WILLIAM HOGARTH - A FREEMASON'S HARLOT.
Author : JEREMY. BELL
Publisher :
Page : pages
File Size : 26,59 MB
Release : 2017
Category :
ISBN : 9780998834214
Author : JEREMY. BELL
Publisher :
Page : pages
File Size : 26,59 MB
Release : 2017
Category :
ISBN : 9780998834214
Author : Ronald Paulson
Publisher : JHU Press
Page : 460 pages
File Size : 24,17 MB
Release : 2003-12-03
Category : Art
ISBN : 9780801873911
In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or Church of England. The author explains this absence of censure through a detailed examination of the parameters of blasphemy in 18th century England.
Author : David Dabydeen
Publisher : Random House (UK)
Page : 292 pages
File Size : 39,6 MB
Release : 1999
Category : Fiction
ISBN :
Een oudere zwarte slaaf vertelt in de 18e eeuw zijn levensgeschiedenis aan een van de Engelse voorstanders van afschaffing van de slavernij in ruil voor hun liefdadigheid.
Author : F. Haslam
Publisher :
Page : 4 pages
File Size : 38,31 MB
Release : 1990
Category :
ISBN :
Author : William Hogarth
Publisher :
Page : pages
File Size : 21,92 MB
Release : 1739
Category :
ISBN :
Author : David Dabydeen
Publisher : Manchester University Press
Page : 164 pages
File Size : 22,68 MB
Release : 1987
Category : Art
ISBN : 9780719023170
Author : William Hogarth
Publisher : Courier Corporation
Page : 238 pages
File Size : 50,72 MB
Release : 2013-06-03
Category : Art
ISBN : 0486317161
Rake's Progress, Harlot's Progress, Illustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.
Author : William Hogarth
Publisher :
Page : 144 pages
File Size : 29,52 MB
Release : 2019-10
Category :
ISBN : 9781999693213
A highly illustrated journey through Hogarth's series paintings and engravings, from the blockbuster 'Rake's Progress and Marriage a la Mode' to the enigmatic and lesser known Happy Marriage this book offers a close analysis of place and setting in Hogarth's works' in order to revisit the artist's complex stance on morality, society, and the city, and the enduring appeal of his satires in the present.0William Hogarth (1697-1764) remains one of Britain's best loved painters. His most renowned works, the series relating to moral subjects, are rarely displayed together, and will be united at the Soane Museum for the first time in its history.0The book also focusses tightly on Hogarth's series; The Soane Museum's own Rake's Progress and An Election, as well as Marriage a la Mode, the Four Times of Day, as well as the three surviving paintings of The Happy Marriage engraved series such as Stages of Cruelty, Industry and Idleness and Gin Lane and Beer Street. It is edited by David Bindman, a world authority on Hogarth and comprises four essays by leading academics, along with Bindman's own introduction to each of the series according to the themes of "place" and "progress".00Exhibition: Sir John Soane's Museum, London, UK (09.10.2019-05.01.2020).
Author : William Hogarth
Publisher :
Page : 34 pages
File Size : 40,45 MB
Release : 2000
Category : London (England)
ISBN :
Author : Ronald Paulson
Publisher :
Page : 1600 pages
File Size : 19,56 MB
Release : 1997-02
Category :
ISBN : 9780718829674
Ronald Paulson's authoritative study of the life of William Hogarth was first published in 1971 in two volumes. This latest work in three volumes represents a fully revised and updated text in the light of the author's changing views on Hogarth and his art, and on the social and political issues of the period. The general growth of knowledge of and interest in the 18th Century, including the works of historians during the 70s and 80s and surveys of other English painters, have contributed substantially to Professor Paulson's reassessment. In his study, Paulson sets out to discover answers to an entirely new set of questions: to examine not only the apparent nature of Hogarth's works, but also their underlying purpose, and the way in which the paintings are used to mythologise Hogarth's own life. Paulson wishes to differentiate those things Hogarth believed he was doing from those which, as part of the cultural milieu of the 18th Century, he was unconscious. From this study, Hogarth emerges as a more complex individual than that of the elitist Augustan satirist or the subversive popular artist. Volume I charts the emergence of Hogarth the man, placing him in the context of the art of his times. Volume II explores the peak of the artist's career and concentrates particularly on the production and consumption of his works. Volume II takes Hogarth from his fifty-third year to his death at sixty-seven.