Crystal Palace


Book Description

This volume covers one of the most influential buildings of the 19th century. Joseph Paxton's Crystal Palace was the first public building to omit references to the past. Amid the historicist debates and battle of the styles of mid-19th-century Britain, Paxton's design was rational and straightforward.




History and Description of the Crystal Palace


Book Description

Tallis' book, published in 1852, gives a vibrant account of the Great Exhibition, a key event of the Victorian period.
















Palace at the Palace


Book Description

At the height of the British Empire the Crystal Palace was the world's largest and most iconic building. in 1854 it was moved from its home in Hyde Park to Sydenham where it was substantially enlarged to become the world's first theme park. During the Victorian and Edwardian eras the Crystal Palace became a much-loved national institution. It was at the centre of innovation and invention and was the scene of many historic World and British 'firsts'; it also gave birth to one of the oldest and most historic football clubs.This is the first detailed history written about the Crystal Palace Company which owned and managed the Palace and its 200 acres of parkland and the momentous events which took place there.Drawing on nearly 1,000 references from newspapers and archives the landmark events that took place at the Palace and the involvement of the Crystal Palace Football Club in the founding of the Football Association and 'soccer' as we know it to today, are recounted by those who were there.This is the story of the Crystal Palace Company from its founding in 1852 to its demise in 1909 when the Crystal Palace was finally bought for the nation and closed to serve as a Royal Naval training depot for the duration of the First World War. Hand-in-hand it tells the unique story of its football club until, it too, was forced to leave the Crystal Palace in 1915.







France at the Crystal Palace


Book Description

Whitney Walton approaches the nineteenth-century French industrial development from a new perspective—that of consumption. She analyzes the French performance at the Crystal Palace Exhibition of 1851 to illustrate how bourgeois consumers influenced France's distinctive pattern of industrial development. She also demonstrates the importance of consumption and gender in class formation and reveals how women influenced industry in their role as consumers. Walton examines important consumer goods industries that have been rarely studied by historians, such as the manufacture of wallpaper, furniture, and bronze statues. Using archival sources on household possessions of the Parisian bourgeoisie as well as published works, she shows how consumers' taste for fashionable, artistic, well-made furnishings and apparel promoted a specialization unique to nineteenth-century France.




The Finest Building in America


Book Description

When first opened to the public in 1853, New York's Crystal Palace created a sensation. Those who had seen London's Crystal Palace, the structure it was openly intended to emulate, argued that America's copy far surpassed it. Built in what is today Bryant Park, a four-acre site between 40th and 42nd Streets, the colossus of glass and steel indeed seemed poised to displace the British original in worldwide fame. Walt Whitman pronounced it "unsurpassed anywhere for beauty." Young Samuel Clemens--not yet Mark Twain--called it a "perfect fairy palace." Many perceived it as putting America, still in the thrall of European culture, on the map. "To us on this side of the water," wrote newspaperman Horace Greely, who had also visited London's Crystal Palace, "it was original." Pulitzer Prize-winning historian Edwin G. Burrows offers the tale of what was proclaimed the country's "finest building." Centerpiece of the 1853 World's Fair, the New York Crystal Palace, like its London counterpart, was intended to display the country's latest technological achievements--as well as a few dubious cultural artifacts. But its primary function was simply to be seen and admired by the crowds that thronged to it; its very existence caused patriotic breasts to swell. And then suddenly it was gone. On October 5, 1858, merely five years after its construction, the Crystal Palace caught fire. Despite frantic attempts to save it, the magnificent dome was engulfed and within thirty minutes the entire structure reduced to a heap of smoldering debris, through which for days afterward bereft New Yorkers picked for mementos. With sumptuous images and lively storytelling The Finest Building in America brings back to life an extraordinary monument, one that briefly but wholeheartedly captured the imagination of a country, giving form to its dreams and ambitions, and then vanishing from view.