Helen Lundeberg Since 1970


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Historical Collections Council Newsletters


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"Continues those Newsletters printed in Publications in Southern California Art No. 5."




Artspace


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America


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Spectacular landscapes, epic stories and diverse peoples feature in this expansive historical survey of American painting. The 89 artworks by some 74 artists traverse over 200 years of rich history, from the colonial era to the mid-20th century. Readers will encounter the sublime poetry and drama of the land, the ambition and optimism of the country's pioneers, the challenges of the frontier, the intimacy of family life and the intensity of the modern city. The roots of the American character and nation will be revealed through images ranging from the Grand Canyon to the Brooklyn Bridge, from classic portraits to modern abstraction. America: Painting a Nation includes works by artists such as Mary Cassatt, Winslow Homer, Edward Hopper, Georgia O'Keeffe, Jackson Pollock, Mark Rothko, John Singer Sargent and James McNeill Whistler from the collections of some of the finest art museums in the US (The Terra Foundation, Chicago; the Philadelphia Museum of Art; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; and The Virginia Museum of Fine Arts). Essays by Angela Miller (USA) and Chris McAuliffe (Australia), combined with entries on each of the artworks and biographies on each artist, illuminate this fascinating survey of American painting from 1750 to 1967.




Art & Auction


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Helen Lundeberg


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Laguna Art Museum is proud to organize the first comprehensive exhibition of the work of a key figure in twentieth-century California art, Helen Lundeberg (1908-1999). Featuring approximately sixty to seventy paintings, it will survey Lundeberg's career systematically, beginning with her landmark Post-Surrealist paintings of the 1930s. With her teacher and later husband Lorser Feitelson, she organized the Post-Surrealist group, the first of its kind in the United States, and wrote its manifesto. Though exploring psychology and personal expression, the Post-Surrealists aimed to bring a greater sense of order and control to European Surrealism and originally styled themselves New Classicists. By the late 1950s Lundeberg was working on a larger scale. She simplified her style into broad, flat areas of color and, though never a pure abstractionist, played a key part in the "hard-edge" tendency in mid-century painting. Bringing de Chirico-like ambiguities of space to architectural and landscape compositions, she preserved the enigmatic mood of her earlier, surrealistic imagery.




Art Nexus


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