The History of Four-Footed Beasts and Serpents and Insects


Book Description

First Published in 1967. This is volume one of three of The History of Four- footed Beasts taken principally from the ‘ Historite Animalium’ of Conrad Gesner. During the first decade of the seventeenth century, when Topsell prepared his translation, zoology had just become a science. It has a unique place: It was the first major book on animals printed in Great Britain in English; and it appeared at the last moment in history when all zoological knowledge since antiquity could be summarized sympathetically, before it was rendered a curiosity by the many new discoveries soon to come.













Squirrels


Book Description

Publisher description




Insectopedia


Book Description

A New York Times Notable Book A stunningly original exploration of the ties that bind us to the beautiful, ancient, astoundingly accomplished, largely unknown, and unfathomably different species with whom we share the world. For as long as humans have existed, insects have been our constant companions. Yet we hardly know them, not even the ones we’re closest to: those that eat our food, share our beds, and live in our homes. Organizing his book alphabetically, Hugh Raffles weaves together brief vignettes, meditations, and extended essays, taking the reader on a mesmerizing exploration of history and science, anthropology and travel, economics, philosophy, and popular culture. Insectopedia shows us how insects have triggered our obsessions, stirred our passions, and beguiled our imaginations.




The Colour of Angels


Book Description

The Colour of Angels uncovers the gender politics behind our attitude to the senses. Using a wide variety of examples, ranging from the sensuous religious visions of the middle ages through to nineteenth-century art movements, this book reveals a previously unexplored area of womens history.




Animals as Religious Subjects


Book Description

This book examines one of the most pressing cultural concerns that surfaced in the last decade - the question of the place and significance of the animal. This collection of essays represents the outcome of various conversations regarding animal studies and shows multidisciplinarity at its very best, namely, a rigorous approach within one discipline in conversation with others around a common theme. The contributors discuss the most relevant disciplines regarding this conversation, namely: philosophy, anthropology, religious studies, theology, history of religions, archaeology and cultural studies. The first section, Thinking about Animals, explores philosophical, anthropological and religious perspectives, raising general questions about the human perception of animals and its crucial cultural significance. The second section explores the intriguing topic of the way animals have been used historically as religious symbols and in religious rituals. The third section re-examines some Christian theological and biblical approaches to animals in the light of current concerns. The final section extends the implications of traditional views about other animals to more specific ethical theories and practices.




Imaginary Animals


Book Description

An extraordinary menagerie of fantastical and unreal beasts featuring hundreds of illustrations, from griffins to dog-men, mermaids, dragons, unicorns, and yetis. Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs—these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from around the world place these beasts in deserts, deep woods, remote islands, ocean depths, and alternate universes—just out of our reach. And in the sections on the apocalypse in the Bible, they proliferate as the end of time approaches, with horses with heads like lions, dragons, and serpents signaling the destruction of the world. Legends tell us that imaginary animals belong to a primordial time, before everything in the world had names, categories, and conceptual frameworks. In this book, Boria Sax digs into the stories of these fabulous beasts. He shows how, despite their liminal role, imaginary animals like griffins, dog-men, yetis, and more are socially constructed creatures, created through the same complex play of sensuality and imagination as real ones. Tracing the history of imaginary animals from Paleolithic art to their roles in stories such as Harry Potter and even the advent of robotic pets, he reveals that these extraordinary figures help us psychologically—as monsters, they give form to our amorphous fears, while as creatures of wonder, they embody our hopes. Their greatest service, Sax concludes, is to continually challenge our imaginations, directing us beyond the limitations of conventional beliefs and expectations. Featuring over 230 illustrations of a veritable menagerie of fantastical and unreal beasts, Imaginary Animals is a feast for the eyes and the imagination.




The Serpent and the Swan


Book Description

The Serpent and the Swan is a history and analysis of animal bride tales from antiquity to the present. The animal bride tale, the author argues, is an enduring expression of humankind's need to remain close to and a part of nature. Boria Sax traces the idea of the animal bride through history by drawing upon legends and literary works from throughout the world. He pays particular attention to Eurasian sources which support his thesis that the animal bride theme originated among the serpent cults of Mesopotamia and southeastern Europe. Through time, the details of the animal bride theme changed as a result of mankind's changing perceptions of the natural world. In general, this study is an account of myths and beliefs that have surrounded animals--and women--during the rise of modern humankind. The Serpent and the Swan identifies and explains images of the animal bride that pervade, enliven, and enrich our culture. The bride becomes Eve taking an apple from the serpent, Medea casting spells, Cinderella riding to the royal ball in a pumpkin coach, and the Little Mermaid rising from the waves. The Author: Boria Sax, who holds a doctorate in German and intellectual history, is the author of The Frog King and The Parliament of Animals, among other books.