Haircuts at Sleepy Sam's


Book Description

A boy goes to the neighborhood barber with some trepidation in this humorous story of summer in the city.




Haircuts at Sleepy Sam's


Book Description

A boy goes to the neighborhood barber with some trepidation in this humorous story of summer in the city.




MultiCultural Review


Book Description




Stories Matter


Book Description

The controversial issue of cultural authenticity in children's literature resurfaces continually, always eliciting strong emotions and a wide range of perspectives. This collection explores the complexity of this issue by highlighting important historical events, current debates, and new questions and critiques. Articles in the collection are grouped under five different parts. Under Part I, The Sociopolitical Contexts of Cultural Authenticity, are the following articles: (1) "The Complexity of Cultural Authenticity in Children's Literature: Why the Debates Really Matter" (Kathy G. Short and Dana L. Fox); and (2) "Reframing the Debate about Cultural Authenticity" (Rudine Sims Bishop). Under Part II, The Perspectives of Authors, Illustrators, and Editors on Cultural Authenticity, are these articles: (3) "Who Can Tell My Story?" (Jacqueline Woodson); (4) "'Around My Table' Is Not Always Enough" (W. Nikola-Lisa); (5) "Authentic Enough: Am I? Are You? Interpreting Culture for Children's Literature" (Susan Guevara); (6) "The Candle and the Mirror: One Author's Journey as an Outsider" (Judi Moreillon); (7) "A Mess of Stories" (Marc Aronson); (8) "To Stingo with Love: An Author's Perspective on Writing Outside One's Culture" (Kathryn Lasky); and (9) "Multiculturalism Is Not Halloween" (Thelma Seto). Under Part III, Political Correctness and Cultural Authenticity, are these articles: (10) Beyond Political Correctness" (Hazel Rochman); (11) "The Complexity of Debates about Multicultural Literature and Cultural Authenticity" (Violet J. Harris); (12) "'Authenticity, ' or the Lesson of Little Tree" (Henry Louis Gates, Jr.); and (13) "Multicultural Literature and the Politics of Reaction" (Joel Taxel). Under Part IV, The Perspectives of Educators on Cultural Authenticity, are these articles: (14) "Can We Fly across Cultural Gaps on the Wings of Imagination? Ethnicity, Experience, and Cultural Authenticity" (Mingshui Cai); (15) "Accuracy and Authenticity in American Indian Children's Literature: The Social Responsibility of Authors and Illustrators" (Elizabeth Noll); (16) "Accuracy Is Not Enough: The Role of Cultural Values in the Authenticity of Picture Books" (Weimin Mo and Wenju Shen); (17) "Artistic Triumph or Multicultural Failure? Multiple Perspectives on a 'Multicultural' Award-Winning Book" (Laura B. Smolkin and Joseph H. Suina); (18) "Images of West Africa in Children's Books: Replacing Old Stereotypes with New Ones?" (Vivian Yenika-Agbaw); and (19) "Use of Spanish in Latino Children's Literature in English: What Makes for Cultural Authenticity? (Rosalinda B. Barrera and Ruth E. Quiroa). Under Part V, Connecting Cultural Authenticity to the Classroom, are these articles: (20) "Multiple Definitions of Multicultural Literature: Is the Debate Really Just 'Ivory Tower' Bickering?" (Mingshui Cai); (21) "The Trivialization and Misuse of Multicultural Literature: Issues of Representation and Communication" (Zhihui Fang; Danling Fu; Linda Leonard Lamme); and (22) "'I'm Not from Pakistan': Multicultural Literature and the Problem of Representation" (Curt Dudley-Marling). (NKA).




Siri, Who Am I?


Book Description

“A wild ride. . . with endless turns and a happily-ever-after ending fit for a Friday night, feel-good rom-com movie.”—USA Today A Millennial with amnesia uses her Instagram account to piece together her identity in this hilarious and whip-smart comedy about the ups and downs of influencer culture. Mia might look like a Millennial but she was born yesterday. Emerging from a coma with short-term amnesia after an accident, Mia can’t remember her own name until the Siri assistant on her iPhone provides it. Based on her cool hairstyle (undercut with glamorous waves), dress (Prada), and signature lipstick (Chanel), she senses she’s wealthy, but the only way to know for sure is to retrace her steps once she leaves the hospital. Using Instagram and Uber, she arrives at the pink duplex she calls home in her posts but finds Max, a cute, off-duty postdoc supplementing his income with a house-sitting gig. He tells her the house belongs to JP, a billionaire with a chocolate empire. A few texts later, JP confirms her wildest dreams: they’re in love, Mia is living the good life, and he’ll be back that weekend. But as Mia and Max work backward through her Instagram and across Los Angeles to learn more about her, they discover an ugly truth behind her perfect Instagram feed, and evidence that her head wound was no accident. Did Mia have it coming? And if so, is it too late for her to rewrite her story?




Multicultural Picturebooks


Book Description

"Picturebook," spelled as a single word to identify its unique qualities and to differentiate the genre from other books with illustrations, is one that tells a story either in pictures alone or in almost equal partnership with text. The picturebook has great potential for bridging the differences among us; the concept of a story is one common to all, a shared experience that sets the stage for communication. And the goal of multiculturalism is to emphasize the positive attributes of human society, the outstanding, rather than the stereotype. Because children born today will interact with people from different cultures much more than previous generations, it is important that they are taught about other cultures, starting at a young age. Multicultural picturebooks are, therefore, an excellent teaching tool for meeting this educational challenge. The picturebooks profiled are appropriate for children in grades K - 4 but can be used with older children, depending on the curriculum and the students' comprehension level. Books covering Asia and the Pacific, The Middle East, Africa, South America, North America (Native Americas, Inuit, etc.), and books specific to the immigrant experience are profiled. Each book is described in one paragraph that includes an engaging review of the story line, special features of the content, the look and style of the artwork, interior design, and layout of the book. The authors emphasize that the visual qualities of picturebooks affect their ability to tell stories about people whose values and behaviors are different from those of the reader. The analyses, therefore, used in selecting the books include not only the informational content, but also the emotional content--the feelings generated by the text and art. In choosing books for this volume, the authors have used the following criteria: ]Does the book tell an engaging story?]Do the illustrations convincingly portray and represent humans, animals, and objects?]Is the use of the media consistent?]Do the text and the pi




Book Review Digest


Book Description




Black Authors and Illustrators of Books for Children and Young Adults


Book Description

Black Authors and Illustrators of Books for Children and Young Adults is a biographical dictionary that provides comprehensive coverage of all major authors and illustrators – past and present. As the only reference volume of its kind available, this book is a valuable research tool that provides quick access for anyone studying black children’s literature – whether one is a student, a librarian charged with maintaining a children’s literature collection, or a scholar of children’s literature. The Fourth Edition of this renowned reference work illuminates African American contributions to children’s literature and books for young adults. The new edition contains updated and new information for existing author/illustrator entries, the addition of approximately 50 new profiles, and a new section listing online resources of interest to the authors and readers of black children’s literature.




Accidental Weatherman


Book Description

The Accidental Weatherman is the story of what happens when a hilarious Adelaide boy who knows nothing about meteorology scores the coveted weatherman gig on the highest rating breakfast TV show in Australia. As the Sunrise weatherman, Sam Mac has bungee jumped, swum with sharks, got his cat on the cover of Pussweek magazine, taken his mum to the Logies when he was nominated for gold, stripped naked for The Real Full Monty and even recorded a song with The Wiggles. But, ultimately, his job is about people - from primary schoolers to pensioners, Sam's gift is how he connects with them all. He uses heart and humour in his role on Sunrise to introduce viewers to the true characters of Australia. He prides himself on bringing awareness to causes such as mental health and animal rescue, and on championing underdogs who might need a hand up or a shout out. His genuine nature and open-book approach to social media has won him hundreds of thousands of fans along the way - although even he would admit that many of them only like him for his cat Coco (who is rapidly catching up to him in Instagram followers). After presenting more than 25 000 minutes of live TV in over 800 different Australian towns, Sam really has seen the absolute best of Australia, and it's brought out the best in him.




My Name is Sam


Book Description

“Twenty-five, OMG! A quarter century already! A thousand experiences, but only a continuous blur, like two passing trains, when recalled. One thing my parents learned from when I started to talk until I started school was that I talked … and talked … and held nothing back. I fought, I screamed, I entertained, I conversed, I engaged and I was beguiling. I was different and I knew it. I was a gift from God and a star, and it all came naturally. My next twenty-five years will build on the bedrock of my formative years. I will be able to look back on them, whether as wife, mother, grandmother — and definitely as one of the twenty ‘must know’ people in Hong Kong — and see how these early events and experiences shape the person I will ultimately become.” ___________________________ “If sixty-plus years is not enough to live our dreams and become, how can twenty-five years be? How do you deal with the very tangible yet mystical appearance of death into a young life? What was the sum total of Samantha’s short life packed up into? A vast trove of memories, contrived from various footprints — Facebook posts, photos, and mainly my own memories and those of her myriad friends all over the world. Samantha constantly reminds me to squeeze every possible minute from the life I have yet to live. It struck me, when I commenced this work, I knew far too little of my girl, but along the way, with the revelations of others, I have come to know her a little better and to love her even a little more.”