Hexachordal Theory in the Late Thirteenth Century
Author : Mariamichela Russo
Publisher :
Page : 430 pages
File Size : 15,19 MB
Release : 1997
Category : Composition (Music)
ISBN :
Author : Mariamichela Russo
Publisher :
Page : 430 pages
File Size : 15,19 MB
Release : 1997
Category : Composition (Music)
ISBN :
Author : Stefano Mengozzi
Publisher : Cambridge University Press
Page : 305 pages
File Size : 36,47 MB
Release : 2010-02-11
Category : Music
ISBN : 0521884152
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Author : Jane D. Hatter
Publisher : Cambridge University Press
Page : pages
File Size : 36,17 MB
Release : 2019-05-02
Category : Music
ISBN : 1108628834
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author : Joseph Dyer
Publisher : Routledge
Page : 343 pages
File Size : 48,82 MB
Release : 2018-01-12
Category : Music
ISBN : 1351983768
Hélie Salomon’s Scientia artis musice (1274), is a practical manual devoted to basic concepts, psalmody, vocal pedagogy, the musical hand in singing, clefs as indicators of the tone (mode) to which a piece belongs, and practical instruction in the singing of four-voice parallel organum. Joseph Dyer presents the first, much-needed, modern edition of Salomon’s treatise, accompanied by a full English translation, comprehensive introduction and commentary. This edition corrects errors in the 1784 edition of Martin Gerbert, includes the music of chants omitted by Gerbert from the tonary, and makes available reproductions in colour of the eight illustrations in the treatise.
Author : Jane D. Hatter
Publisher : Cambridge University Press
Page : 301 pages
File Size : 49,75 MB
Release : 2019-05-02
Category : Art
ISBN : 1108474918
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author : Thomas Christensen
Publisher : Cambridge University Press
Page : 1033 pages
File Size : 49,55 MB
Release : 2006-04-20
Category : Music
ISBN : 1316025489
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Author : Michael R. Dodds
Publisher : Oxford University Press
Page : 513 pages
File Size : 18,91 MB
Release : 2023-12-05
Category : Music
ISBN : 0199338159
From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
Author : Dolores Pesce
Publisher : Indiana University Press
Page : 262 pages
File Size : 12,59 MB
Release : 1987
Category : Music
ISBN : 9780253304605
..."" excellent work... "" --Musicological Research ""Dolores Pesce has now provided reliable and more comprehensive coverage of the available theoretical material, and her books should be consulted by all interested in the subject."" --David Hiley, Music and Letters For the first time, Dolores Pesce brings together theoretical perspectives on the concept of affinities, or pitch relationships, in musical treatises of the Middle Ages and the Renaissance.
Author : Gisa Jähnichen
Publisher : Cambridge Scholars Publishing
Page : 225 pages
File Size : 32,54 MB
Release : 2014-06-19
Category : Music
ISBN : 1443861944
This edited volume is the result of the 8th Symposium of the ICTM Study Group Maqām in Sarajevo, Bosnia and Herzegovina, which brought together scholars from Germany, Turkey, Tunisia, Serbia, Malaysia, Finland, Slovenia and Bosnia and Herzegovina. In order to open up minds and to widen the horizons of discussions on historical traces and present music practices related to the maqām principle in Southern Europe and neighbouring regions, the general topic of the symposium, namely “Maqām: Historical Traces and Present Practice in South European Music Traditions”, was substructured into three special topics: “Between maqām and mode: the intermediate realms”; “Historical traces of Ottoman music in the Mediterranean Region”; and “Role and revival of religious genres in the Balkans”. The contributions included in this volume offer new insights and knowledge on various aspects of the Ottoman music culture and their stimuli in the Mediterranean region and especially in parts of the Balkans, as well as on general aspects of the maqām principle.
Author : David Hiley
Publisher : Oxford University Press
Page : 764 pages
File Size : 44,61 MB
Release : 1995
Category : Music
ISBN : 9780198165729
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.