A Century of Dishonor


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Helen Hunt Jackson


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Ramona, continuously in print for over a century, has become a cultural icon, but Jackson's prolific career left us with much more, notably her achievements as a prose writer and her work as an early activist on behalf of Native Americans. This long-overdue biography of Jackson's remarkable life and times reintroduces a distinguished figure in American letters and restores Helen Hunt Jackson to her rightful place in history.".




A Calendar of Sonnets


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Helen Hunt Jackson and Her Indian Reform Legacy


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Helen Hunt Jackson and Her Indian Reform Legacy is a detailed account of the last six years of Jackson's life (1879-1885), when she struggled to promote the rights of American Indians displaced and dispossessed by the U.S. government. Valerie Sherer Mathes places Jackson's work within the larger nineteenth-century Indian rights movement and details her crusade of traveling, writing, and lobbying government officials. Jackson's efforts culminated in the publication of A Century of Dishonor, an indictment of the government's Indian policy, and the novel Ramona, a sympathetic portrayal of the plight of California's Mission Indians. Her influence was felt immediately in the actions of subsequent reform workers in the Women's National Indian Association, the Indian Rights Association, and the Lake Mohonk Conference.




Letters from a Cat


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Bits about Home Matters


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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




Bits of Travel at Home


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A Call for Reform


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Journalist, novelist, and scholar Helen Hunt Jackson (1830–85) remains one of the most influential and popular writers on the struggles of American Indians. This volume collects for the first time seven of her most important articles, annotated and introduced by Jackson scholars Valerie Sherer Mathes and Phil Brigandi. Valuable as eyewitness accounts of Mission Indian life in Southern California in the 1880s, the articles also offer insight into Jackson’s career. The articles served as the basis for Jackson’s 1884 romantic novel, Ramona, still popular among Americans today. Jackson journeyed to Southern California in the 1880s to learn firsthand how Indians there lived. She found them in a demoralized state, beset by failed government policies and constantly threatened with losing their lands. The numerous articles and editorial responses she penned made her a leading voice in the fight for American Indian rights, a role she embraced wholeheartedly. As this collection also shows, Jackson’s fondness for Old California helped shape the region’s mythology and tourist culture. But her most important work was her influence in getting reservations set aside for the beleaguered Southern California tribes. Although her recommendations were not implemented until after her death, Helen Hunt Jackson’s stark and revealing portrait drew national attention to the effects of white encroachment on Indian lands and cultures in California and inspired generations of reformers who continued her legacy. This unprecedented collection offers fresh insight into the life and work of a well-known and influential writer and reformer.




Ramona


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A Masque of Poets


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A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers’ “No Name” series, A Masque of Poets presents the works of little-known writers—including Emily Dickinson—alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. “Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters...” Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem’s meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century’s finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. “Success,” the final poem before the concluding “novelette in verse” Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature. With a beautifully designed cover and professionally typeset manuscript, this edition of A Masque of Poets is a classic work of American literature reimagined for modern readers.