Hawaiian Antiquities


Book Description

Hawaiian Antiquities (1898) is an ethnography by David Malo. Originally published in 1838, Hawaiian Antiquities, or Moolelo Hawaii, was updated through the end of Malo’s life and later translated into English by Nathaniel Bright Emerson, a leading scholar of Hawaiian mythology. As the culmination of Malo’s research on Hawaiian history, overseen by missionary Sheldon Dibble, Hawaiian Antiquities was the first in-depth written history of the islands and its people. “The ancients left no records of the lands of their birth, of what people drove them out, who were their guides and leaders, of the canoes that transported them, what lands they visited in their wanderings, and what gods they worshipped. Certain oral traditions do, however, give us the names of the idols of our ancestors.” As inheritor of this ancient oral tradition, David Malo, a recent Christian convert who studied reading and writing with missionaries, provides an essential introduction to the genealogies, history, traditions, and stories of his people. Engaging with the legends passed down from ancient generations as well as the flora and fauna of the islands in his own day, Malo links the Hawaii of the past to the world in which he lived, a time of political and religious change introduced by missionaries from the newly formed United States. With a beautifully designed cover and professionally typeset manuscript, this edition of David Malo’s Hawaiian Antiquities is a classic work of Hawaiian literature reimagined for modern readers.




Hawaiian Antiquities


Book Description

Excerpt from Hawaiian Antiquities: Moolelo Hawaii It is a commentary on the fleeting character of fame and human distinction that, even at this short remove from the life of one of Hawaii's most distinguished sons, it is with no little difficulty that one can obtain correct data as to the details of his career; it is also an index of the rapidity with which the plough-share of evolution has obliterated old landmarks. The materials from which this sketch of David Malo's life is pieced together have been derived from many sources, both oral and written, as will be indicated in the course of the narrative. Malo was the son of Aoao and his wife Heone, and was born at the seaside town of Keauhou, North Kona, Hawaii, not many miles distant from the historic bay of Kealakeakua, where Captain Cook, only a few years before, had come to his death. The exact year of his birth cannot be fixed, but it was about 1793, the period of Vancouver's second visit to the islands. It was the time of a breathing spell in the struggle for military and political supremacy over the entire group in which the chief actors were Kahekili, the old war-horse and veteran of Maui, Kalanikupule, his son, the weak and ill-fated king of Oahu. and Kamehameha, the oncoming conqueror of the group. Aoao, the father, was attached as a follower in some capacity to the court and army of Kamehameha and moved west with the tide of invasion; but I have found no evidence that his travels took him so far as Oahu, which was the western limit of his master's operations. During his early life Malo was connected with the high chief Kuakini (Governor Adams), who was a brother of Queen Kaahu-manu, and it was during this period specially that he was placed in an environment the most favorable to forming an intimate acquaintance with the history, traditions, legends and myths of old Hawaii, as well as with the meles, pules and olis that belong to the hula and that form so important and prominent a feature in the poesy and unwritten literature of Hawaii. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Hawaiian Antiquities (Moolelo Hawaii)


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




HAWAIIAN ANTIQUITIES (MOOLELO


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Hawaiian Antiquities


Book Description




Hawaiian Antiquities


Book Description

Excerpt from Hawaiian Antiquities: Moolelo Hawaii I do not suppose the following history to be free from mistakes, in that the material for it has come from oral traditions; con sequently it is marred by errors of human judgment and does not approach the accuracy of the word of God. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Journal of the Polynesian Society


Book Description

Vols. for 1892-1941 contain the transactions and proceedings of the society.




Hawaiian Antiquities


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 edition. Excerpt: ... Malo of the king, bleached in the ocean, Malo of god Uli! Dark blue the sea, oh Hina! Bright red the malo of Hina. S Lace-like as a mist-scud the malo of Ku, Ku, the god of many temples. Pass between the thighs the malo of Lono! Gird! gird on the malo of Lono, the variegated! They are bearing on their shoulders the malo of Lono-honua. 10 Decorated at its ends is the malo of the bird-god lo-uli, Leaf embroidered the malo of long-limbed Kane, Gird on your malo! Lo here is a sacred malo, bleached by the ocean! The sacred malo of the king is life to the women chiefs. 15 Bind it fast to the heiau! An ordinary heiau, a royal heiau, A heiau for the king, for Umi, son of Liloa. Long live the king! May he be victor, and put down all his enemies! 20 Array now the god-image in the malo! It is accepted, the ceremony, the ceremony of the king is accepted. (39) Sect 86. Hai ka haina: made a report to the king that everything, including the omens, was going on well, and was favorable. CHAPTER XXXVIII. THE CIVIL POLITY. 1. The word kalaimoku related to the civil polity, or government, of the land. The government was supposed to have one body (kino). As the body of a man is one, provided with a head, with hands, feet and numerous smaller members, so the government has many parts, but one organization. 2. The corporate body of the government was the whole nation, including the common people and chiefs under the king. This is seen to be the case from the fact that in a country where there are no people there is no government, as on Kaula and Niihoa.* The king was the real head of the government; the chiefs below the king the shoulders and chest. The priest of the king's idol was the right hand, the minister of interior (kanaka kalaimoku) the left hand of...