Beyond the Dutch


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"Beyond the Dutch" gives a colourful picture of that struggle. Leading artists, curators and historians from Indonesia and the Netherlands have pored over a series of questions posed by the history of art in the Dutch East Indies/Indonesia. What was and still is Dutch about Indonesian art? What relationship does it have with Western techniques and views on art? How does contemporary art in Indonesia and the Netherlands allow for the links between the two countries? And how do we actually perceive Indonesian art? The book takes three cross-sections through fine art in the Dutch East Indies/Indonesia: the colonial period around 1900, decolonisation and independence around 1950, and the current, post-colonial period around 2000. Only by taking a detailed look at these three pivotal moments can a clear picture be obtained of the turbulent development of art in Indonesia.




Parkett


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World's Best New Art


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Features works from 25 of the best young artists selected by 11 curators from international museums and provides a view into the future of the way contemporary art develops. This work features art projects by the best young artists from Shanghai to Rio de Janeiro accompanied by an exposition written by top curators of the new generation.




Hadassah Emmerich


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Under the titles 'The Great Ephemeral Skin', Hadassah Emmerich (Heerlen, 1974) presents a new series of works whose central focus is the female body as object. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Emmerich?s work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution.0Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with oil paint and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. Exhibition: De Garage, Mechelen, Belgium (23.03-26.05.2019) / Onomatopee Projects, Eindhoven, The Netherlands (01.06-23.06.2019)




Flash Art


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Modern Painters


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ARC08


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Art Diary


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Art in America


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