Sacred Harmony


Book Description

John Wesley published three tune books in two-decade intervals for the evangelical British Methodist movement within the Church of England with its varied audiences and diverse musical tastes. S T Kimbrough, Jr. and Carlton R. Young have published the only facsimile reprints, with critical introductions and notes, of the first two collections (1742 and 1761). Wesley intended his third collection, Sacred Harmony, or a choice Collection of Psalms and Hymns, Set to Music in two or three parts for the Voice, Harpsichord & Organ (1780), henceforth SH 1780, as a musical companion to his monumental A Collection of Hymns for the Use of the People Called Methodists (1780). This edition of SH 1780 provides the ecclesial, cultural, and musical contexts of the volume; traces the sources of each tune and text (with textual variants), provides indexes of texts and tunes, and appropriate appendices. The copy used for this facsimile includes the autograph of John Wesley and the date of January 10, 1780, on an opening flyleaf, his marginal notes, and is housed in the archives of Old St. George's United Methodist Church in Philadelphia, Pennsylvania. Each page of this facsimile edition of SH 1780 has been thoroughly cleaned of bleedthrough and blotches.




The New Harmonia Sacra


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The New Harmonia Sacra


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Musica Sacra


Book Description




Harmonia Sacra


Book Description










Musica Sacra, Or Springfield and Utica Collections United


Book Description

Excerpt from Musica Sacra, or Springfield and Utica Collections United: Consisting of Psalm and Hymn Tunes, Anthems and Chants; Arranged for Two, Three or Four Voices, With a Figured Bass for the Organ or Piano Forte On perusing the following pages, however, it will Ii: observed that some of the old tunes are diflhrently harmonized from the copies selected from W illiams and Tansur, and other authors of less note. But, to those persons who are forward to condemn every copy that dillers from the one they formerly have seen, it should be mow generally known that those cap in are grossly incorrect. Europe, as well as America, has her pretenders to science, and such were certainly Williams and Tansur and several others, whose compositions have already had a sufficient circulation. We would not be understood to complain of the Airs that those authors have compiled, for my them are tmly excellent: but the manner in which they have harmonized them, is such as no person of science or taste can, approve. Several American compis lers, however, being ignorant of this fact, have published the pieces as they found them, not even correcting the most palpable errors of the press.-others, knowing their inac curacy, have neglected the remedy from motives of [it'lldt'nca - A third, and by far the most numerous class of compilers, have failed in their attempts to correct the pie ces, from a want (1 sufficient skill in the science of Musical Composition. A con sideration of these circumstances induced us to avail ourselves, as much as possi ble, of those copies which have been proddced by the msrntcursnnn masters or Euaorz. Wherever, among classic authors, the same piece was found to be differ ently harmonized, we endeavored to select that copy which would be sung with the most interest, and which at the some time should diifer least from the one in general use. The pieces which compose this volume (with the exception of a few original ones) are derived from works of the most distinguished reputation; and the greatest care has been taken, to have them correctly printed in this editim, that We might preclude as much as possible the necessity of future alterations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.