Harry Dean Stanton


Book Description

The first biography of the man Vanity Fair described as “the philosopher poet of character acting.” After a series of minor parts in forgettable westerns, Harry Dean Stanton gradually began to get film roles that showcased his laid-back acting style, appearing in Cool Hand Luke, Kelly’s Heroes, The Godfather: Part II, and Alien. He became a headliner in the eighties?starring in Wim Wenders’s moving Paris, Texas and Alex Cox’s Repo Man?but it was his extraordinary skill as a character actor that established him as a revered cult figure and kept him in demand throughout his career. Here, Joseph B. Atkins unwinds Stanton’s enigmatic persona, shedding light on his early life in West Irvine, Kentucky, and exploring his difficult relationship with his Baptist parents, his service in the Navy, and the events that inspired him to drop out of college and pursue acting. Atkins also chronicles Stanton’s early years in California, describing how he honed his craft at the renowned Pasadena Playhouse before breaking into television and movies. In addition to examining his acclaimed body of work, Atkins explores Harry Dean Stanton as a Hollywood legend, following his years rooming with Jack Nicholson, partying with David Crosby and Mama Cass, jogging with Bob Dylan, and playing poker with John Huston. Stanton is often remembered for his crowd-pleasing roles in movies like Pretty in Pink or Escape from New York, but this impassioned biography illuminates the entirety of his incredible sixty-year career, drawing on interviews with the actor’s friends, family, and colleagues.




The Weird Accordion to Al


Book Description




The Encyclopedia of Fantastic Film


Book Description

Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.




Christians in the Movies


Book Description

Christians in the Movies traces the arc of the portrayal in film of Christians from 1905 to the present. For most of the first six decades, the portrayals were favorable and even reverential. By contrast, from 1970 on, Christians have often been treated with hostility and often outright ridicule. This book explores this shift through in-depth reviews and commentaries on 100 important films, as well as briefer discussions of about 75 additional Christian-themed films. Peter E. Dans examines various causative factors for this change such as the abolition of the Hays Motion Picture Production Code, the demise of the Catholic Legion of Decency, and the associated profound societal and cultural changes. From a look at the real story behind the Scopes trial to portraits of actors, directors and writers most prominently associated with films involving Christians and Christianity, Christians in the Movies provides a great resource for those who wish to select films for showing at churches, universities or for personal viewing and critical examination of the recent cultural movements and thought.




Flipside


Book Description

What happens after we die? _x000D_ _x000D_ Author and award winning filmmaker Richard Martini explores startling new evidence for life after death, via the "life between lives," where we reportedly return to find our loved ones, soul mates and spiritual teachers. Based on the evidence of thousands of people who claim that under deep hypnosis, they saw and experienced the same basic things about the Afterlife, the book documents interviews with hypnotherapists around the world trained in the method pioneered by Dr. Michael Newton, as well as examining actual between life sessions. The author agrees to go on the same journey himself, with startling and candid results, learning we are fully conscious between our various incarnations, and return to connect with loved ones and spiritual soul mates, and together choose how and when and with whom we'll reincarnate. Martini examines how "Karmic law" is trumped by "Free will," with souls choosing difficult lives in order to learn from their spiritually; no matter how difficult, strange or complex a life choice appears to be, it was made in advance, consciously, with the help of loved ones, soul mates and wise elders. Extensively researched, breathtaking in scope, "Flipside" takes the reader into new territory, boldly going where no author has gone before to tie up the various disciplines of past life regression. near death experiences, and between life exploration. In the words of author Gary Schwartz, Phd, once you've read "Flipside" "you'll never see the world in the same way again."_x000D_ _x000D_ Praise for Flipside:_x000D_ _x000D_ "Richard has written a terrific book. Insightful, funny, provocative and deep; I highly recommend it!" - Robert Thurman, author of Why the Dalai Lama Matters_x000D_ _x000D_ “Inspiring, well written and entertaining. The kind of book where once you have read it, you will no longer be able to see the world in the same way again.” - Gary E. Schwartz, author of The Sacred Promise_x000D_ _x000D_ "Everyone should have a Richard Martini in their life." - Charles Grodin, author of If I Only Knew Then... What I Learned From Mistakes




Backstage Pass to the Flipside Book One


Book Description

"Everyone who has ever lived continues to exist on the Flipside and if possible, can be asked direct questions." In "Backstage Pass" Richard interviews people "no longer on the planet" with the assistance of Jennifer Shaffer, Medium/intuitive, and lifelong friend Luana Anders (who is on the flipside)




Neo-Noir


Book Description

Neo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.




The Hollywood Book of Love


Book Description

Hollywood Love and Romance is an entertaining survey of love, romance, and marriage as depicted in the movies. Featuring films from film's silent era through the hits of today, it's an exhaustive, entertaining tome sure to satisfy any film buff interested in love and romance and film. Written in the same dry tone that's made Parish's previous film books, like The Hollywood Book of Death and Hollywood Bad Boys, so successful, Hollywood Love and Romance includes movies grouped in chapters on: Love at First Sight (Love is a Many-Splendored Thing, Titanic); First Love (Dirty Dancing, Splendor in the Grass); Doomed to Failure (Blond Venus, Mystic Pizza, The Apartment); Surviving the Family (Guess Who's Coming to Dinne?, My Big Fat Greek Wedding); True Love (Breakfast at Tiffany's, Ghost, The Philadelphia Story); Love and Death (Camille, Dark Victory, Goodbye, Mr. Chips, Love Story); Bad Marriage (War of the Roses, Ruthless People); The Affair (An Affair to Remember, Anna Karenina); Femme Fatale/Bad Man (Of Human Bondage, Basic Instinct); Historical Romance (Elizabeth, Dr. Zhivago, Gone with the Wind); Rebound (40 Days and 40 Nights, Moonstuck, An Unmarried Woman); Codependency (Who's Af







Expanding Adaptation Networks


Book Description

This book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations—such as novelization, illustration, literary maps, pop-up books, and ekphrasis. It discusses a broad range of image and word-based adaptations of popular literary works, among them The Wizard of Oz, Alice in Wonderland, Daisy Miller, The Strange Case of Dr. Jekyll and Mr. Hyde, Moby Dick, and Adventures of Huckleberry Finn. The study reveals that commercial and franchise works and ephemera play a key role in establishing a work’s iconography. Newell argues that the cultural knowledge and memory of a work is constructed through reiterative processes and proposes a network-based model of adaptation to explain this. Whereas most adaptation studies prioritize film and television, this book’s focus on print invites new entry points for the study of adaptation.