Harrisonburg and Rockingham


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Harrisonburg


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First settled in 1737 by members of the Thomas Harrison family, the town of Harrisonburg was recognized by the Virginia House of Delegates in 1780 as the seat of the newly-formed Rockingham County. Always looking forward, the town fathers proclaimed a grand industrial future for the town by the 1890s, and Harrisonburg was incorporated as an independent city in 1916. By the mid-20th century, planned growth, urban renewal, and nearby Interstate 81 had transformed the small town into a metropolis. The remarkable photographs reproduced in Harrisonburg offer glimpses of Harrisonburg's growth from a crossroads trade center to the host of an interstate clover leaf.




Rockingham County


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Named for a British Prime Minister and carved from Augusta County in 1777, Rockingham County lies at the heart of Virginia's Shenandoah Valley. As home to a portion of the Great Wagon Road running southwest from Pennsylvania, the county's culture and landscape reflect the influence of ethnic groups migrating to the frontier along this trail. Rockingham County's rich agricultural traditions have been a constant throughout its history, and while recent population increases have led to the disappearance of much of its rolling farmland, the county maintains a strong adherence to its agricultural past.




The Museum of the Old Colony


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The Museum of the Old Colony is an ongoing conceptual art installation by visual artist Pablo Delano (b. 1954) that addresses the complex history of his native Puerto Rico after the Spanish-American War (1898), when the Caribbean archipelago was seized by the United States from Spain as a "possession." Appropriating archival photographs, film footage, and popular artifacts that Delano collects and "curates" for his performative museum, the installation provocatively critiques the stereotypes and entrenched misperceptions of Puerto Rico disseminated in mainstream media over a century. The work thus speaks to the relationship between U.S. imperial power and the island-nation, and to the lasting and devastating legacies of colonial rule. With dry wit and sardonic humor, The Museum of the Old Colony equally illuminates the power of images to inculcate cultural values and the authority of museums to confer meaning on the objects that such trusted institutions have acquired and displayed. This catalog is the companion volume to the latest iteration of Delano's installation, at James Madison University's Duke Hall Gallery of Fine Art. With essays by editor Laura Katzman and distinguished scholars Amanda J. Guzmán (Trinity College); Beth Hinderliter (James Madison University); Laura Roulet (independent curator); and César A. Salgado (University of Texas, Austin), the publication examines Delano's ever-evolving project from historical, anthropological, cultural, literary, and museological perspectives. This richly illustrated volume features a foreword by Marianne Ramírez Aponte (Museum of Contemporary Art, Puerto Rico) and an extensive interview with the artist by the editor.




The American Bar


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House documents


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Miscellaneous Documents


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