Her America


Book Description

One of the preeminent authors of the early twentieth century, Susan Glaspell (1876–1948) produced fourteen ground-breaking plays, nine novels, and more than fifty short stories. Her work was popular and critically acclaimed during her lifetime, with her novels appearing on best-seller lists and her stories published in major magazines and in The Best American Short Stories. Many of her short works display her remarkable abilities as a humorist, satirizing cultural conventions and the narrowness of small-town life. And yet they also evoke serious questions—relevant as much today as during Glaspell’s lifetime—about society’s values and priorities and about the individual search for self-fulfillment. While the classic “A Jury of Her Peers” has been widely anthologized in the last several decades, the other stories Glaspell wrote between 1915 and 1925 have not been available since their original appearance. This new collection reprints “A Jury of Her Peers”—restoring its original ending—and brings to light eleven other outstanding stories, offering modern readers the chance to appreciate the full range of Glaspell’s literary skills. Glaspell was part of a generation of midwestern writers and artists, including Sherwood Anderson, Sinclair Lewis, Willa Cather, and F. Scott Fitzgerald, who migrated first to Chicago and then east to New York. Like these other writers, she retained a deep love for and a deep ambivalence about her native region. She parodied its provincialism and narrow-mindedness, but she also celebrated its pioneering and agricultural traditions and its unpretentious values. Witty, gently humorous, satiric, provocative, and moving, the stories in this timely collection run the gamut from acerbic to laugh-out-loud funny to thought-provoking. In addition, at least five of them provide background to and thematic comparisons with Glaspell’s innovative plays that will be useful to dramatic teachers, students, and producers. With its thoughtful introduction by two widely published Glaspell scholars, Her America marks an important contribution to the ongoing critical and scholarly efforts to return Glaspell to her former preeminence as a major writer. The universality and relevance of her work to political and social issues that continue to preoccupy American discourse—free speech, ethics, civic justice, immigration, adoption, and gender—establish her as a direct descendant of the American tradition of short fiction derived from Hawthorne, Poe, and Twain.




America, Their America


Book Description

America, Their America is the personal journal and travelogue from acclaimed poet and playwright, J. P. Clark – exploring 1960s America as he saw it. Controversial at the time of its publication for its negative depiction of American society and values, America, Their America captures the raw experiences of Nigerian writer, J. P. Clark during his time in the U.S.A.




The Gibson Girl and Her America


Book Description

The young, independent, and beautiful Gibson Girl came to define the spirit of the late 19th and early 20th centuries. Carefully selected from vintage editions, this collection features more than 100 of Gibson's finest illustrations.




America's Mistress


Book Description

Eartha Kitt was a skinny, mixed-race woman with an odd, angular face, who seduced fifties white America into thinking that she was, in the words of Orson Welles, 'the most exciting woman in the world'. She could count Marilyn Monroe, T.S. Eliot, Prince Philip and Albert Einstein among her friends and admirers, and was almost able to forget she had once been a poor black girl from the Deep South. But her new persona was also a prison from which she found it impossible to escape. John L. Williams' moving and unsettling biography shows a star adrift in a bewildering new America torn apart by the Civil Rights movement. Shunned by many of her former friends, shocked by her country's insiduous racism, and with a perilously fragile sense of her own identity, Eartha Kitt would pay the price that came from trying to be America's mistress.




Nice Big American Baby


Book Description

A blazingly original, profoundly moving new work of fiction by a writer whose world–and imagination–knows no boundaries. “I don’t know what planet Judy Budnitz comes from,” said Newsweek on the publication of her fiction debut, Flying Leap, “but I’m happy to have her. Tremendous . . . funny, dark, adventurous, slanted, and enchanted.” These twelve astonishingly inventive stories–which take us into the heart of America and around the globe, from suburban backyards and swimming pools to war-torn streets and fallout shelters–are riveting, seductive, and impossible to forget. In “Flush,” a mammogram prompts a dark comedy of blurred identities between a mother and her two adult daughters. In “Elephant and Boy,” a surrogate mother-and-son bond, tinged with the erotic, is formed when a philanthropist attempts to “civilize” a young elephant handler. “Nadia” sounds the depths of a young woman’s complex feelings toward a friend’ s mail-order bride from Eastern Europe. “Preparedness”–an Orwellian tale in Technicolor–imagines rapture in the wake of imminent apocalypse. And in “Where We Come From,” a pregnant woman’s many failed attempts to cross the border do not lessen her resolve to give birth on U.S. soil to a “nice big American baby.” Magical, poignant, often transcendent, these are virtuoso modern fables that mine our stores of hidden urges, misunderstandings, and blind passions, inviting us on a voyage through places and times at once deeply familiar and wondrously strange.




Arendt and America


Book Description

Books about Hannah Arendt abound; but there are none that deal with Arendt's 30-year time in America, at least not until now. Richard King's study of Arendt and America will be quick to establish itself as one of the most significant publications in intellectual history in recent years. Arendt's major works--The Human Condition, The Origins of Totalitarianism, On Revolution--were written in America. King tells us how Arendt came to America in 1941, at the midpoint of her life, rising to prominence among American intellectuals, and what it is she brought with her by way of intellectual and cultural equipment. We get a fully fleshed portrait of Arendt's position among the New York intellectual of the post-War/Cold War world, and King looks closely at Arendt's sharply framed responses to the political upheavals of the 1960s. By no means does King elide the great controversy over Arendt's Eichmann in Jerusalem (1963), her major claim to fame, its notoriety still very much alive today. Arendt focused on Eichmann's use of language and how that affected the working of his conscience. (King also take up the Eichmann affair in the book's conclusion, where he discusses the feature film, Hannah Arendt (2012), directed by Margarethe von Trotta, and the recent book by Bettina Stangneth on Eichmann arguing against the "banality of evil" notion of Arendt, and in favor of finding Eichmann to be an anti-Semite who played a key role in organizing the Holocaust.) King maintains that Arendt's experience in America shaped what she thought and wrote. The pivot of that experience is found in Arendt's ambivalence about America--the tension between the idea of the "republic" as formulated by the Framers, and the threat to this idea posed by mass consumer society, particularly after 1945. In the end, the book as a whole is a mediation on the question of whether Arendt ever became an American rather than German thinker. Her major contribution to American intellectual history and political thought was an American version of republicanism; her great worry was that this republic would be lost.










Intertextuality in American Drama


Book Description

The new essays in this collection, on such diverse writers as Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller, Maurine Dallas Watkins, Sophie Treadwell, and Washington Irving, fill an important conceptual gap. The essayists offer numerous approaches to intertextuality: the influence of the poetry of romanticism and Shakespeare and of histories and novels, ideological and political discourses on American playwrights, unlikely connections between such writers as Miller and Wilder, the problems of intertexts in translation, the evolution in historical and performance contexts of the same tale, and the relationships among feminism, the drama of the courtroom, and the drama of the stage. Intertextuality has been an under-explored area in studies of dramatic and performance texts. The innovative findings of these scholars testify to the continuing vitality of research in American drama and performance.