Hell's Mouth


Book Description

When Andrew Tredinnick reported his wife missing at just after one o'clock on a dismal February morning, he didn't expect to be stood where he was only hours later. It started as just a normal night out with the girls. Andrew kissed Shona goodbye in the low glow of his makeshift studio. He listened as the scrunching of rubber on gravel receded into the night. As the hours passed, the realisation that Shona wasn't coming home began to consume every rational thought. Standing atop Hell's Mouth – an unmissable highlight on the Tour de Popular Cornish Suicide Sites – the North Atlantic roaring hungrily below, his wife's abandoned car sat forlorn in the desolate landscape behind, a tormented Andrew cowered under the weight of his only two options: One, return home and break it to the kids, who would be there worrying and formulating all manner of scenarios as to why neither of their parents were back yet. But how do you break that kind of news? Hi kids, I'm home, and by the way, your mum's dead and we're all possibly partly to blame. Or two, throw himself over the sheer face at his feet. Follow Shona into oblivion, or the pits of Hell, or whatever it is that noisily beckons its victims down there. Hell's Mouth follows the Tredinnick family as they wade through the aftermath of a beloved wife and mother's apparent suicide. As Andrew slides deeper into alcoholism, lurching from one self-constructed disaster to the next at the risk of losing his youngest daughter, he fails to notice what's going on under his own roof. Cameron, his nineteen-year-old son, has developed a deadly obsession with Kerenza, Cameron's stepsister, three years younger than himself. With a ruthless determination to achieve his ultimate fantasy, is there anything Cameron won't do to get what he wants?




Hell's Mouth


Book Description




Hell's Mouth


Book Description

Recuperating in Cornwall after being injured in a terrorist attack, DCI Ross O'Bryan discovers a dark secret. An unthinkable crime that has been covered up. Tasked with investigating, it soon becomes apparent he has found himself immersed in a world of deception, police corruption and organised crime. O'Bryan has his own dark secrets too. In a place where he has no alliances and is viewed with suspicion, it is only a matter of time before he is found out. For so many years the dramatic and rugged coastline of Cornwall had been the scene to smuggling, deception and murder, now O'Bryan will find out how little has changed.




Notes and Queries


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Christopher Columbus's Naming in the 'diarios' of the Four Voyages (1492-1504)


Book Description

In this fascinating book, Evelina Guzauskyt? uses the names Columbus gave to places in the Caribbean Basin as a way to examine the complex encounter between Europeans and the native inhabitants. Guzauskyt? challenges the common notion that Columbus's acts of naming were merely an imperial attempt to impose his will on the terrain. Instead, she argues that they were the result of the collisions between several distinct worlds, including the real and mythical geography of the Old World, Portuguese and Catalan naming traditions, and the knowledge and mapping practices of the Taino inhabitants of the Caribbean. Rather than reflecting the Spanish desire for an orderly empire, Columbus's collection of place names was fractured and fragmented - the product of the explorer's dynamic relationship with the inhabitants, nature, and geography of the Caribbean Basin. To complement Guzauskyt?'s argument, the book also features the first comprehensive list of the more than two hundred Columbian place names that are documented in his diarios and other contemporary sources.




Hell's Broke Loose


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The Vagina: A Literary and Cultural History


Book Description

From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the 'covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't 'look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity