Lancelot and Guinevere


Book Description

Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.







Tennyson's Guinevere


Book Description




Guinevere [by] Tennyson & Morris


Book Description

A haunting and poetic retelling of the Arthurian legend, Guinevere tells the story of the queen who betrayed her king and set in motion the downfall of Camelot. Written by two of the Victorian era's greatest poets, Alfred Tennyson Tennyson and William Morris, it is a work of exquisite beauty and timeless power. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Pre-Raphaelite Body


Book Description

Pre-Raphaelitism was the first avant-garde movement in Britain. It shocked its first audience, and as it modulated into Aestheticism it continued to disturb the British public. This interdisciplinary study traces the sources of this critical reaction to the representation of the body in painting and poetry from the work of Millais and Morris to that of Rossetti and Burne-Jones. The book also explores how reactions were conditioned by such late nineteenth-century anxieties as fear of cholera and hatred of Catholicism, fascination with the fallen woman, horror at the `shrieking sisterhood' of emancipated women, and even the terror of psycho-sexual diseases.




Tennyson


Book Description

Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.







The Arthurian Revival


Book Description

Discrete inquiries into 15 forms of the Arthurian legends produced over the last century explore how they have altered the tradition. They consider works from the US and Europe, and those aimed at popular and elite audiences. The overall conclusion is that the "Arthurian revival" is an ongoing event, and has become multivalent, multinational, and multimedia. Originally published in 1992.




Arthurian Women


Book Description

Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.