Handbook and Roster


Book Description




Handbook of Kentucky


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Kentucky Illustrated


Book Description

Kentucky Illustrated brings together a substantial portion of the pictorial scenes published during Kentucky's first century, many of them rare prints reproduced here for the first time since their original publication. From the frontier days of Daniel and Squire Boone to the rise of the railroads that opened the state to visitors who toured its landmarks and bathed in its springs, more than two hundred views offer a picture of Kentucky's growth and civilization. Until the 1890s, Kentucky was sketched in the words of adventurers, travelers, and journalists, but all most Americans knew of the face of Kentucky was the occasional engraving that appeared in popular publications such as Harper's Weekly and Scribner's Monthly. The camera was not widely used and photographs could not yet be reproduced for mass distribution, so each illustration was captured by an artist and translated by an engraver before it reached the imagination of the viewer. Readers will enjoy chapters on the frontier, the Civil War, education and religion, urban and rural life, making a living, the natural world, and roads, rivers, and rails. State historian James C. Klotter provides an overview of Kentucky history that enhances the illustrations, and Joe Nickell's description of early print methods allows readers to appreciate fully the art form as it was practiced in the nineteenth century. Captions include both historical background and information on artists, lithographers, and printers. This handsome collection of rare early views will delight all Kentuckians as well as historians, teachers, librarians, and students.




Actors, Audiences, and Historic Theaters of Kentucky


Book Description

Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque. Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out. In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history.







Allen Tate


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Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a leader of the Southern Agrarian movement, perhaps America's final potent critique of industrial capitalism. By 1938, Tate had departed politics and written The Fathers, a critically acclaimed novel about the dissolution of the antebellum South. He went on to earn almost every honor available to an American poet. His fatherly mentoring of younger poets, from Robert Penn Warren to Robert Lowell, and of southern novelists--including his first wife, Caroline Gordon--elicited as much rebellion as it did loyalty. Long-awaited and based on the author's unprecedented access to Tate's personal papers and surviving relatives, Orphan of the South brings Tate to 1938. It explores his attempt, first through politics and then through art, to reconcile his fierce talent and ambition with the painful history of his family and of the South. Tate was subjected to, and also perpetuated, fictional interpretations of his ancestry. He alternately abandoned and championed Southern culture. Viewing himself as an orphan from a region where family history is identity, he developed a curious blend of spiritual loneliness and ideological assuredness. His greatest challenge was transforming his troubled genealogy into a meaningful statement about himself and Southern culture as a whole. It was this problem that consumed Tate for the first half of his life, the years recorded here. This portrait of a man who both made and endured American literary history depicts the South through the story of one of its treasured, ambivalent, and sometimes wayward sons. Readers will gain a fertile understanding of the Southern upbringing, education, and literary battles that produced the brilliant poet who was Allen Tate.







History of the Kerr Building and Eclipse Mills, Winchester, Kentucky


Book Description

The Kerr Building encompasses two separate buildings: the S. P. Kerr Business Block and the Eclipse Mills. George Taylor and Leslie Webster put up the Eclipse Mills in about 1867. Smith Kerr erected the Business Block in 1889. After serving as a prominent business house in Winchester for over a century, in the late 1990s the Kerr Building fell into disrepair and was in danger of being razed. The Blue Grass Trust for Historic Preservation placed the Kerr Building on its 1999 list of most endangered buildings in the region, what it called "11 in their 11th hour." Mayor Dodd Dixon, deciding something needed to be done, obtained two grants from Renaissance Kentucky totaling $500,000. Mark Bailey & Associates of Louisville purchased the building, restored the exterior and renovated the interior for commercial space on the ground floor and senior citizen housing above. 70 pp, illustrated







Where In The World? Volume 3, Historic People and Places in Clark County, Kentucky


Book Description

Did you ever hear the name of a place and wonder "where in the world was that?" Answering that question about quaint and historic places in Clark County, Kentucky, became the basis of a regular column in the Winchester Sun called "Where In The World?" The series began on January 6, 2005, with "Bramblett's Lick." This is the third published volume of those collected columns. Previous volumes contained 162 articles published between 2005 and 2016. This volume continues the series with 56 articles that appeared in the Sun from June 2016 to March 2018. There are fewer articles in this volume because more recent articles are much longer than the early ones. Each article describes a historic location or notable person in Clark County, some well known, some not so well known. Some articles were updated from the newspaper version as additional information became available.