Homewood House


Book Description

Winner of a 2005 Heritage Book Award given by the Maryland Historical Trust. Baltimore's Homewood was a wedding gift from Charles Carroll, a signer of the Declaration of Independence, to his son Charles Jr. and his bride, Harriet Chew Carroll. Located on 130 acres of rolling meadow and forest, it afforded picturesque view to the harbor. The couple built a "full and genteel establishment," a grand yet intimate summer house that exemplifies the work of the most skilled Baltimore craftsmen of the Federal period. Construction began in 1801 and incorporated a classical five-part Palladian plan, with two hyphens flanking the main block and connecting it to two wings, or dependencies. Spending far more than his father had anticipated, Charles Jr. used only the finest materials then available and included extraordinary architectural details throughout the house. Homewood endures today as one of the finest examples of Federal-period domestic architecture in the United States. Sold by the Carroll family in 1838, the house and grounds eventually became the Homewood campus of the Johns Hopkins University. In 1971, Homewood received National Historic Landmark status, and five years later—through the generosity of Robert G. Merrick, an alumnus and university patron who developed a love for Homewood as a student in the 1920s—Johns Hopkins University began a major restoration effort. Today, open to the public as a museum, the house reflects the height of early-nineteenth-century style and the tastes of the Carroll family. In a lavishly illustrated yet scholarly study of this exquisite American residence, Catherine Rogers Arthur and Cindy Kelly explore Homewood's history, detailing its construction, reliving the Carroll family's experiences here, and recounting the expert restoration that preserves this home for generations to come. The book includes more than one hundred full-color photographs of the house's graceful exterior, its elegant rooms and furnishings, and the many architectural details that have made Homewood so beloved.




Interpreting Difficult History at Museums and Historic Sites


Book Description

Interpreting Difficult History at Museums and Historic Sites is framed by educational psychoanalytic theory and positions museum workers, public historians, and museum visitors as learners. Through this lens, museum workers and public historians can develop compelling and ethical representations of historical individuals, communities, and populations who have suffered. It includes various examples of difficult knowledge, detailed examples of specific interpretation methods, and will give readers an in-depth explanation of the psychoanalytic educational theories behind the methodologies. Audiences can more responsibly and productively engage in learning histories of oppression and trauma when they are in measured and sensitive museum learning environments and public history venues. To learn more, check out the website here: http://interpretingdifficulthistory.com/




Sisters of Fortune


Book Description

The first American heiresses took Britain by storm in 1816, two generations before the great late Victorian beauties. Marianne, Louisa, Emily and Bess Caton were descended from the first settlers in Maryland, and brought up in Baltimore by their grandfather Charles Carroll, one of the Signers of the Declaration of Independence.




Outdoor Sculpture in Baltimore


Book Description

Tells the stories behind Baltimore's monuments. From the twentieth-century sculpture of the Inner Harbor's Baltimore Renaissance to the nineteenth-century splendor of Mount Vernon Place, this work invites us to see Baltimore in a fresh perspective.




Children of the Dream


Book Description

An acclaimed economist reveals that school integration efforts in the 1970s and 1980s were overwhelmingly successful -- and argues that we must renew our commitment to integration for the sake of all Americans We are frequently told that school integration was a social experiment doomed from the start. But as Rucker C. Johnson demonstrates in Children of the Dream, it was, in fact, a spectacular achievement. Drawing on longitudinal studies going back to the 1960s, he shows that students who attended integrated and well-funded schools were more successful in life than those who did not -- and this held true for children of all races. Yet as a society we have given up on integration. Since the high point of integration in 1988, we have regressed and segregation again prevails. Contending that integrated, well-funded schools are the primary engine of social mobility, Children of the Dream offers a radical new take on social policy. It is essential reading in our divided times.




Baltimore


Book Description

How politics and race shaped Baltimore's distinctive disarray of cultures and subcultures. Charm City or Mobtown? People from Baltimore glory in its eccentric charm, small-town character, and North-cum-South culture. But for much of the nineteenth century, violence and disorder plagued the city. More recently, the 2015 death of Freddie Gray in police custody has prompted Baltimoreans—and the entire nation—to focus critically on the rich and tangled narrative of black–white relations in Baltimore, where slavery once existed alongside the largest community of free blacks in the United States. Matthew A. Crenson, a distinguished political scientist and Baltimore native, examines the role of politics and race throughout Baltimore's history. From its founding in 1729 up through the recent past, Crenson follows Baltimore's political evolution from an empty expanse of marsh and hills to a complicated city with distinct ways of doing business. Revealing how residents at large engage (and disengage) with one another across an expansive agenda of issues and conflicts, Crenson shows how politics helped form this complex city's personality. Crenson provocatively argues that Baltimore's many quirks are likely symptoms of urban underdevelopment. The city's longtime domination by the general assembly—and the corresponding weakness of its municipal authority—forced residents to adopt the private and extra-governmental institutions that shaped early Baltimore. On the one hand, Baltimore was resolutely parochial, split by curious political quarrels over issues as minor as loose pigs. On the other, it was keenly attuned to national politics: during the Revolution, for instance, Baltimoreans were known for their comparative radicalism. Crenson describes how, as Baltimore and the nation grew, whites competed with blacks, slave and free, for menial and low-skill work. He also explores how the urban elite thrived by avoiding, wherever possible, questions of slavery versus freedom—just as wealthier Baltimoreans, long after the Civil War and emancipation, preferred to sidestep racial controversy. Peering into the city's 300-odd neighborhoods, this fascinating account holds up a mirror to Baltimore, asking whites in particular to reexamine the past and accept due responsibility for future racial progress.




Flickering Treasures


Book Description

These vintage and contemporary images of Baltimore movie palaces explore the changing face of Charm City with stories and commentary by filmmakers. Since the dawn of popular cinema, Baltimore has been home to hundreds of movie theaters, many of which became legendary monuments to popular culture. But by 2016, the number of cinemas had dwindled to only three. Many theaters have been boarded up, burned out, or repurposed. In this volume, Baltimore Sun photojournalist Amy Davis pairs vintage black-and-white images of downtown movie palaces and modest neighborhood theaters with her own contemporary color photos. Flickering Treasures delves into Baltimore’s cultural and cinematic history, from its troubling legacy of racial segregation to the technological changes that have shaped both American cities and the movie exhibition business. Images of Electric Park, the Century, the Hippodrome, and scores of other beloved venues are punctuated by stories and interviews, as well as commentary from celebrated Baltimore filmmakers Barry Levinson and John Waters. A map and timeline reveal the one-time presence of movie houses in every corner of the city, and fact boxes include the years of operation, address, architect, and seating capacity for each of the 72 theaters profiled, along with a brief description of each theater’s distinct character.




The Architecture of Baltimore


Book Description

Romantic stylings follow excursions into the Greek and Gothic Revivals, the rise of the popular Italianate-mode for town and country houses : fine examples of soaring church spires; public spaces like the Peabody Library, and masterpieces of ornamented dignity."







Catonsville


Book Description

As the Baltimore County community of Catonsville celebrates its bicentennial, Then and Now: Catonsville reflects on its past, present, and future. Some images celebrate the familiar landmarks that have withstood the test of time, while others represent the march of progress and the ever-changing landscape of Catonsville.