Hong Kong Connections


Book Description

Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.




The Hong Kong Connection


Book Description




World Film Locations: Hong Kong


Book Description

The rapid development of Hong Kong has occasioned the demolition of buildings and landscapes of historic significance, but film acts as a repository for memories of lost places, vanished vistas and material objects. Location shoots in Hong Kong have preserved many disappearing landmarks of the city, and the resulting films function as valuable and irreplaceable archives of the city’s evolution. Far more than a simple collection of movie locations, this book delivers a rare glimpse into the history of film production practices in Hong Kong. The locations described here are often not the most iconic; rather, they are the anonymous streets and back alleys used by local film studios in the 1960s and 70s. They are the garden cafes with outdoor seating near the Chinese University of Hong Kong where moments of conflict in romantic comedies erupt and dissipate. They are the old Kai Tak Airport, which channels rage and desire, and the tenement housing, which splits citizens into greedy landlords and the diligent working class and embodies old-day communal values. Modern Hong Kong horror films draw their power from the material character of home-grown convenient stores, shopping arcades and lost mansions found under modern high rises. As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.




Hong Kong Culture and Society in the New Millennium


Book Description

This book discusses the notion of “Hong Kong as Method” as it relates to the rise of China in the context of Asianization. It explores new Hong Kong imaginaries with regard to the complex relationship between the local, the national and the global. The major theoretical thrust of the book is to address the reconfiguration of Hong Kong’s culture and society in an age of global modernity from the standpoints of different disciplines, exploring the possibilities of approaching Hong Kong as a method. Through critical inquiries into different fields related to Hong Kong’s culture and society, including gender, resistance and minorities, various perspectives on the country’s culture and society can be re-assessed. New directions and guidelines related to Hong Kong are also presented, offering a unique resource for researchers and students in the fields of cultural studies, media studies, postcolonial studies, globalization and Asian studies.




Developing China: The Remarkable Impact of Foreign Direct Investment


Book Description

One of the most important features of China’s economic emergence has been the role of foreign investment and foreign companies. The importance goes well beyond the USD 1.6 trillion in foreign direct investment that China has received since it started opening its economy. Using the tools of economic impact analysis, the author estimates that around one-third of China’s GDP in recent years has been generated by the investments, operations, and supply chains of foreign invested companies. In addition, foreign companies have developed industries, created suppliers and distributors, introduced modern technologies, improved business practices, modernized management training, improved sustainability performance, and helped shape China’s legal and regulatory systems. These impacts have helped China become the world’s second largest economy, its leading exporter, and one of its leading destinations for inward investment. The book provides a powerful analysis of China’s policies toward foreign investment that can inform policy makers around the world, while giving foreign companies tools to demonstrate their contributions to host countries and showing the tremendous power of foreign investment to help transform economies.




The Hong Kong Reader


Book Description

This paperback reader provides the student and general reader with easy access to the major issues of the Hong Kong transition crisis. Contributors include both editors, as well as Frank Ching, Berry F. Hsu, Reginald Yin-wang Kwok, Peter Kwong, Julian Y.M. Leung, Ronald Skeldon, Alvin Y. So, Yun-wing Sung, and James T.H. Tang - the majority of whom live and work in Hong Kong and experience the transition firsthand, personally and professionally.




From Urban Enclave to Ethnic Suburb


Book Description

From Urban Enclave to Ethnic Suburb focuses on the migration, settlement, and adaptation of Chinese and other Asian immigrants and their impacts on the transformation of metropolitan areas in the United States, Canada, Australia, and New Zealand. These stories of the interactivity of Asian "people and place" in four nation-states are framed within the larger context of spatial and social patterns, migration, acculturation/assimilation, and racialization theories, and emerging landscapes in the inner cities and suburbs of metropolitan areas like Los Angeles, San Francisco, New York, Toronto, Vancouver, Sydney, and Auckland. The book's primary arguments center on revisioning traditional "assimilationist" models of the Chicago School with the context of today's evolving metropolis. Other key elements include immigrant and refugee policies, new theories of ethnic settlement, and urban and suburban immigrant landscape forms. Nine chapters document the experiences of Asian immigrants and refugees--rich and poor, old and new. Their communities vary from no identifiable residential cluster (Vietnamese in Northern Virginia) to multiple residential and business clusters in both inner city and suburbs (Koreans in Los Angeles, Chinese in Toronto) to the largest suburban Chinese residential and business concentration (the San Gabriel Valley of suburban Los Angeles) and the "high-tech Mecca" of the U.S., if not the world (Silicon Valley), whose growth has been inseparable from workers, professionals, and entrepreneurs of Asian descents who are often local residents as well. Rich in detail and broad in scope, From Urban Enclave to Ethnic Suburb is the first book to focus exclusively on the Asian immigrant communities in multiethnic suburbs. It effectively demonstrates the complexity of contemporary Asian immigrant and refugee groups and the strength of their communities across the Pacific Rim. It will be welcomed by a wide range of readers with interests in Asian American studies, urban geography, the Chinese diaspora, immigration, and transnationalism. Contributors: Richard Bedford, Kevin Dunn, David W. Edgington, Michael A. Goldberg, Elsie Ho, Thomas A. Hutton, Hans Dieter Laux, Wei Li, Lucia Lo, John R. Logan, Edward J. W. Park, Suzannah Roberts, Christopher J. Smith, Günter Thieme, Joseph S. Wood.




Global Hong Kong


Book Description

Global Hong Kong locates Hong Kong in the contemporary globalizing world. Hong Kong, as the authors argue, is an archetypal place, sitting at the intersection of East and West. It is also a major center for global capital flows and world trade. Moreover, in recent years, the island's global cultural power has become increasingly evident, as Hong Kong popular culture has spread to the West via a booming film industry. While looking at issues of postcoloniality, transnationalism and economic globalization, Wong and McDonogh focus on the new cultures and social formations of contemporary Hong Kong, as well as the transformation of the physical city itself. They also trace the new interconnections - economic, demographic, social and cultural - between Hong Kong and other parts of the worldthat have benn fostered by globalization. Books in this series look at how nations and regions across the world are navigating the tumultuous currents of globalization. Concise, descriptive, interdisciplinary, and theoretically informed, they serve as ideal introductions to the peoples and places of our increasingly globalized world.




Historical Dictionary of Hong Kong Cinema


Book Description

Hong Kong cinema began attracting international attention in the 1980s. By the early 1990s, Hong Kong had become "Hollywood East" as its film industry rose to first in the world in per capita production, was ranked second to the United States in the number of films it exported, and stood third in the world in the number of films produced per year behind the United States and India. This second edition of Historical Dictionary of Hong Kong Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, producers, writers, actors, films, film companies, genres, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about Hong Kong cinema.




A Companion to Hong Kong Cinema


Book Description

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars