Hitchcock's Villains


Book Description

Exploring a number of themes that form the foundation of villainy in Hitchcock's long and acclaimed career, Hitchcock's Villains also provides a detailed look at some of the director's most noteworthy villains and examine how these characters were often central to the enjoyment of the director's best films.




Hitchcock's Villains


Book Description

The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.




Alfred Hitchcock


Book Description

"A concise and intelligent synthesis of what we know and think about Hitchcock and a road map to future work on the subject. . . . There is no complete index to Hitchcock's career like this one and critics and historians will mine Sloan's work with enormous profit. . . . The 'Critical Survey' section constitutes an invaluable contribution to the project of metacriticism."—Matthew Bernstein, author of Walter Wanger, Hollywood Independent




The Men Who Knew Too Much


Book Description

The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.







The Hitchcock Romance


Book Description

Was Alfred Hitchcock a cynical trifler with his audience's emotions, as he liked to pretend? Or was he a profoundly humane artist? Most commentators leave Hitchcock's self-assessment unquestioned, but this book shows that his movies convey an affectionate, hopeful understanding of human nature and the redemptive possibilities of love. Lesley Brill discusses Hitchcock's work as a whole and examines in detail twenty-two films, from perennial favorites like North by Northwest to neglected masterpieces like Rich and Strange.




Hitchcock


Book Description

This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.




Villains, Scoundrels, and Rogues


Book Description

Everyone loves a good villain! From the back pages of history, vivid, entertaining portraits of little-known scoundrels whose misdeeds range from the simply inept to the truly horrifying. Even if you're an avid history buff, you've probably never heard of this disreputable cast of characters: A drunken, ne'er-do-well cop who abandoned his post at Ford's Theatre, giving assassin John Wilkes Booth unchallenged access to President Lincoln; a notorious Kansas quack who made millions by implanting billy goat testicles in gullible male patients; and America's worst female serial killer ever. These are three of the memorable but little-known rogues profiled in this eye-opening and entertaining book. Dividing his profiles into three categories--villains, scoundrels, and rogues--author and former National Geographic editor Paul Martin serves up concise, colorful biographies of thirty of America's most outrageous characters. Whether readers choose to be horrified by the story of Ed Gein, Alfred Hitchcock's hideous inspiration for Psycho, or marvel at the clever duplicity of the con artist who originated the phony bookie operation portrayed in The Sting, there's something here for everyone. Brimming with audacious, unforgettable characters often overlooked by standard history books, this page-turner is a must for anyone with an interest in the varieties of human misbehavior.




The Devil Himself


Book Description

A study of the villain in detective fiction and film. It examines such questions as what the villains reflect about the heroes, what they reflect about society, and what defines villainous activity. The texts range from Charles Brockden Brown's "Weiland" (1798) to the film "Seven" (1995).




Alfred Hitchcock's Psycho


Book Description

Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.