Heart in Hand


Book Description

Heart surgeon Miller presents his personal reflections on the nature of life, addressing the subjects of sex, self-interest, God, Schopenhauer, music, compassion, life as a heart surgeon, and the finality of death.




Heart and Hand


Book Description




Heart in Hand


Book Description

After the wedding of her cousin Naomi, knitter Anna, a widow, finds herself missing love and the closeness of a husband. She feels a special connection with her grandmother as they both struggle to go on with life. Is Anna on the verge of finding happiness when she realizes John Esh is interested in her? Love begins to warm Anna's heart, but will she be so afraid of losing someone that she gives up the second chance that God has provided?




Instructions for a Secondhand Heart


Book Description

A moving novel about grief, guilt, and the unpredictability of love, for fans of Everything, Everything and All the Bright Places. Jonny knows better than anyone that life is full of cruel ironies. He's spent every day in a hospital hooked up to machines to keep his heart ticking. Then when an organ donor is found for Jonny's heart, that turns out to be the cruelest irony of all. Because for Jonny's life to finally start, someone else's had to end. That someone turns out to be Neve's twin brother, Leo. When Leo was alive, all Neve wanted was for him (and all his glorious, overshadowing perfection) to leave. Now that Leo's actually gone forever, Neve has no idea how to move forward. Then Jonny walks into her life looking for answers, her brother's heart beating in his chest, and everything starts to change. Together, Neve and Jonny will have to face the future, no matter how frightening it is, while learning to heal their hearts, no matter how much it hurts. (Features select graphic novel illustrations from Jonny's sketchbook.)




Cooking with Heart in Hand


Book Description

From a world-renowned restaurant and catering company, this lengthy collection of menus and recipes can help you breeze through any occasion you can imagine, from Family Reunions to Sunday Southern Suppers to Holiday Parties.







From Mind, Heart, and Hand


Book Description

02 A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums. A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums.




Head, Heart, and Hand


Book Description

Traveling evangelist John Brown believed that conventional colleges had become elitist and morally suspect, so he founded a small utopian college in 1919 to better combine evangelical Christianity and higher education. Historian Rick Ostrander places John Brown University in the long tradition of Christian education, but he also shows that evangelicalism had largely separated from mainstream higher education by the twentieth century. This engaging and objective history explores how John Brown University has adapted to modern American culture while maintaining its evangelical character. Brown set out to educate the poor, rural children of the Ozarks who had no other opportunity for schooling. He wanted to instill in them not only religious zeal but also his conception of what constituted significant work, namely manual labor. His concern with practical work is evident today in programs for broadcasting, engineering, teacher education, and business. His sons made academic excellence an institutional priority and gradually transformed the school into an accredited, respected liberal arts college. Head, Heart, and Hand deftly connects the story of John Brown University to the larger currents of American education and religion.




Heart and Hand


Book Description




A Hand Over the Heart


Book Description