Holy Image, Hallowed Ground


Book Description

Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.




Holy Image, Hallowed Ground


Book Description

Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.




The sensual icon


Book Description

"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.




Treading on Hallowed Ground


Book Description

After America's Iraq adventure devolved into a debacle, a chorus of commentators and analysts noted that the U.S. military had no plan to fight a counterinsurgency campaign. Given the failure of conventional tactics, America in the last two years has redoubled its efforts to develop a new strategy to fight the Iraqi insurgency, and has gone so far to place our leading counterinsurgency expert, General David Petraeus, in charge of the Iraq theater. In sum, there seems to be a growing consensus that for better or worse, counterinsurgency will be a core tactic in future American military campaigns. Iraq, of course, presents special problems to the U.S. because of the intensity of religious belief and sectarianism. How do we fight against an insurgency that so often strategically positions itself on 'hallowed ground'--mosques and shrines? Yet Iraq is not unique. As the contributors to Treading on Hallowed Ground show, counterinsurgency efforts on religiously contentious terrain is a widespread phenomenon in recent times, ranging from North Africa to Central and Southeast Asia. Here, C. Christine Fair and Sumit Ganguly have assembled an impressive group of experts to explore the most important counterinsurgency efforts in sacred spaces in our era: churches in Israel, mosques and shrines in Iraq, the Sikh Golden Temple in India, mosques and temples in Kashmir, the Krue Se Mosque in Thailand, and the Grand Mosque in Saudi Arabia. Taken together, the essays comprise the first comprehensive account of this increasingly pivotal component of contemporary war.




Hallowed Ground


Book Description

A kid in trouble is my weakness. That's why Tony Martinez, president of the Hombres motorcycle club, hires me to track down a five-year-old Native American girl who's become a pawn in her parents' custody dispute. Simple, right? Find kid, collect fat fee, and celebrate my superior PI skills with the dangerously sexy MC overlord. Except...Martinez neglected to mention a few crucial details. Like the girl's father is the foreman on the controversial new Indian casino under construction, and the girl's mother works at a rival Deadwood gaming hall run by an East Coast crime family. After bullets start whizzing at me, I'm in Martinez's face, demanding answers. Turns out plenty of people are determined to stop the casino from opening, including competitors, local ranchers, and a Lakota holy group. As the violence escalates and the bodies pile up, everything around me begins to tumble like a house of cards. My search for a missing girl puts me on the wrong side of tribal politics and at odds with everyone--Kevin, Martinez, and even my father. In a fight for my life after I attract the killer's attention, I realize no place is safe...not even hallowed ground.




Postcolonising the Medieval Image


Book Description

Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.




Icon and Devotion


Book Description

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.




The Architecture of the Christian Holy Land


Book Description

Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.




Soil and Sacrament


Book Description

Recounts the author's experiences founding a faith-based community garden in rural North Carolina, and emphasizes how growing one's own food can help readers reconnect with the land and divine faith.




Architecture of the Sacred


Book Description

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.