow-up (to "The Relic" is) every bit as good and in some ways better. Preston and Child carry off this sequel with great energy and panache . . . their portrait of the underground dwellers lifts this thriller into a category all its own". "This should do for the New York Subway system what "Jaws" did for Long Island beaches". says "Booklist".




An Awkward Age


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Seven-year-old Maxim lives with his mother and identical twin sister in Moscow's Yasenevo district. Though he is perturbed by his parents' divorce, nothing could prepare his family for the young boy's transformation as he enters adolescence. His increasingly horrifying physical shape, strange behaviour at school, refusal to wash and hoarding of houseflies are just some of the developments that alarm his now-alienated mother and sister. Only when his diary is discovered does the sinister and wholly unexpected truth behind his metamorphosis from boy to monster come to light. The characters in this and the other stories in Anna Starobinets' acclaimed first collection inhabit a disturbing modern Russia. Drawing the reader in to an eerie world, Starobinets blurs the boundaries between the real and the imagined, filtering sinister occurrences through the narratives of unstable minds. Her unsettling imaginative territory and the simplicity of her prose have drawn comparisons of Starobinets' work with that of authors as varied as Kafka and Stephen King. An Awkward Age is a haunting and beautiful evocation of a society entering a new phase of its history, and an example of contemporary fiction at its finest.




Best of the Grapevine


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Juan de la Rosa


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Long considered a classic in Bolivia, Juan de la Rosa tells the story of a young boy's coming of age during the violent and tumultuous years of Bolivia's struggle for independence. Indeed, in this remarkable novel, Juan's search for his personal identity functions as an allegory of Bolivia's search for its identity as a nation. Set in the early 1800s, the novel is narrated by one of the last surviving Bolivian rebels, octogenarian Juan de la Rosa. Juan recreates his childhood in the rebellious town of Cochabamba, and with it a large cast of full bodied, Dickensian characters both heroic and malevolent. The larger cultural dislocations brought about by Bolivia's political upheaval are echoed in those experienced by Juan, whose mother's untimely death sets off a chain of unpredictable events that propel him into the fiery crucible of the South American Independence Movement. Outraged by Juan's outspokenness against Spanish rule and his awakening political consciousness, his loyalist guardians banish him to the countryside, where he witnesses firsthand the Spaniards' violent repression and rebels' valiant resistance that crystallize both his personal destiny and that of his country. In Sergio Gabriel Waisman's fluid translation, English readers have access to Juan de la Rosa for the very first time.




The Time Ship


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H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacronópete—"He who flies against time"—eight years before Wells's influential work appeared. The novel begins at the 1878 Paris Exposition, where Dr. Don Sindulfo unveils his new invention—which looks like a giant sailing vessel. Soon the doctor embarks on a voyage back in time, accompanied by a motley crew of French prostitutes and Spanish soldiers. The purpose of his expedition is to track down the imprisoned wife of a third-century Chinese emperor, believed to possess the secret to immortality. A classic tale of obsession, high adventure, and star-crossed love, The Time Ship includes intricately drawn illustrations from the original 1887 edition, and a critical introduction that argues persuasively for The Time Ship's historical importance to science fiction and world literature.







The Lord of the Sabbath


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Terrifying creatures, unseen to all around him, have tormented Elisse since he was a little boy. These "nightmares" and the cruel life as a young Westerner in a refugee camp have left him isolated and alone. The only clue to his past is an old, tattered envelope with a picture of his father who mysteriously abandoned him at a monastery as a baby. When Elisse flees India and journeys to New Orleans in search of his father and the truth of his troubled existence, he finds not only the answers to his extraordinary life, an ancestral secret with a grave responsibility, but also the one thing he most desires. A family--but of beasts. Now, Elisse's awakening gifts attract dark forces rooted in Louisiana magic, and he must do the unthinkable to protect everyone he loves. Will Elisse accept the burdens of his gifts and conquer darkness? Or will that same darkness consume him and destroy the love he so desperately longs for?




Mussolini’s Rome


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In 1922 the Fascist 'March on Rome' brought Benito Mussolini to power. He promised Italians that his fascist revolution would unite them as never before and make Italy a strong and respected nation internationally. In the next two decades, Mussolini set about rebuilding the city of Rome as the site and symbol of the new fascist Italy. Through an ambitious program of demolition and construction he sought to make Rome a modern capital of a nation and an empire worthy of Rome's imperial past. Building the new Rome put people to work, 'liberated' ancient monuments, cleared slums, produced new "cities" for education, sports, and cinema, produced wide new streets, and provided the regime with a setting to showcase fascism's dynamism, power, and greatness. Mussolini's Rome thus embodied the movement, the man and the myth that made up fascist Italy.