Hebrew and Christian Records


Book Description

Reprint of the original, first published in 1877.




Holy Roar


Book Description

What happens when we praise God? What are the benefits of praising Him? Do you know what praise actually means? In Holy Roar, Chris Tomlin and Darren Whitehead share a fresh perspective from the worship practices of the ancient world. They take readers on a praise journey that answers questions and provides valuable insight. After reading Holy Roar, you will: Grow an understanding of praise with Darren's unique insights. Gain a deeper understanding of how to worship. Be inspired as Chris shares how those insights take shape in the stories behind some of your favorite worship songs, including "How Great Is Our God," "We Fall Down," and "Good Good Father." Holy Roar is for: Readers of all ages interested in growing their faith Pastors, worship leaders, and small group teachers leading believers In the ancient world, something extraordinary happened when God's people gathered to worship Him. It was more than just singing; it was a declaration, a proclamation, a time to fully embody praise to God for who He is and what He has done. In fact, in the Psalms, seven Hebrew words are translated into the English word praise, each of which represents a different aspect of what it means to truly praise God.







Bob Dylan


Book Description

Between 1979 and 1981, Dylan produced and released three of his most controversial albums--Slow Train Coming, Saved, and Shot of Love--toured the world, and played the most contentious shows of his career. Remarkably, this entire period was perhaps the most fastidiously well-documented of his career, with every studio session, every live show, and every single rehearsal recorded on Dylan's behalf. For the first time, that material has been excavated, reviewed, and accessed by "perhaps the world's leading authority on all things Dylan" (Rolling Stone). Serving as an invaluable companion to the latest Sony Bootleg Series (November 2017), Trouble in Mind is the first book to focus on the life and works of Dylan as a born-again Christian from the perspective of both his artistic growth and the development of his eschatological worldview. It will draw on previously undocumented song drafts, rehearsal tapes, and new interviews with engineers, musicians, and girlfriends. Aside from his definitive biography, Dylan Behind the Shades (Simon & Schuster, 1991; new edition HarperCollins, 2001), which remains in print more than twenty years after publication, Clinton Heylin has published multiple books on Dylan. He has been an invited speaker at Dylan conventions around the world and was chosen as the annotator of the 2013 forty-nine CD box set Dylan's Complete Columbia Recordings by Sony, for which he was nominated for the 2014 ASCAP Drew Taylor Award.




The Music of the Bible Revealed


Book Description

This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.







The Hebrew Book in Early Modern Italy


Book Description

The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.




Music in Biblical Life


Book Description

Music was integral to the daily life of ancient Israel. It accompanied activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to deliver messages, convey emotions, strengthen communal bonds and establish human-divine contact. This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres: the Song of the Sea (Exod. 15), King Saul and David's harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel.




A Marginal Jew: Rethinking the Historical Jesus, Volume III


Book Description

Companions and Competitors is the third volume of John Meier's monumental series, A Marginal Jew: Rethinking the Historical Jesus. A detailed and critical treatment of all the main questions surrounding the historical Jesus, A Marginal Jew serves as a healthy antidote to the many superficial and trendy treatments of Jesus that have flooded the market. Volume 1 laid out the method to be used in pursuing a critical quest for the historical Jesus and sketched his cultural, political, and familial background. Volume 2 focused on John the Baptist; Jesus' message of the kingdom of God; and his startling deeds, believed by himself and his followers to be miracles. Volume 3 widens the spotlight from Jesus himself to the various groups around him, including his followers (the crowds, disciples, the circle of the Twelve) and his competitors (the Pharisees, the Sadducees, the Essenes and Qumranites, the Samaritans, the scribes, the Herodians, and the Zealots). In the process, important insights into how Jesus contoured his ministry emerge. Contrary to the popular idea that he was some egalitarian Cynic philosopher with no concern for structures, Jesus clearly provided his movement with shape and structure. His followers roughly comprised three concentric circles. In the outer circle were the curious crowds who came and went. In the middle circle were disciples whom Jesus himself chose to share his journeys. The innermost circle was made up of the Twelve, i.e. twelve disciples whom Jesus selected to symbolize and begin the great regathering of the twelve tribes of Israel in the end time. Jesus made sure that the disciples in his movement were marked off by distinctive behavior and prayer. His movement was anything but an amorphous egalitarian mob. One reason why Jesus was so intent on creating structures and identity badges was that he was consciously competing against rival religious and political movements, all vying for influence. Jesus presented one vision of what it meant to be Israel. The Pharisees, Sadducees, Essenes, etc., all offered sharply contrasting visions for Israel to preserve its identity and fulfill its destiny. Perhaps the greatest mistake of some recent portraits of the historical Jesus, notably that of the Jesus Seminar, has been to downplay the Jewish nature of Jesus in favor of a vaguer and sometimes dubious setting in Greco-Roman culture. In the face of such distortions this volume hammers home the oft-mentioned but rarely fathomed slogan "Jesus the Jew."