When Geologists Were Historians, 1665–1750


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"An essential perspective for those seeking a serious introduction to early geological science and a fundamental point of departure for future research.... No other book has this scope and conceptual focus."—Kenneth L. Taylor, University of OklahomaIn the years between 1665 and 1750, geology was a new kind of science, combining physical law with historical process. Rhoda Rappaport explains its novelty and provides a transnational account of the development of geological thinking. She begins with the establishment of formal institutions of international exchange, including the Philosophical Transactions of the Royal Society of London and the Journal des savants in Paris, and shows how new media fostered increasing communication among scientists, particularly in England, France, and Italy. Early geological thinking was thoroughly integrated with epistemology, historical and biblical scholarship, natural philosophy, and natural history. Ancient written documents supplemented what was called "physical conjecture," providing human witnesses to past events. How to combine elements of law, empirical observations, and texts posed serious problems in debates about the biblical flood, which Rappaport presents as a prime example of a well-attested historical event. Buffon argued forcefully that geology should be wholly a physical science and that historical texts were irrelevant to the reconstruction of physical processes. Rappaport explains how his contemporaries responded to this novel proposal and how Buffon heralded the end of an era.




An Essay on Medals


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Antiquarianism and the Visual Histories of Louis XIV


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Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.




The Politics of Samuel Johnson


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A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'










Portrait of the King


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Bibliotheca Sunderlandia


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